1 00:00:10,076 --> 00:00:20,320 [ Low Murmuring ] 2 00:00:40,240 --> 00:00:43,576 NOW REMEMBER, KEEP YOUR SHOULDERS BACK. 3 00:00:53,386 --> 00:00:56,089 OKAY, PUT YOUR ARM AROUND YOUR BROTHER. THAT’S IT. 4 00:00:56,156 --> 00:00:58,358 THAT’S IT. RIGHT, AND BREATHE IN. 5 00:00:59,926 --> 00:01:01,861 OKAY, ONE MORE. 6 00:01:01,928 --> 00:01:06,166 [ People Chattering ] 7 00:01:06,232 --> 00:01:08,301 NOW, JUST TO REVIEW, 8 00:01:08,368 --> 00:01:10,937 YOU’RE GOING TO FOLLOW ALONG THE PROCESSION... 9 00:01:11,004 --> 00:01:13,940 UNTIL YOU GET TO THE HEADMASTER. 10 00:01:14,007 --> 00:01:16,476 AT THAT POINT, HE WILL INDICATE TO YOU... 11 00:01:16,543 --> 00:01:18,645 TO LIGHT THE CANDLES OF THE BOYS. 12 00:01:18,711 --> 00:01:21,581 [ Man ] ALL RIGHT, BOYS, LET’S SETTLE DOWN. 13 00:01:29,656 --> 00:01:32,358 BANNERS UP ! 14 00:01:32,425 --> 00:01:37,464 ♪♪ [ Bagpipes ] 15 00:01:37,530 --> 00:01:47,574 ♪ 16 00:02:22,142 --> 00:02:26,212 LADIES AND GENTLEMEN, BOYS... 17 00:02:26,279 --> 00:02:28,281 THE LIGHT OF KNOWLEDGE. 18 00:02:28,348 --> 00:02:33,253 ♪♪ [ Organ ] 19 00:02:33,319 --> 00:02:36,956 ♪♪ [ Continues ] 20 00:02:37,023 --> 00:02:42,629 [ Crowd Applauding ] 21 00:02:42,695 --> 00:02:48,201 ONE HUNDRED YEARS AGO, IN 1859, 22 00:02:48,268 --> 00:02:52,071 41 BOYS SAT IN THIS ROOM... 23 00:02:52,138 --> 00:02:54,541 AND WERE ASKED THE SAME QUESTION... 24 00:02:54,607 --> 00:02:57,744 THAT NOW GREETS YOU AT THE START OF EACH SEMESTER. 25 00:02:57,810 --> 00:03:01,915 GENTLEMEN, WHAT ARE THE FOUR PILLARS ? 26 00:03:03,583 --> 00:03:08,655 TRADITION. HONOR. DISCIPLINE. EXCELLENCE. 27 00:03:09,889 --> 00:03:11,658 IN HER FIRST YEAR, 28 00:03:11,724 --> 00:03:16,029 WELTON ACADEMY GRADUATED FIVE STUDENTS. 29 00:03:16,095 --> 00:03:19,032 LAST YEAR WE GRADUATED 51. 30 00:03:19,098 --> 00:03:22,135 AND MORE THAN 75 PERCENT OF THOSE... 31 00:03:22,202 --> 00:03:25,004 WENT ON TO THE IVY LEAGUE. 32 00:03:25,071 --> 00:03:29,876 THIS-THIS KIND OF ACCOMPLISHMENT... 33 00:03:29,943 --> 00:03:31,711 IS THE RESULT... 34 00:03:31,778 --> 00:03:36,716 OF FERVENT DEDICATION TO THE PRINCIPLES TAUGHT HERE. 35 00:03:36,783 --> 00:03:40,286 THIS IS WHY YOU PARENTS HAVE BEEN SENDING US YOUR SONS. 36 00:03:40,353 --> 00:03:43,423 THIS IS WHY WE ARE THE BEST... 37 00:03:43,489 --> 00:03:46,759 PREPARATORY SCHOOL IN THE UNITED STATES. [ Applause ] 38 00:03:50,597 --> 00:03:54,834 [ Applause Continues ] 39 00:03:54,901 --> 00:03:57,070 AS YOU KNOW, 40 00:03:57,136 --> 00:04:02,141 OUR BELOVED MR. PORTIUS OF THE ENGLISH DEPARTMENT RETIRED LAST TERM. 41 00:04:02,208 --> 00:04:06,579 YOU WILL HAVE THE OPPORTUNITY LATER TO MEET HIS REPLACEMENT, MR. JOHN KEATING, 42 00:04:07,714 --> 00:04:11,117 HIMSELF AN HONORS GRADUATE OF THIS SCHOOL. 43 00:04:11,184 --> 00:04:13,886 AND WHO, FOR THE PAST SEVERAL YEARS, HAS BEEN TEACHING... 44 00:04:13,953 --> 00:04:16,322 AT THE HIGHLY REGARDED CHESTER SCHOOL IN LONDON. 45 00:04:16,389 --> 00:04:22,161 [ Applause ] 46 00:04:22,228 --> 00:04:23,997 [ Man ] RICHARD, YOU FORGOT YOUR BAG ! 47 00:04:24,063 --> 00:04:26,232 [ Boy ] HI, JOHNNY ! HEY, HOW YOU DOIN’ ? 48 00:04:26,299 --> 00:04:29,269 [ Horn Honks ] [ Man ] DON’T WORRY. I GOT YOUR ROOM ASSIGNMENT. 49 00:04:29,335 --> 00:04:33,273 [ Crowd Continues Chattering ] 50 00:04:33,339 --> 00:04:35,275 [ Continues Honking ] 51 00:04:35,341 --> 00:04:40,513 [ Chattering Continues ] 52 00:04:40,580 --> 00:04:43,516 THEY HAVEN’T MOVED THE DINING AREA. 53 00:04:43,583 --> 00:04:45,385 GLAD YOU COULD COME BY. 54 00:04:45,451 --> 00:04:48,688 THRILLING CEREMONY, AS USUAL, DR. NOLAN. YOU’VE BEEN AWAY TOO LONG. 55 00:04:48,755 --> 00:04:50,690 HELLO, DR. NOLAN. GOOD TO HAVE YOU BACK. 56 00:04:50,757 --> 00:04:52,892 THIS IS OUR YOUNGEST, TODD. MR. ANDERSON. 57 00:04:52,959 --> 00:04:56,863 YOU HAVE SOME BIG SHOES TO FILL, YOUNG MAN. YOUR BROTHER WAS ONE OF OUR FINEST. 58 00:04:56,929 --> 00:04:59,766 THANK YOU. 59 00:04:59,832 --> 00:05:02,969 LOVELY CEREMONY. THANK YOU. GLAD YOU LIKED IT. 60 00:05:03,036 --> 00:05:04,771 GALE. TOM. 61 00:05:04,837 --> 00:05:06,773 GOOD TO SEE YOU AGAIN. HELLO, MR. NOLAN. NEIL. 62 00:05:06,839 --> 00:05:09,976 WE EXPECT GREAT THINGS FROM YOU THIS YEAR. THANK YOU, SIR. 63 00:05:10,043 --> 00:05:12,211 WELL, HE WON’T DISAPPOINT US. RIGHT, NEIL ? 64 00:05:12,278 --> 00:05:14,514 I’LL DO MY BEST, SIR. 65 00:05:14,580 --> 00:05:16,716 [ Bell Tolling ] [ Father ] HEY, COME ON, SON. 66 00:05:16,783 --> 00:05:17,984 CHIN UP. OKAY. 67 00:05:18,051 --> 00:05:19,485 NO TEARS NOW. CHIN UP. 68 00:05:19,552 --> 00:05:21,254 [ Crying ] I DON’T WANT TO GO HERE. HONEY, I LOVE YOU. 69 00:05:21,321 --> 00:05:25,658 [ Father ] I’LL WALK YOU OVER. YOU BE A GOOD BOY. DO YOUR LESSONS. 70 00:05:27,093 --> 00:05:30,229 [ Tolling Continues ] 71 00:05:30,296 --> 00:05:32,699 HEY ! I HEAR WE’RE GONNA BE ROOMMATES. 72 00:05:32,765 --> 00:05:35,401 I’M NEIL PERRY. I’M TODD ANDERSON. 73 00:05:35,468 --> 00:05:37,570 WHY’D YOU LEAVE BALINCREST ? 74 00:05:37,637 --> 00:05:39,572 MY BROTHER WENT HERE. 75 00:05:39,639 --> 00:05:41,574 OH, SO YOU’RE THAT ANDERSON. 76 00:05:41,641 --> 00:05:43,810 THIS IS FOR HIS SINUSES. YES. I SEE. 77 00:05:43,876 --> 00:05:47,080 OH, AND IF HE CAN’T SWALLOW, YOU GIVE HIM ONE OF THESE. UH-HUH. 78 00:05:47,146 --> 00:05:50,116 AND IF HE HAS TROUBLE BREATHING, YOU CAN GIVE HIM SOME OF THOSE. ALL RIGHT, FINE. 79 00:05:50,183 --> 00:05:53,653 AND-- OH, DID YOU REMEMBER YOUR VAPORIZER ? YES, I PUT IT IN MY ROOM. 80 00:05:53,720 --> 00:05:59,325 [ Boys Laughing, Chattering ] 81 00:05:59,392 --> 00:06:01,194 HEY, HOW’S IT GOING, NEIL ? HEY, KNOX. 82 00:06:01,260 --> 00:06:04,263 [ Chattering Continues ] NEIL, STUDY GROUP TONIGHT ? 83 00:06:04,330 --> 00:06:06,799 YEAH, SURE. BUSINESS AS USUAL, HUH ? 84 00:06:06,866 --> 00:06:09,669 HEY, I HEARD YOU GOT THE NEW KID. LOOKS LIKE A STIFF ! 85 00:06:09,736 --> 00:06:12,805 [ Laughing, Stops ] OOPS. 86 00:06:15,308 --> 00:06:17,176 LISTEN, DON’T MIND CAMERON. 87 00:06:17,243 --> 00:06:22,148 HE WAS BORN WITH HIS FOOT IN HIS MOUTH. YOU KNOW WHAT I MEAN ? 88 00:06:24,450 --> 00:06:27,754 RUMOR HAS IT... YOU DID SUMMER SCHOOL. 89 00:06:27,820 --> 00:06:31,124 YEP. CHEMISTRY. MY FATHER THOUGHT I SHOULD GET AHEAD. 90 00:06:31,190 --> 00:06:33,126 HOW WAS YOUR SUMMER, SLICK ? 91 00:06:33,192 --> 00:06:35,094 KEEN. [ Laughs ] 92 00:06:36,629 --> 00:06:38,798 MEEKS. DOOR. CLOSED. 93 00:06:38,865 --> 00:06:40,833 YES, SIR. 94 00:06:40,900 --> 00:06:43,102 GENTLEMEN, WHAT ARE THE FOUR PILLARS ? 95 00:06:43,169 --> 00:06:47,974 [ Hushed ] TRAVESTY. HORROR. DECADENCE. EXCREMENT. 96 00:06:48,040 --> 00:06:50,843 [ Meeks Cheering ] OKAY. STUDY GROUP. 97 00:06:50,910 --> 00:06:53,846 MEEKS ACED LATIN. I DIDN’T QUITE FLUNK ENGLISH. 98 00:06:53,913 --> 00:06:56,215 SO, IF YOU WANT, WE GOT OUR STUDY GROUP. SURE. 99 00:06:56,282 --> 00:06:58,718 CAMERON ASKED ME TOO. ANYONE MIND INCLUDING HIM ? 100 00:06:58,785 --> 00:07:01,154 HMM, WHAT’S HIS SPECIALTY ? BOOTLICKING ? 101 00:07:01,220 --> 00:07:03,456 COME ON, HE’S YOUR ROOMMATE. THAT’S NOT MY FAULT. 102 00:07:03,523 --> 00:07:08,227 - [ Boys Chuckling ] - OH, I’M SORRY. MY NAME IS STEPHEN MEEKS. 103 00:07:08,294 --> 00:07:10,196 OH ! THIS IS TODD ANDERSON. 104 00:07:10,263 --> 00:07:12,398 [ Meeks ] NICE TO MEET YOU. NICE TO MEET YOU. 105 00:07:12,465 --> 00:07:14,967 CHARLIE DALTON. 106 00:07:15,034 --> 00:07:17,470 KNOX OVERSTREET. 107 00:07:17,537 --> 00:07:19,472 TODD’S BROTHER WAS JEFFREY ANDERSON. 108 00:07:19,539 --> 00:07:21,641 OH, YEAH, SURE. OOH. WHAT DO YOU KNOW ? 109 00:07:21,707 --> 00:07:25,645 VALEDICTORIAN. NATIONAL MERIT SCHOLAR. OH, WELL... 110 00:07:25,711 --> 00:07:27,613 WELCOME TO HELL-TON. 111 00:07:27,680 --> 00:07:31,951 IT’S EVERY BIT AS TOUGH AS THEY SAY UNLESS YOU’RE A GENIUS LIKE MEEKS. 112 00:07:32,018 --> 00:07:34,520 HE FLATTERS ME. THAT’S WHY I HELP HIM WITH LATIN. 113 00:07:34,587 --> 00:07:37,523 AND ENGLISH. AND TRIG. [ Coughing ] 114 00:07:37,590 --> 00:07:40,927 [ Knocking ] IT’S OPEN. 115 00:07:43,896 --> 00:07:45,932 [ Voice Cracking ] FATHER, I THOUGHT YOU’D GONE. 116 00:07:45,998 --> 00:07:48,801 - MR. PERRY. - KEEP YOUR SEATS, FELLOWS. KEEP YOUR SEATS. 117 00:07:48,868 --> 00:07:52,505 NEIL, I’VE JUST SPOKEN TO MR. NOLAN. 118 00:07:52,572 --> 00:07:55,942 I THINK THAT YOU’RE TAKING TOO MANY EXTRACURRICULAR ACTIVITIES THIS SEMESTER, 119 00:07:56,008 --> 00:07:58,978 AND I’VE DECIDED THAT YOU SHOULD DROP THE SCHOOL ANNUAL. 120 00:07:59,045 --> 00:08:00,880 BUT I’M THE ASSISTANT EDITOR THIS YEAR. 121 00:08:00,947 --> 00:08:04,517 - WELL, I’M SORRY, NEIL. - BUT, FATHER, I CAN’T. 122 00:08:04,584 --> 00:08:08,921 IT WOULDN’T BE FAIR. FELLOWS... WOULD YOU EXCUSE US FOR A MOMENT ? 123 00:08:19,799 --> 00:08:22,635 DON’T YOU EVER DISPUTE ME IN PUBLIC. DO YOU UNDERSTAND ? 124 00:08:22,702 --> 00:08:25,204 FATHER, I WASN’T DISPUTING-- AFTER YOU’VE FINISHED MEDICAL SCHOOL... 125 00:08:25,271 --> 00:08:27,373 AND YOU’RE ON YOUR OWN, THEN YOU CAN DO AS YOU DAMN WELL PLEASE. 126 00:08:27,440 --> 00:08:30,810 BUT UNTIL THEN, YOU DO AS I TELL YOU. IS THAT CLEAR ? 127 00:08:30,877 --> 00:08:33,579 YES, SIR. I’M SORRY. 128 00:08:33,646 --> 00:08:35,515 [ Clears Throat ] 129 00:08:35,581 --> 00:08:39,952 YOU KNOW HOW MUCH THIS MEANS TO YOUR MOTHER, DON’T YOU ? YES, SIR. 130 00:08:40,019 --> 00:08:44,323 YOU KNOW ME; ALWAYS TAKING ON TOO MUCH. [ Chuckles ] 131 00:08:44,390 --> 00:08:46,859 WELL, THAT’S MY BOY. 132 00:08:46,926 --> 00:08:51,097 NOW, LISTEN, YOU NEED ANYTHING, YOU LET US KNOW, HUH ? YES, SIR. 133 00:08:59,105 --> 00:09:02,909 [ Charlie ] WHY DOESN’T HE LET YOU DO WHAT YOU WANT ? 134 00:09:02,975 --> 00:09:05,344 YEAH, NEIL. TELL HIM OFF. 135 00:09:05,411 --> 00:09:08,147 IT COULDN’T GET ANY WORSE. OH, THAT’S RICH. LIKE YOU GUYS TELL YOUR PARENTS OFF ? 136 00:09:08,214 --> 00:09:10,149 MR. FUTURE LAWYER AND MR. FUTURE BANKER ? 137 00:09:10,216 --> 00:09:12,885 OKAY, SO I DON’T LIKE IT ANY MORE THAN YOU DO. 138 00:09:12,952 --> 00:09:15,054 WELL, JUST DON’T TELL ME HOW TO TALK TO MY FATHER. 139 00:09:15,121 --> 00:09:18,090 YOU GUYS ARE THE SAME WAY. ALL RIGHT, ALL RIGHT. JESUS. 140 00:09:18,157 --> 00:09:20,259 SO WHAT ARE YOU GONNA DO THEN ? [ Neil ] WHAT I HAVE TO DO. 141 00:09:20,326 --> 00:09:23,896 DROP THE ANNUAL. [ Charlie ] WELL, I WOULDN’T LOSE TOO MUCH SLEEP OVER IT. 142 00:09:23,963 --> 00:09:26,365 IT’S JUST A BUNCH OF JERKS TRYING TO IMPRESS NOLAN. 143 00:09:26,432 --> 00:09:29,669 I DON’T CARE. I DON’T GIVE A DAMN ABOUT ANY OF IT. 144 00:09:29,735 --> 00:09:33,339 WELL, UH... LATIN, 8:00 IN MY ROOM ? YES. 145 00:09:33,406 --> 00:09:36,642 THAT SOUNDS OKAY. TODD, YOU’RE WELCOME TO JOIN US. 146 00:09:36,709 --> 00:09:39,378 [ Knox ] YEAH, COME ALONG, PAL. THANKS. 147 00:09:39,445 --> 00:09:44,784 ♪♪ [ Bells Chiming ] 148 00:09:44,850 --> 00:09:49,388 ♪♪ [ Chiming Continues ] 149 00:09:49,455 --> 00:09:54,126 [ Bell Tolling ] 150 00:09:54,193 --> 00:09:57,697 [ Birds Squawking ] 151 00:09:57,763 --> 00:10:01,567 [ Tolling Continues ] 152 00:10:01,634 --> 00:10:06,272 [ Squawking Continues ] 153 00:10:07,707 --> 00:10:12,712 [ Chattering ] 154 00:10:12,778 --> 00:10:16,882 [ Chattering Continues ] 155 00:10:16,949 --> 00:10:19,385 [ Teacher ] SLOW DOWN, BOYS ! 156 00:10:19,452 --> 00:10:24,023 [ Chattering Continues ] SLOW DOWN, YOU HORRIBLE PHALANX OF PUBESCENCE ! 157 00:10:24,090 --> 00:10:27,994 PICK THREE LABORATORY EXPERIMENTS FROM THE PROJECT LIST... 158 00:10:28,060 --> 00:10:31,697 AND REPORT ON THEM EVERY FIVE WEEKS. 159 00:10:31,764 --> 00:10:36,502 THE FIRST 20 QUESTIONS AT THE END OF CHAPTER ONE ARE DUE TOMORROW. 160 00:10:36,569 --> 00:10:38,404 [ Boys Groaning ] 161 00:10:38,471 --> 00:10:40,606 AGRICOLAM. [ Class Repeating ] AGRICOLAM. 162 00:10:40,673 --> 00:10:42,608 AGRICOLA. AGRICOLA. 163 00:10:42,675 --> 00:10:44,877 AGRICOLAE. AGRICOLAE. 164 00:10:44,944 --> 00:10:47,747 AGRICOLARUM. AGRICOLARUM. 165 00:10:47,813 --> 00:10:50,249 AGRICOLIS. AGRICOLIS. 166 00:10:50,316 --> 00:10:52,385 AGRICOLAS. AGRICOLAS. 167 00:10:52,451 --> 00:10:54,620 AGRICOLIS. AGRICOLIS. 168 00:10:54,687 --> 00:10:57,390 AGAIN, PLEASE. AGRICOLA. AGRICOLA. 169 00:10:57,456 --> 00:11:03,262 YOUR STUDY OF TRIGONOMETRY REQUIRES ABSOLUTE PRECISION. 170 00:11:03,329 --> 00:11:08,134 ANYONE FAILING TO TURN IN ANY HOMEWORK ASSIGNMENT... 171 00:11:08,200 --> 00:11:13,272 WILL BE PENALIZED ONE POINT OFF THEIR FINAL GRADE. 172 00:11:13,339 --> 00:11:17,476 LET ME URGE YOU NOW NOT TO TEST ME ON THIS POINT. 173 00:11:17,543 --> 00:11:20,880 [ Chattering ] 174 00:11:20,946 --> 00:11:24,884 [ Chattering Continues ] 175 00:11:28,821 --> 00:11:31,057 [ Knox ] HEY, SPAZ. SPAZ. 176 00:11:31,123 --> 00:11:33,793 [ Laughing ] [ Cameron ] BRAIN DAMAGE ! 177 00:11:33,859 --> 00:11:37,496 ♪♪ [ Whistling 1812 Overture ] SHH ! 178 00:11:37,563 --> 00:11:41,300 ♪ [ Continues Whistling ] 179 00:11:41,367 --> 00:11:51,410 ♪ 180 00:11:54,880 --> 00:11:58,084 WELL, COME ON. 181 00:12:00,619 --> 00:12:04,990 [ Boys Murmuring ] 182 00:12:05,057 --> 00:12:08,160 LET’S GO. WHERE ? LET’S GO, GUYS. 183 00:12:08,227 --> 00:12:13,632 LET’S GO. [ Boys Chattering ] 184 00:12:13,699 --> 00:12:16,302 ♪ [ Whistling ] 185 00:12:16,368 --> 00:12:22,374 ♪ [ Continues Whistling ] [ Murmuring, Chattering ] 186 00:12:22,441 --> 00:12:27,413 ♪ [ Continues ] 187 00:12:32,818 --> 00:12:36,522 "OH, CAPTAIN, MY CAPTAIN." 188 00:12:36,589 --> 00:12:39,692 WHO KNOWS WHERE THAT COMES FROM ? 189 00:12:39,759 --> 00:12:41,494 ANYBODY ? 190 00:12:41,560 --> 00:12:45,631 [ Coughing, Blowing Nose ] 191 00:12:45,698 --> 00:12:47,733 NOT A CLUE ? 192 00:12:47,800 --> 00:12:51,937 IT’S FROM A POEM BY WALT WHITMAN ABOUT MR. ABRAHAM LINCOLN. 193 00:12:52,004 --> 00:12:54,840 NOW IN THIS CLASS YOU CAN EITHER CALL ME MR. KEATING... 194 00:12:54,907 --> 00:12:59,311 OR, IF YOU’RE SLIGHTLY MORE DARING, "OH, CAPTAIN, MY CAPTAIN." 195 00:12:59,378 --> 00:13:02,648 [ Scattered Snickering ] 196 00:13:02,715 --> 00:13:05,985 NOW, LET ME DISPEL A FEW RUMORS SO THEY DON’T FESTER INTO FACTS. 197 00:13:06,051 --> 00:13:09,655 YES, I, TOO, ATTENDED HELL-TON AND SURVIVED. 198 00:13:09,722 --> 00:13:14,026 AND, NO, AT THAT TIME, I WAS NOT THE MENTAL GIANT YOU SEE BEFORE YOU. 199 00:13:14,093 --> 00:13:17,530 I WAS THE INTELLECTUAL EQUIVALENT OF A 98-POUND WEAKLING. 200 00:13:17,596 --> 00:13:21,734 I WOULD GO TO THE BEACH, AND PEOPLE WOULD KICK COPIES OF BYRON IN MY FACE. 201 00:13:21,801 --> 00:13:25,037 [ Chuckling ] 202 00:13:25,104 --> 00:13:30,643 NOW... MR. PITTS ? 203 00:13:30,709 --> 00:13:32,578 THAT’S A RATHER UNFORTUNATE NAME. 204 00:13:32,645 --> 00:13:36,148 MR. PITTS, WHERE ARE YOU ? [ Boys Snickering ] 205 00:13:36,215 --> 00:13:40,586 MR. PITTS, WOULD YOU OPEN YOUR HYMNAL TO PAGE 542. 206 00:13:40,653 --> 00:13:43,889 READ THE FIRST STANZA OF THE POEM YOU FIND THERE. 207 00:13:43,956 --> 00:13:46,325 [ Spaz Coughs ] 208 00:13:46,392 --> 00:13:49,061 "TO THE VIRGINS TO MAKE MUCH OF TIME" ? 209 00:13:49,128 --> 00:13:52,331 [ Keating ] YES, THAT’S THE ONE. 210 00:13:52,398 --> 00:13:55,201 SOMEWHAT APPROPRIATE, ISN’T IT ? [ Boys Chuckling ] 211 00:13:55,267 --> 00:13:57,937 [ Pitts ] "GATHER YE ROSEBUDS WHILE YE MAY. 212 00:13:58,003 --> 00:13:59,738 "OLD TIME IS STILL A-FLYING. 213 00:13:59,805 --> 00:14:03,509 AND THIS SAME FLOWER THAT SMILES TODAY, TOMORROW WILL BE DYING." 214 00:14:03,576 --> 00:14:06,612 THANK YOU, MR. PITTS. 215 00:14:06,679 --> 00:14:09,548 "GATHER YE ROSEBUDS WHILE YE MAY." 216 00:14:09,615 --> 00:14:13,619 THE LATIN TERM FOR THAT SENTIMENT IS "CARPE DIEM." 217 00:14:13,686 --> 00:14:16,222 NOW, WHO KNOWS WHAT THAT MEANS ? 218 00:14:17,256 --> 00:14:19,825 CARPE DIEM. THAT’S "SEIZE THE DAY." 219 00:14:19,892 --> 00:14:21,827 VERY GOOD, MISTER-- MEEKS. 220 00:14:21,894 --> 00:14:25,264 MEEKS. ANOTHER UNUSUAL NAME. 221 00:14:25,331 --> 00:14:27,333 SEIZE THE DAY. 222 00:14:27,399 --> 00:14:31,036 "GATHER YE ROSEBUDS WHILE YE MAY." 223 00:14:31,103 --> 00:14:33,372 WHY DOES THE WRITER USE THESE LINES ? 224 00:14:33,439 --> 00:14:36,308 - BECAUSE HE’S IN A HURRY. - NO ! DING ! 225 00:14:36,375 --> 00:14:38,978 THANK YOU FOR PLAYING ANYWAY. 226 00:14:40,713 --> 00:14:44,216 BECAUSE WE ARE FOOD FOR WORMS, LADS. 227 00:14:44,283 --> 00:14:47,119 BECAUSE, BELIEVE IT OR NOT, EACH AND EVERY ONE OF US IN THIS ROOM... 228 00:14:47,186 --> 00:14:52,958 IS ONE DAY GOING TO STOP BREATHING, TURN COLD AND DIE. 229 00:14:54,927 --> 00:14:57,396 I WOULD LIKE YOU TO STEP FORWARD OVER HERE... 230 00:14:57,463 --> 00:14:59,965 AND PERUSE SOME OF THE FACES FROM THE PAST. 231 00:15:00,032 --> 00:15:04,937 YOU’VE WALKED PAST THEM MANY TIMES. I DON’T THINK YOU’VE REALLY LOOKED AT THEM. 232 00:15:10,242 --> 00:15:13,012 THEY’RE NOT THAT DIFFERENT FROM YOU, ARE THEY ? 233 00:15:13,078 --> 00:15:15,814 SAME HAIRCUTS. 234 00:15:15,881 --> 00:15:18,751 FULL OF HORMONES, JUST LIKE YOU. 235 00:15:18,817 --> 00:15:24,390 INVINCIBLE, JUST LIKE YOU FEEL. THE WORLD IS THEIR OYSTER. 236 00:15:24,456 --> 00:15:27,559 THEY BELIEVE THEY’RE DESTINED FOR GREAT THINGS, JUST LIKE MANY OF YOU. 237 00:15:27,626 --> 00:15:29,995 THEIR EYES ARE FULL OF HOPE, JUST LIKE YOU. 238 00:15:30,062 --> 00:15:32,598 DID THEY WAIT UNTIL IT WAS TOO LATE... 239 00:15:32,665 --> 00:15:36,068 TO MAKE FROM THEIR LIVES EVEN ONE IOTA OF WHAT THEY WERE CAPABLE ? 240 00:15:36,135 --> 00:15:41,640 BECAUSE, YOU SEE, GENTLEMEN, THESE BOYS ARE NOW FERTILIZING DAFFODILS. 241 00:15:43,175 --> 00:15:46,111 BUT IF YOU LISTEN REAL CLOSE... 242 00:15:46,178 --> 00:15:49,315 YOU CAN HEAR THEM WHISPER THEIR LEGACY TO YOU. 243 00:15:49,381 --> 00:15:51,116 GO ON, LEAN IN. 244 00:15:51,183 --> 00:15:57,156 LISTEN. DO YOU HEAR IT ? 245 00:16:03,162 --> 00:16:05,664 [ Keating Whispering ] CARPE. 246 00:16:07,967 --> 00:16:10,836 HEAR IT ? 247 00:16:10,903 --> 00:16:16,208 [ Whispering ] CARPE. 248 00:16:16,275 --> 00:16:21,714 [ Continues Whispering ] CARPE DIEM. 249 00:16:21,780 --> 00:16:26,385 SEIZE THE DAY, BOYS. 250 00:16:26,452 --> 00:16:32,324 MAKE YOUR LIVES EXTRAORDINARY. 251 00:16:41,133 --> 00:16:45,270 [ Chattering ] 252 00:16:45,337 --> 00:16:48,140 THAT WAS WEIRD. BUT DIFFERENT. 253 00:16:48,207 --> 00:16:50,876 SPOOKY, IF YOU ASK ME. 254 00:16:50,943 --> 00:16:53,012 THINK HE’LL TEST US ON THAT STUFF ? 255 00:16:53,078 --> 00:16:56,382 OH, COME ON, CAMERON. DON’T YOU GET ANYTHING ? 256 00:16:56,448 --> 00:16:58,517 WHAT ? WHAT ? 257 00:16:58,584 --> 00:17:00,419 [ Charlie Scoffs ] 258 00:17:00,486 --> 00:17:04,156 LET’S GO, BOYS. HUSTLE UP IN HERE. THAT MEANS YOU, DALTON ! 259 00:17:04,223 --> 00:17:06,825 ALL RIGHT, WHO’S UP FOR A QUICK STUDY GROUP TONIGHT, GUYS ? [ Neil ] SURE. 260 00:17:06,892 --> 00:17:08,794 [ Cameron, Pitts ] ME. WHAT ? 261 00:17:08,861 --> 00:17:12,364 I CAN’T MAKE IT, GUYS. I HAVE TO HAVE DINNER AT THE DANBURRYS’ HOUSE TONIGHT. 262 00:17:12,431 --> 00:17:14,366 [ Pitts ] THE DANBURRYS ? WHO ARE THE DANBURRYS ? 263 00:17:14,433 --> 00:17:16,201 [ Cameron ] BIG ALUMS. HOW’D YOU SWING THAT ? 264 00:17:16,268 --> 00:17:18,804 FRIENDS OF MY DAD’S. THEY’RE PROBABLY IN THEIR NINETIES OR SOMETHING. 265 00:17:18,871 --> 00:17:22,875 OOH ! ANYTHING’S BETTER THAN HELL-TON HASH, KNOX. 266 00:17:22,941 --> 00:17:25,544 [ Charlie ] I’LL SECOND THAT. [ Knox ] YEAH, WE’LL SEE. 267 00:17:25,611 --> 00:17:29,415 HEY. YOU COMING TO THE STUDY GROUP TONIGHT ? [ Others Chattering ] 268 00:17:29,481 --> 00:17:33,419 UH... NO. NO, I-- UH, I’VE GOT SOME HISTORY I WANNA DO. 269 00:17:33,485 --> 00:17:36,522 SUIT YOURSELF. [ Laughing ] 270 00:18:09,288 --> 00:18:11,490 READY, OVERSTREET ? 271 00:18:13,292 --> 00:18:15,828 READY TO GO, SIR. 272 00:18:40,452 --> 00:18:42,855 [ Doorbell Ringing ] [ Woman ] CHET, CAN YOU GET THAT ? 273 00:18:42,921 --> 00:18:45,390 [ Chet ] I CAN’T, MOM. [ Girl ] I’LL GET IT ! 274 00:18:50,662 --> 00:18:53,132 CAN I HELP YOU ? 275 00:18:53,198 --> 00:18:56,869 HI. KNOX OVERSTREET. 276 00:18:56,935 --> 00:19:00,539 UH, DR. HAGER. [ Girl ] HI. 277 00:19:00,606 --> 00:19:02,508 THIS IS THE DANBURRYS’, RIGHT ? 278 00:19:02,574 --> 00:19:05,844 - ARE YOU HERE TO SEE CHET ? - MRS. DANBURRY ? 279 00:19:05,911 --> 00:19:10,182 [ Laughing ] NO. SORRY. THANK YOU, CHRIS. I’M MRS. DANBURRY. 280 00:19:10,249 --> 00:19:12,184 YOU MUST BE KNOX. YES. 281 00:19:12,251 --> 00:19:14,887 BACK BY 9:00 ? PLEASE, COME ON IN. 282 00:19:14,953 --> 00:19:17,055 [ Chet ] CHRIS, COME ON ! WHAT ARE YOU DOING ? [ Chris ] CHET, I’M COMING. 283 00:19:17,122 --> 00:19:19,191 KNOX. HOW ARE YOU ? JOE DANBURRY. 284 00:19:19,258 --> 00:19:22,060 NICE TO MEET YOU, SIR. HE’S THE SPITTING IMAGE OF HIS FATHER, ISN’T HE ? 285 00:19:22,127 --> 00:19:24,129 [ Chuckling ] HOW IS HE ? COME ON IN. [ Chet ] CHRIS ! 286 00:19:24,196 --> 00:19:26,865 HE’S GREAT. HE JUST DID A BIG CASE FOR G.M. I KNOW WHERE YOU’RE HEADED. 287 00:19:26,932 --> 00:19:29,601 [ Chris ] I’M COMING. LIKE FATHER, LIKE SON, HUH ? 288 00:19:31,069 --> 00:19:33,038 [ Boy ] OOH ! PSYCHO ! 289 00:19:33,105 --> 00:19:35,541 YES ! TO QUEEN-SIX. 290 00:19:35,607 --> 00:19:38,110 ANOTHER GAME ? WHAT DO YOU MEAN ? DUH ! 291 00:19:38,177 --> 00:19:41,580 JUST REPLACE THESE NUMBERS HERE WITH "X," FOR "X" AND "Y." WHAT ? 292 00:19:41,647 --> 00:19:44,116 OF COURSE. OF COURSE. SO WHAT’S THE PROBLEM ? 293 00:19:44,183 --> 00:19:47,052 [ Boy ] YOU THINK I CAN GET IN THERE ? YOU’VE BEEN HOGGING IT ALL DAY. 294 00:19:47,119 --> 00:19:49,421 - WAIT. NO. - HOW WAS DINNER ? 295 00:19:49,488 --> 00:19:51,323 HUH ? 296 00:19:51,390 --> 00:19:55,394 HOW WAS DINNER ? TERRIBLE. 297 00:19:56,395 --> 00:20:00,199 AWFUL. WHY ? WHAT HAPPENED ? 298 00:20:00,265 --> 00:20:03,068 [ Sighs ] 299 00:20:03,135 --> 00:20:07,606 TONIGHT, I MET THE MOST BEAUTIFUL GIRL... 300 00:20:07,673 --> 00:20:10,008 I HAVE EVER SEEN IN MY ENTIRE LIFE. 301 00:20:10,075 --> 00:20:14,012 ARE YOU CRAZY ? WHAT’S WRONG WITH THAT ? SHE’S PRACTICALLY ENGAGED... 302 00:20:14,079 --> 00:20:17,182 TO CHET DANBURRY. 303 00:20:17,249 --> 00:20:18,951 [ Groans ] THAT GUY COULD EAT A FOOTBALL. 304 00:20:19,017 --> 00:20:20,886 TOO BAD. [ Knox ] "TOO BAD" ? 305 00:20:20,953 --> 00:20:23,589 IT’S WORSE THAN "TOO BAD," PITTSIE. IT’S A TRAGEDY. 306 00:20:23,655 --> 00:20:26,491 A GIRL THIS BEAUTIFUL IN LOVE WITH SUCH A JERK. 307 00:20:26,558 --> 00:20:28,927 ALL THE GOOD ONES GO FOR JERKS. YOU KNOW THAT. 308 00:20:28,994 --> 00:20:31,630 YEAH, FORGET HER. OPEN YOUR TRIG BOOK AND TRY AND FIGURE OUT... 309 00:20:31,697 --> 00:20:34,233 PROBLEM FIVE. I CAN’T JUST FORGET HER, CAMERON. 310 00:20:34,299 --> 00:20:37,202 AND I CERTAINLY CAN’T THINK ABOUT TRIG. 311 00:20:37,269 --> 00:20:39,371 [ Radio Humming ] WE GOT IT ! HOLY COW ! 312 00:20:39,438 --> 00:20:42,241 ALL RIGHT, GENTLEMEN. FIVE MINUTES. 313 00:20:42,307 --> 00:20:44,676 - [ Radio Continues Humming ] - LET’S GO. 314 00:20:44,743 --> 00:20:48,513 DID YOU SEE HER NAKED ? [ Chuckles ] VERY FUNNY, DALTON. 315 00:20:48,580 --> 00:20:51,550 [ Radio Static ] THAT WOULDN’T BE A RADIO IN YOUR LAP, 316 00:20:51,617 --> 00:20:56,121 WOULD IT, MR. PITTS ? NO, SIR. SCIENCE EXPERIMENT. 317 00:20:56,188 --> 00:20:58,290 RADAR. 318 00:20:58,357 --> 00:21:02,561 [ Radio Continues Humming ] 319 00:21:02,628 --> 00:21:07,566 GENTLEMEN, OPEN YOUR TEXT TO PAGE 21 OF THE INTRODUCTION. 320 00:21:07,633 --> 00:21:11,203 MR. PERRY, WILL YOU READ THE OPENING PARAGRAPH OF THE PREFACE, 321 00:21:11,270 --> 00:21:13,639 ENTITLED "UNDERSTANDING POETRY." 322 00:21:14,640 --> 00:21:19,444 "’UNDERSTAND POETRY’ BY DR. J. EVANS PRITCHARD, Ph.D. 323 00:21:19,511 --> 00:21:22,314 "TO FULLY UNDERSTAND POETRY, WE MUST FIRST BE FLUENT... 324 00:21:22,381 --> 00:21:25,317 "WITH ITS METER, RHYME AND FIGURES OF SPEECH. 325 00:21:25,384 --> 00:21:27,119 "THEN ASK TWO QUESTIONS. 326 00:21:27,185 --> 00:21:29,621 "ONE: HOW ARTFULLY HAS THE OBJECTIVE OF THE POEM BEEN RENDERED ? 327 00:21:29,688 --> 00:21:33,058 "AND, TWO: HOW IMPORTANT IS THAT OBJECTIVE ? 328 00:21:33,125 --> 00:21:35,260 "QUESTION ONE RATES THE POEM’S PERFECTION. 329 00:21:35,327 --> 00:21:37,129 "QUESTION TWO RATES ITS IMPORTANCE. 330 00:21:37,195 --> 00:21:39,765 "AND ONCE THESE QUESTIONS HAVE BEEN ANSWERED... 331 00:21:39,831 --> 00:21:43,168 "DETERMINING A POEM’S GREATNESS BECOMES A RELATIVELY SIMPLE MATTER. 332 00:21:43,235 --> 00:21:45,871 "IF THE POEM’S SCORE FOR PERFECTION IS PLOTTED... 333 00:21:45,937 --> 00:21:48,040 "ON THE HORIZONTAL OF A GRAPH... 334 00:21:48,106 --> 00:21:51,610 "AND ITS IMPORTANCE IS PLOTTED ON THE VERTICAL, 335 00:21:51,677 --> 00:21:54,913 "THEN CALCULATING THE TOTAL AREA OF THE POEM... 336 00:21:54,980 --> 00:21:57,983 "YIELDS THE MEASURE OF ITS GREATNESS. 337 00:22:00,419 --> 00:22:05,590 "A SONNET BY BYRON MIGHT SCORE HIGH ON THE VERTICAL, 338 00:22:05,657 --> 00:22:08,627 "BUT ONLY AVERAGE ON THE HORIZONTAL. 339 00:22:08,694 --> 00:22:11,863 "A SHAKESPEAREAN SONNET, ON THE OTHER HAND, 340 00:22:11,930 --> 00:22:15,367 "WOULD SCORE HIGH BOTH HORIZONTALLY AND VERTICALLY, 341 00:22:15,434 --> 00:22:17,402 "YIELDING A MASSIVE TOTAL AREA; 342 00:22:17,469 --> 00:22:20,539 "THEREBY REVEALING THE POEM TO BE TRULY GREAT. 343 00:22:20,605 --> 00:22:25,644 "AS YOU PROCEED THROUGH THE POETRY IN THIS BOOK, PRACTICE THIS RATING METHOD. 344 00:22:25,711 --> 00:22:28,280 "AS YOUR ABILITY TO EVALUATE POEMS IN THIS MANNER GROWS, 345 00:22:28,347 --> 00:22:34,619 SO WILL-- SO WILL YOUR ENJOYMENT AND UNDERSTANDING OF POETRY." 346 00:22:38,890 --> 00:22:40,892 EXCREMENT. 347 00:22:42,994 --> 00:22:45,263 THAT’S WHAT I THINK OF MR. J. EVANS PRITCHARD. 348 00:22:45,330 --> 00:22:48,433 WE’RE NOT LAYING PIPE. WE’RE TALKING ABOUT POETRY. 349 00:22:48,500 --> 00:22:51,970 I MEAN, HOW CAN YOU DESCRIBE POETRY LIKE AMERICAN BANDSTAND ? 350 00:22:52,037 --> 00:22:56,875 "I LIKE BYRON. I GIVE HIM A 42. BUT I CAN’T DANCE TO IT." [ Chuckling ] 351 00:22:56,942 --> 00:23:00,212 NOW, I WANT YOU TO RIP OUT THAT PAGE. 352 00:23:00,278 --> 00:23:03,849 GO ON. RIP OUT THE ENTIRE PAGE. 353 00:23:06,318 --> 00:23:08,954 YOU HEARD ME. RIP IT OUT. 354 00:23:09,020 --> 00:23:11,423 RIP IT OUT ! 355 00:23:11,490 --> 00:23:13,859 GO ON. RIP IT OUT. 356 00:23:15,060 --> 00:23:17,262 THANK YOU, MR. DALTON. 357 00:23:17,329 --> 00:23:19,498 GENTLEMEN, TELL YOU WHAT. DON’T JUST TEAR OUT THAT PAGE. 358 00:23:19,564 --> 00:23:24,202 TEAR OUT THE ENTIRE INTRODUCTION. I WANT IT GONE, HISTORY. LEAVE NOTHING OF IT. 359 00:23:24,269 --> 00:23:28,740 RIP IT OUT ! RIP ! BE GONE, J. EVANS PRITCHARD, Ph.D. ! 360 00:23:28,807 --> 00:23:31,143 RIP ! SHRED ! TEAR ! 361 00:23:31,209 --> 00:23:34,212 RIP IT OUT ! I WANT TO HEAR NOTHING BUT RIPPING OF MR. PRITCHARD ! 362 00:23:34,279 --> 00:23:37,082 WE’LL PERFORATE IT, PUT IT ON A ROLL ! [ Boys Chuckling ] 363 00:23:37,149 --> 00:23:39,718 IT’S NOT THE BIBLE. YOU'RE NOT GONNA GO TO HELL FOR THIS. 364 00:23:39,785 --> 00:23:42,053 [ Boys Chuckling ] [ Mumbling ] 365 00:23:42,120 --> 00:23:45,724 GO ON. MAKE A CLEAN TEAR. I WANT NOTHING LEFT OF IT. 366 00:23:45,791 --> 00:23:48,260 [ Boys Chattering ] WE SHOULDN’T BE DOING THIS. 367 00:23:48,326 --> 00:23:50,695 RIP ! RIP ! RIP ! 368 00:23:50,762 --> 00:23:52,697 [ Keating ] RIP IT OUT ! RIP ! 369 00:23:52,764 --> 00:23:56,902 [ Boys Chattering, Pages Ripping ] 370 00:23:56,968 --> 00:24:01,173 [ Boys Laughing ] RIP IT ! YEAH ! RIP IT OUT ! 371 00:24:01,239 --> 00:24:04,543 [ Muffled Chattering, Laughing ] 372 00:24:04,609 --> 00:24:07,879 [ Boy ] RIP IT ! WHAT THE HELL IS GOING ON HERE ? 373 00:24:08,947 --> 00:24:12,584 - I DON’T HEAR ENOUGH RIPS. - MR. KEATING. 374 00:24:12,651 --> 00:24:14,986 MR. McALLISTER. 375 00:24:15,053 --> 00:24:19,658 I’M SORRY, I-- I DIDN’T KNOW YOU WERE HERE. 376 00:24:19,724 --> 00:24:25,831 - I AM. - AH. SO YOU ARE. 377 00:24:25,897 --> 00:24:28,033 EXCUSE ME. 378 00:24:29,568 --> 00:24:31,770 [ Keating ] KEEP RIPPING, GENTLEMEN. 379 00:24:31,837 --> 00:24:34,606 THIS IS A BATTLE, A WAR. 380 00:24:34,673 --> 00:24:36,741 AND THE CASUALTIES COULD BE YOUR HEARTS AND SOULS. 381 00:24:36,808 --> 00:24:38,743 THANK YOU, MR. DALTON. 382 00:24:38,810 --> 00:24:41,913 ARMIES OF ACADEMICS GOING FORWARD MEASURING POETRY. 383 00:24:41,980 --> 00:24:43,915 NO ! WE WILL NOT HAVE THAT HERE. 384 00:24:43,982 --> 00:24:45,917 NO MORE OF MR. J. EVANS PRITCHARD. 385 00:24:45,984 --> 00:24:49,154 NOW, MY CLASS, YOU WILL LEARN TO THINK FOR YOURSELVES AGAIN. 386 00:24:49,221 --> 00:24:52,891 YOU WILL LEARN TO SAVOR WORDS AND LANGUAGE. 387 00:24:52,958 --> 00:24:55,360 NO MATTER WHAT ANYBODY TELLS YOU, 388 00:24:55,427 --> 00:24:59,030 WORDS AND IDEAS CAN CHANGE THE WORLD. 389 00:24:59,097 --> 00:25:01,633 I SEE THAT LOOK IN MR. PITTS’ EYE... 390 00:25:01,700 --> 00:25:03,869 LIKE 19th CENTURY LITERATURE HAS NOTHING TO DO... 391 00:25:03,935 --> 00:25:06,071 WITH GOING TO BUSINESS SCHOOL OR MEDICAL SCHOOL. 392 00:25:06,137 --> 00:25:07,873 RIGHT ? MAYBE. 393 00:25:07,939 --> 00:25:10,008 MR. HOPKINS, YOU MAY AGREE WITH HIM, THINKING, 394 00:25:10,075 --> 00:25:13,311 "YES, WE SHOULD SIMPLY STUDY OUR MR. PRITCHARD... 395 00:25:13,378 --> 00:25:16,515 "AND LEARN OUR RHYME AND METER AND GO QUIETLY ABOUT THE BUSINESS... 396 00:25:16,581 --> 00:25:19,618 OF ACHIEVING OTHER AMBITIONS." 397 00:25:19,684 --> 00:25:22,621 I HAVE A LITTLE SECRET FOR YOU. HUDDLE UP. 398 00:25:22,687 --> 00:25:24,856 HUDDLE UP ! 399 00:25:32,364 --> 00:25:35,934 WE DON’T READ AND WRITE POETRY BECAUSE IT’S CUTE. 400 00:25:36,001 --> 00:25:40,805 WE READ AND WRITE POETRY BECAUSE WE ARE MEMBERS OF THE HUMAN RACE. 401 00:25:40,872 --> 00:25:45,677 AND THE HUMAN RACE IS FILLED WITH PASSION. 402 00:25:45,744 --> 00:25:48,213 MEDICINE, LAW, BUSINESS, ENGINEERING; 403 00:25:48,280 --> 00:25:51,616 THESE ARE NOBLE PURSUITS AND NECESSARY TO SUSTAIN LIFE. 404 00:25:51,683 --> 00:25:54,286 BUT POETRY... 405 00:25:54,352 --> 00:25:58,423 BEAUTY, ROMANCE, LOVE; 406 00:25:58,490 --> 00:26:01,126 THESE ARE WHAT WE STAY ALIVE FOR. 407 00:26:01,192 --> 00:26:03,895 TO QUOTE FROM WHITMAN: 408 00:26:03,962 --> 00:26:07,999 "O ME, O LIFE OF THE QUESTIONS OF THESE RECURRING. 409 00:26:08,066 --> 00:26:11,136 "OF THE ENDLESS TRAINS OF THE FAITHLESS. 410 00:26:11,202 --> 00:26:14,105 "OF CITIES FILLED WITH THE FOOLISH. 411 00:26:14,172 --> 00:26:17,642 "WHAT GOOD AMID THESE, O ME, O LIFE ? 412 00:26:17,709 --> 00:26:21,646 "ANSWER: THAT YOU ARE HERE. 413 00:26:21,713 --> 00:26:25,784 "THAT LIFE EXISTS AND IDENTITY. 414 00:26:25,850 --> 00:26:28,353 "THAT THE POWERFUL PLAY GOES ON, 415 00:26:28,420 --> 00:26:31,156 AND YOU MAY CONTRIBUTE A VERSE." 416 00:26:32,958 --> 00:26:35,694 "THAT THE POWERFUL PLAY GOES ON, 417 00:26:35,760 --> 00:26:39,931 AND YOU MAY CONTRIBUTE A VERSE." 418 00:26:43,335 --> 00:26:45,670 WHAT WILL YOUR VERSE BE ? 419 00:26:49,240 --> 00:26:52,077 [ All ] FOR WHAT WE ARE ABOUT TO RECEIVE, 420 00:26:52,143 --> 00:26:55,380 MAY THE LORD MAKE US TRULY GRATEFUL. 421 00:26:55,447 --> 00:26:57,649 AMEN. 422 00:27:08,960 --> 00:27:11,596 QUITE AN INTERESTING CLASS YOU GAVE TODAY, MR. KEATING. 423 00:27:11,663 --> 00:27:14,566 SORRY IF I SHOCKED YOU, MR. McALLISTER. THERE’S NO NEED TO APOLOGIZE. 424 00:27:14,633 --> 00:27:19,704 IT WAS VERY FASCINATING, MISGUIDED THOUGH IT WAS. YOU THINK SO ? 425 00:27:19,771 --> 00:27:23,208 YOU TAKE A BIG RISK BY ENCOURAGING THEM TO BECOME ARTISTS, JOHN. 426 00:27:23,274 --> 00:27:27,078 WHEN THEY REALIZE THAT THEY’RE NOT REMBRANDTS, SHAKESPEARES OR MOZARTS, 427 00:27:27,145 --> 00:27:29,948 THEY’LL HATE YOU FOR IT. WE’RE NOT TALKING ARTISTS, GEORGE. 428 00:27:30,015 --> 00:27:32,417 WE’RE TALKING FREETHINKERS. [ Chuckles ] 429 00:27:32,484 --> 00:27:34,819 FREETHINKERS AT 17 ? 430 00:27:34,886 --> 00:27:37,088 FUNNY, I NEVER PEGGED YOU AS A CYNIC. 431 00:27:39,357 --> 00:27:42,127 NOT A CYNIC. 432 00:27:42,193 --> 00:27:43,962 A REALIST. 433 00:27:44,029 --> 00:27:48,066 "SHOW ME THE HEART UNFETTERED BY FOOLISH DREAMS, 434 00:27:48,133 --> 00:27:50,335 AND I’LL SHOW YOU A HAPPY MAN." 435 00:27:50,402 --> 00:27:54,072 "BUT ONLY IN THEIR DREAMS CAN MEN BE TRULY FREE. 436 00:27:54,139 --> 00:27:57,342 ’TWAS ALWAYS THUS, AND ALWAYS THUS WILL BE." 437 00:27:57,409 --> 00:27:59,444 TENNYSON ? 438 00:27:59,511 --> 00:28:01,880 NO. KEATING. 439 00:28:02,881 --> 00:28:05,250 [ Chuckling ] 440 00:28:05,316 --> 00:28:08,987 [ Laughing ] HEY, I FOUND HIS SENIOR ANNUAL IN THE LIBRARY. 441 00:28:09,054 --> 00:28:12,090 LISTEN TO THIS. CAPTAIN OF THE SOCCER TEAM. [ Laughs ] 442 00:28:12,157 --> 00:28:15,093 EDITOR OF THE SCHOOL ANNUAL. CAMBRIDGE BOUND. 443 00:28:15,160 --> 00:28:18,463 THIGH MAN AND THE DEAD POETS SOCIETY. 444 00:28:18,530 --> 00:28:21,099 "MAN MOST LIKELY TO DO ANYTHING." 445 00:28:21,166 --> 00:28:24,736 THIGH MAN ? MR. "K" WAS A HELL-RAISER. 446 00:28:24,803 --> 00:28:27,338 [ Chuckling ] WHAT’S THE DEAD POETS SOCIETY ? 447 00:28:27,405 --> 00:28:29,340 I DON’T KNOW. IS THERE A PICTURE IN THE ANNUAL ? 448 00:28:29,407 --> 00:28:31,543 NOTHING. NO OTHER MENTION OF IT. [ Nolan ] THAT BOY THERE, 449 00:28:31,609 --> 00:28:33,778 SEE ME AFTER LUNCH. 450 00:28:34,979 --> 00:28:36,915 ♪♪ [ Whistling 1812 Overture ] 451 00:28:36,981 --> 00:28:38,917 [ Neil ] MR. KEATING ? 452 00:28:38,983 --> 00:28:41,820 ♪ [ Continues Whistling ] MR. KEATING ? 453 00:28:41,886 --> 00:28:44,289 ♪♪ [ Continues ] SIR ? 454 00:28:44,355 --> 00:28:47,358 SAY SOMETHING. OH, CAPTAIN, MY CAPTAIN ? 455 00:28:47,425 --> 00:28:49,794 GENTLEMEN. [ Boys Laugh ] 456 00:28:49,861 --> 00:28:53,331 WE WERE JUST LOOKING IN YOUR OLD ANNUAL. 457 00:28:53,398 --> 00:28:55,867 OH, MY GOD. [ Laughs ] [ Laughing ] 458 00:28:55,934 --> 00:28:59,404 NO, THAT’S NOT ME. [ Boys Laugh ] 459 00:28:59,471 --> 00:29:02,440 STANLEY "THE TOOL" WILSON. 460 00:29:02,507 --> 00:29:04,576 [ Chuckling ] 461 00:29:04,642 --> 00:29:08,813 [ Chuckling ] GOD. WHAT WAS THE DEAD POETS SOCIETY ? 462 00:29:12,684 --> 00:29:16,521 I DOUBT THE PRESENT ADMINISTRATION WOULD LOOK TOO FAVORABLY UPON THAT. 463 00:29:16,588 --> 00:29:19,324 WHY ? WHAT WAS IT ? 464 00:29:21,960 --> 00:29:26,397 - GENTLEMEN, CAN YOU KEEP A SECRET ? - SURE. 465 00:29:28,399 --> 00:29:33,872 THE DEAD POETS WERE DEDICATED TO SUCKING THE MARROW OUT OF LIFE. 466 00:29:33,938 --> 00:29:37,308 THAT’S A PHRASE FROM THOREAU WE WOULD INVOKE AT THE BEGINNING OF EVERY MEETING. 467 00:29:37,375 --> 00:29:39,878 YOU SEE, WE WOULD GATHER AT THE OLD INDIAN CAVE... 468 00:29:39,944 --> 00:29:44,783 AND TAKE TURNS READING FROM THOREAU, WHITMAN, SHELLEY; THE BIGGIES. 469 00:29:44,849 --> 00:29:46,551 EVEN SOME OF OUR OWN VERSE. 470 00:29:46,618 --> 00:29:50,221 AND IN THE ENCHANTMENT OF THE MOMENT, WE’D LET POETRY WORK ITS MAGIC. 471 00:29:50,288 --> 00:29:53,491 YOU MEAN IT WAS A BUNCH OF GUYS SITTING AROUND, READING POETRY ? 472 00:29:53,558 --> 00:29:56,494 NO, MR. OVERSTREET. IT WASN’T JUST GUYS. 473 00:29:56,561 --> 00:29:59,731 WE WEREN’T A GREEK ORGANIZATION. WE WERE ROMANTICS. 474 00:29:59,798 --> 00:30:04,836 WE DIDN’T JUST READ POETRY, WE LET IT DRIP FROM OUR TONGUES, LIKE HONEY. 475 00:30:04,903 --> 00:30:09,808 SPIRITS SOARED, WOMEN SWOONED AND GODS WERE CREATED, GENTLEMEN. 476 00:30:09,874 --> 00:30:12,277 NOT A BAD WAY TO SPEND AN EVENING, EH ? 477 00:30:12,343 --> 00:30:16,681 - HMM. - THANK YOU, MR. PERRY, FOR THIS STROLL DOWN AMNESIA LANE. 478 00:30:16,748 --> 00:30:18,783 BURN THAT. 479 00:30:18,850 --> 00:30:21,486 ESPECIALLY MY PICTURE. [ Boys Chuckle ] 480 00:30:21,553 --> 00:30:27,091 - ♪ [ Resumes Whistling ] - DEAD POETS SOCIETY. 481 00:30:27,158 --> 00:30:29,327 [ Cameron ] WHAT ? 482 00:30:29,394 --> 00:30:32,997 [ Bell Ringing ] 483 00:30:33,064 --> 00:30:35,233 I SAY WE GO TONIGHT. TONIGHT ? 484 00:30:35,300 --> 00:30:37,402 WAIT A MINUTE. WHAT ? EVERYBODY IN ? 485 00:30:37,468 --> 00:30:39,537 WHERE’S THIS CAVE HE’S TALKING ABOUT ? IT’S BEYOND THE STREAM. 486 00:30:39,604 --> 00:30:42,140 I KNOW WHERE IT IS. [ Pitts ] THAT’S MILES. 487 00:30:42,207 --> 00:30:45,176 SOUNDS BORING TO ME. [ Charlie ] DON’T GO. 488 00:30:45,243 --> 00:30:47,979 [ Cameron ] YOU KNOW HOW MANY DEMERITS WE’RE TALKING, DALTON ? SO DON’T COME. PLEASE. 489 00:30:48,046 --> 00:30:50,415 LOOK, ALL I’M SAYING IS THAT WE HAVE TO BE CAREFUL. 490 00:30:50,481 --> 00:30:53,751 WE CAN’T GET CAUGHT. NO SHIT, SHERLOCK. 491 00:30:53,818 --> 00:30:56,521 YOU BOYS THERE ! HURRY UP ! 492 00:30:56,588 --> 00:30:59,891 - ALL RIGHT, WHO’S IN ? - AW, COME ON, NEIL. HAGER’S-- 493 00:30:59,958 --> 00:31:03,294 FORGET HAGER ! NO ! WHO’S IN ? 494 00:31:03,361 --> 00:31:08,366 - I’M IN. - [ Hager Clapping ] I’M WARNING YOU ! MOVE ! 495 00:31:08,433 --> 00:31:10,168 ME TOO. 496 00:31:10,235 --> 00:31:12,570 I DON’T KNOW, NEIL. WHAT ? PITTS ! 497 00:31:12,637 --> 00:31:14,572 [ Charlie ] PITTSIE, COME ON. [ Meeks ] HIS GRADES ARE HURTING, CHARLIE. 498 00:31:14,639 --> 00:31:17,408 YOU CAN HELP HIM, MEEKS. WHAT IS THIS ? A MIDNIGHT STUDY GROUP ? 499 00:31:17,475 --> 00:31:20,311 FORGET IT, PITTS. YOU’RE COMING. MEEKS, YOUR GRADES HURTING TOO ? 500 00:31:20,378 --> 00:31:22,647 I’LL TRY ANYTHING ONCE. [ Charlie ] EXCEPT SEX. 501 00:31:22,714 --> 00:31:25,116 [ Meeks ] HA, HA, HA. [ Cameron ] I’M IN AS LONG AS WE'RE CAREFUL. 502 00:31:25,183 --> 00:31:27,852 WHAT ABOUT YOU, KNOX ? I DON’T KNOW, CHARLIE. 503 00:31:27,919 --> 00:31:29,988 COME ON, KNOX. IT’LL HELP YOU GET CHRIS. 504 00:31:30,054 --> 00:31:31,990 YEAH ? HOW ? 505 00:31:32,056 --> 00:31:35,860 WOMEN SWOON. [ Laughing ] BUT WHY DO THEY SWOON ? 506 00:31:35,927 --> 00:31:39,530 CHARLIE, TELL ME WHY THEY SWOON ! CHARLIE ! 507 00:31:39,597 --> 00:31:41,699 [ Boys Whispering ] 508 00:31:41,766 --> 00:31:44,302 [ Neil Whispering ] OKAY, FOLLOW THE STREAM TO THE WATERFALL. 509 00:31:44,369 --> 00:31:46,304 IT’S RIGHT THERE. IT’S GOT TO BE ON THE BANKS. 510 00:31:46,371 --> 00:31:48,306 I DON’T KNOW. THIS IS STARTING TO SOUND DANGEROUS. 511 00:31:48,373 --> 00:31:51,943 OH, WELL, WHY DON’T YOU STAY HOME ? HEY, YOU’RE CRAZY. 512 00:31:52,010 --> 00:31:56,147 FOR GOD’S SAKE, STOP CHATTERING AND SIT DOWN. 513 00:32:02,921 --> 00:32:05,490 TODD, ARE YOU COMING TONIGHT ? NO. 514 00:32:05,556 --> 00:32:07,592 WHY NOT ? GOD, YOU WERE THERE. YOU HEARD KEATING. 515 00:32:07,659 --> 00:32:10,194 DON’T YOU WANT TO DO SOMETHING ABOUT THAT ? YES. 516 00:32:10,261 --> 00:32:14,966 BUT-- BUT ? BUT WHAT ? 517 00:32:16,334 --> 00:32:20,138 KEATING SAID THAT EVERYBODY TOOK TURNS READING, 518 00:32:20,204 --> 00:32:22,807 AND I DON’T WANT TO DO THAT. 519 00:32:22,874 --> 00:32:25,443 GOSH, YOU REALLY HAVE A PROBLEM WITH THAT, DON’T YOU ? 520 00:32:27,312 --> 00:32:29,681 N-NO, I DON’T HAVE A PROBLEM. 521 00:32:29,747 --> 00:32:33,384 NEIL, I JUST-- I DON’T WANT TO DO IT, OKAY ? 522 00:32:33,451 --> 00:32:35,687 ALL RIGHT. 523 00:32:35,753 --> 00:32:39,424 WHAT IF YOU DIDN’T HAVE TO READ ? WHAT IF YOU JUST CAME AND LISTENED ? 524 00:32:39,490 --> 00:32:42,560 THAT’S NOT HOW IT WORKS. WELL, FORGET HOW IT WORKS. 525 00:32:42,627 --> 00:32:46,564 WHAT IF-- WHAT IF THEY SAID IT WAS OKAY ? 526 00:32:46,631 --> 00:32:49,734 WHAT-- WHAT, ARE YOU GONNA GO UP AND ASK THEM ? 527 00:32:49,801 --> 00:32:52,403 NO. NO, NEIL. 528 00:32:52,470 --> 00:32:55,039 I’LL BE RIGHT BACK. NEIL. NEIL ! 529 00:32:57,442 --> 00:33:01,145 [ Whispering ] OH, SHUT UP, WILL YOU ? 530 00:33:02,747 --> 00:33:04,849 ♪ [ Snake Charmer ] THAT’S MY-- THAT’S FOR MY ASTHMA, OKAY ? 531 00:33:04,916 --> 00:33:07,518 ♪ [ Continues ] COULD YOU GIVE THAT BACK, PLEASE ? COULD YOU GIVE THAT BACK ? 532 00:33:07,585 --> 00:33:09,520 [ Boy ] WHAT’S THE MATTER ? DON’T YOU LIKE SNAKES ? 533 00:33:09,587 --> 00:33:11,789 YOU’RE IN. [ Spaz ] GET AWAY FROM ME, OKAY ? 534 00:33:11,856 --> 00:33:15,059 [ Boy ] SPAZ, WHY DON’T YOU CHECK YOUR POCKET, HUH ? ♪♪ [ Continues ] 535 00:33:15,126 --> 00:33:19,197 COME ON, SPAZ. I HAVE TO BRUSH MY TEETH. [ Spaz ] GET A-- GET OFF. 536 00:33:19,263 --> 00:33:23,368 CUT OUT THAT RACKET IN THERE ! ♪♪ [ Rude Squeak ] 537 00:34:03,074 --> 00:34:06,611 [ Door Opens ] 538 00:34:06,677 --> 00:34:09,547 [ Dog Barks ] 539 00:34:09,614 --> 00:34:13,518 [ Boys Whispering ] 540 00:34:19,424 --> 00:34:25,029 [ Whispering, Footsteps ] 541 00:34:25,096 --> 00:34:29,767 [ Whispering Continues ] GO. GO. 542 00:34:37,542 --> 00:34:40,812 [ Owl Hooting ] 543 00:34:49,220 --> 00:34:52,256 [ Hooting Continues ] 544 00:35:06,771 --> 00:35:09,407 [ Wings Flapping ] 545 00:35:56,120 --> 00:36:00,491 [ Owl Hooting ] 546 00:36:02,894 --> 00:36:05,363 [ Yells ] I’M A DEAD POET ! AW, SHIT, CHARLIE. 547 00:36:05,429 --> 00:36:09,467 [ Neil ] GUYS ! OVER HERE ! [ Meeks ] YOU’RE FUNNY. YOU’RE REAL FUNNY. 548 00:36:09,534 --> 00:36:11,569 [ Boys Chattering, Laughing ] [ Meeks ] IT’S TOO WET. 549 00:36:11,636 --> 00:36:13,604 [ Charlie ] GOD, ARE YOU TRYING TO SMOKE US OUT OF HERE ? 550 00:36:13,671 --> 00:36:15,673 [ Meeks ] NO, NO. THE SMOKE’S GOING RIGHT UP THIS OPENING. 551 00:36:15,740 --> 00:36:18,709 [ Pitts Yells ] [ Others Laughing ] 552 00:36:18,776 --> 00:36:21,579 [ Neil ] YOU OKAY ? [ Pitts Groaning ] 553 00:36:21,646 --> 00:36:23,981 OH, GOD. CLOWNS. [ Continues Groaning ] 554 00:36:24,048 --> 00:36:26,684 ALL RIGHT, ALL RIGHT, FORGET THE FIRE. [ Chattering ] 555 00:36:26,751 --> 00:36:29,854 LET’S GO, GENTLEMEN. [ Chattering Continues, Whistles, Chuckling ] 556 00:36:29,921 --> 00:36:34,158 I HEREBY RECONVENE THE DEAD POETS SOCIETY, [ Cheering ] 557 00:36:34,225 --> 00:36:36,427 WELTON CHAPTER. 558 00:36:36,494 --> 00:36:38,429 THE MEETINGS WILL BE CONDUCTED BY MYSELF... 559 00:36:38,496 --> 00:36:40,598 AND THE OTHER NEW INITIATES NOW PRESENT. 560 00:36:40,665 --> 00:36:42,700 TODD ANDERSON, BECAUSE HE PREFERS NOT TO READ, 561 00:36:42,767 --> 00:36:45,136 WILL KEEP MINUTES OF THE MEETINGS. 562 00:36:45,203 --> 00:36:50,474 I’LL NOW READ THE TRADITIONAL OPENING MESSAGE BY SOCIETY MEMBER HENRY DAVID THOREAU. 563 00:36:50,541 --> 00:36:53,477 "I WENT TO THE WOODS BECAUSE I WANTED TO LIVE DELIBERATELY. 564 00:36:53,544 --> 00:36:56,280 I WANTED TO LIVE DEEP AND SUCK OUT ALL THE MARROW OF LIFE." 565 00:36:56,347 --> 00:36:57,782 I’LL SECOND THAT. [ Laughs ] 566 00:36:57,848 --> 00:37:00,484 "TO PUT TO ROUT ALL THAT WAS NOT LIFE. 567 00:37:00,551 --> 00:37:02,420 "AND NOT, WHEN I HAD COME TO DIE, 568 00:37:02,486 --> 00:37:04,956 DISCOVER THAT I HAD NOT LIVED." 569 00:37:05,022 --> 00:37:08,226 [ Whistles ] 570 00:37:08,292 --> 00:37:11,495 AND KEATING’S MARKED A BUNCH OF OTHER PAGES. ALL RIGHT, INTERMISSION ! 571 00:37:11,562 --> 00:37:13,664 DIG DEEP. RIGHT HERE. RIGHT HERE, LAY IT DOWN. 572 00:37:13,731 --> 00:37:15,833 ON THE MUD ? WE’RE GONNA PUT OUR FOOD ON THE MUD ? 573 00:37:15,900 --> 00:37:18,302 MEEKS, PUT YOUR COAT DOWN. PICNIC BLANKET. 574 00:37:18,369 --> 00:37:21,105 [ Boys Chattering ] USE MEEKS’ COAT. 575 00:37:21,172 --> 00:37:23,074 [ Charlie ] DON’T KEEP ANYTHING BACK EITHER. 576 00:37:23,140 --> 00:37:25,943 YOU GUYS ARE ALWAYS BUMMING MY SMOKES. [ Meeks ] RAISINS ? 577 00:37:26,010 --> 00:37:28,112 [ Knox ] YUCK. [ Charlie ] WAIT A MINUTE ! 578 00:37:28,179 --> 00:37:31,082 WHO GAVE US HALF A ROLL ? [ Pitts Chewing ] I’M EATING THE OTHER HALF. 579 00:37:31,148 --> 00:37:33,985 COME ON ! WHAT, YOU WANT ME TO PUT IT BACK ? 580 00:37:34,051 --> 00:37:37,321 IT WAS A DARK AND RAINY NIGHT, AND THIS OLD LADY, 581 00:37:37,388 --> 00:37:39,390 WHO HAD A PASSION FOR JIGSAW PUZZLES, 582 00:37:39,457 --> 00:37:44,295 SAT BY HERSELF IN HER HOUSE AT HER TABLE TO COMPLETE A NEW JIGSAW PUZZLE. 583 00:37:44,362 --> 00:37:47,198 BUT AS SHE PIECED THE PUZZLE TOGETHER, 584 00:37:47,265 --> 00:37:49,000 SHE REALIZED, TO HER ASTONISHMENT, 585 00:37:49,066 --> 00:37:52,570 THAT THE IMAGE THAT WAS FORMED WAS HER VERY OWN ROOM. 586 00:37:52,637 --> 00:37:55,072 AND THE FIGURE IN THE CENTER OF THE PUZZLE, 587 00:37:55,139 --> 00:37:57,375 AS SHE COMPLETED IT, WAS HERSELF. 588 00:37:57,441 --> 00:38:01,512 AND WITH TREMBLING HANDS, SHE PLACED THE LAST FOUR PIECES... 589 00:38:01,579 --> 00:38:06,851 AND STARED IN HORROR AT THE FACE OF A DEMENTED MADMAN AT THE WINDOW. 590 00:38:06,917 --> 00:38:10,855 [ Knox Gasps ] THE LAST THING THAT THIS OLD LADY EVER HEARD... 591 00:38:10,921 --> 00:38:13,724 WAS THE SOUND OF BREAKING GLASS. NO, SHE DIDN’T. 592 00:38:13,791 --> 00:38:16,460 [ Laughing, Chattering ] YES, THIS IS TRUE. THIS IS TRUE. 593 00:38:16,527 --> 00:38:19,330 I’VE GOT ONE THAT'S EVEN BETTER THAN THAT. [ Charlie Laughs ] 594 00:38:19,397 --> 00:38:21,666 I DO. THERE’S A YOUNG, MARRIED COUPLE, 595 00:38:21,732 --> 00:38:24,135 AND THEY’RE DRIVING THROUGH THE FOREST AT NIGHT ON A LONG TRIP. 596 00:38:24,201 --> 00:38:28,472 AND THEY RUN OUT OF GAS, AND THERE’S A MADMAN ON THE-- THE THING WITH THE HAND ? 597 00:38:28,539 --> 00:38:30,474 [ All Chattering ] I LOVE THAT STORY ! 598 00:38:30,541 --> 00:38:32,476 [ Charlie ] I TOLD YOU THAT ONE. YOU DID NOT. 599 00:38:32,543 --> 00:38:34,578 I GOT THAT IN CAMP IN SIXTH GRADE. LAST YEAR ? 600 00:38:34,645 --> 00:38:36,714 "IN A MEAN ABODE IN THE SHANKING ROAD, 601 00:38:36,781 --> 00:38:38,749 "LIVED A MAN NAMED WILLIAM BLOAT. 602 00:38:38,816 --> 00:38:41,085 "NOW, HE HAD A WIFE, THE PLAGUE OF HIS LIFE, 603 00:38:41,152 --> 00:38:43,020 "WHO CONTINUALLY GOT HIS GOAT. 604 00:38:43,087 --> 00:38:45,589 "AND ONE DAY AT DAWN, WITH HER NIGHTSHIFT ON, 605 00:38:45,656 --> 00:38:47,892 HE SLIT HER BLOODY THROAT." 606 00:38:47,958 --> 00:38:49,760 [ All Chuckling ] [ Pitts ] OH, AND IT GETS WORSE. 607 00:38:49,827 --> 00:38:51,996 YOU WANT TO HEAR A REAL POEM ? 608 00:38:52,063 --> 00:38:54,131 YOU WANT THIS ? YOU READY ? NO, I DON’T NEED-- GET THIS OUTTA HERE. 609 00:38:54,198 --> 00:38:56,334 WHAT, DID YOU BRING ONE ? YOU MEMORIZED A POEM ? 610 00:38:56,400 --> 00:38:59,003 [ Mumbling ] YOU MEMORIZED A POEM ? 611 00:38:59,070 --> 00:39:01,572 AN ORIGINAL PIECE BY CHARLIE DALTON. AN ORIGINAL PIECE. 612 00:39:01,639 --> 00:39:04,108 TAKE CENTER STAGE. YOU KNOW, THIS IS HISTORY, RIGHT ? 613 00:39:04,175 --> 00:39:08,045 [ Laughing ] [ Clears Throat ] 614 00:39:11,849 --> 00:39:14,518 [ Boys Gasp ] WOW. WHOA. 615 00:39:14,585 --> 00:39:16,754 - WHERE DID YOU GET THAT ? - [ Laughing ] 616 00:39:16,821 --> 00:39:18,289 [ Cameron ] WHERE DID YOU-- 617 00:39:18,356 --> 00:39:21,325 WHOA. "TEACH ME TO LOVE ? 618 00:39:21,392 --> 00:39:24,295 "GO TEACH THYSELF MORE WIT. 619 00:39:24,362 --> 00:39:26,564 "I CHIEF PROFESSOR AM OF IT. 620 00:39:26,630 --> 00:39:30,434 "THE GOD OF LOVE, IF SUCH A THING THERE BE, 621 00:39:30,501 --> 00:39:32,603 MAY LEARN TO LOVE FROM ME." 622 00:39:32,670 --> 00:39:34,872 [ Neil ] WOW. DID YOU WRITE THAT ? 623 00:39:34,939 --> 00:39:39,944 [ Clapping, Cheering ] 624 00:39:40,010 --> 00:39:42,113 ABRAHAM COWLEY. 625 00:39:42,179 --> 00:39:44,115 OKAY. WHO’S NEXT ? 626 00:39:44,181 --> 00:39:46,484 ALFRED LORD TENNYSON. 627 00:39:46,550 --> 00:39:48,619 "COME, MY FRIENDS. 628 00:39:48,686 --> 00:39:51,589 "’TIS NOT TOO LATE TO SEEK A NEWER WORLD. 629 00:39:51,655 --> 00:39:55,359 "FOR MY PURPOSE HOLDS TO SAIL BEYOND THE SUNSET. 630 00:39:55,426 --> 00:39:57,595 "AND THOUGH WE ARE NOT NOW THAT STRENGTH... 631 00:39:57,661 --> 00:40:01,465 "WHICH IN OLD DAYS MOVED EARTH AND HEAVEN. 632 00:40:01,532 --> 00:40:03,734 "THAT WHICH WE ARE, WE ARE: 633 00:40:03,801 --> 00:40:07,905 "ONE EQUAL TEMPER OF HEROIC HEARTS... 634 00:40:07,972 --> 00:40:12,109 "MADE WEAK BY TIME AND FATE, BUT STRONG IN WILL... 635 00:40:12,176 --> 00:40:17,214 "TO STRIVE, TO SEEK, TO FIND, 636 00:40:17,281 --> 00:40:19,884 AND NOT TO YIELD." 637 00:40:20,785 --> 00:40:23,521 "THEN I HAD RELIGION, THEN I HAD A VISION. 638 00:40:23,587 --> 00:40:25,689 "I COULD NOT TURN FROM THEIR REVEL IN DERISION. 639 00:40:25,756 --> 00:40:28,459 "THEN I SAW THE CONGO CREEPING THROUGH THE BLACK, [ Clapping Rhythmically ] 640 00:40:28,526 --> 00:40:31,395 CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK." [ Continues Clapping ] 641 00:40:31,462 --> 00:40:34,198 THEN I SAW THE CONGO CREEPING THROUGH THE BLACK, [ Chanting ] MEEKS. MEEKS. 642 00:40:34,265 --> 00:40:36,767 CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK. [ Chanting, Clapping Continues ] 643 00:40:36,834 --> 00:40:39,203 THEN I SAW THE CONGO CREEPING THROUGH THE BLACK, 644 00:40:39,270 --> 00:40:42,006 CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK. ♪ [ Drumming ] 645 00:40:42,072 --> 00:40:44,308 [ All Chanting, Whooping ] THEN I SAW THE CONGO CREEPING THROUGH THE BLACK, 646 00:40:44,375 --> 00:40:46,944 CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK ! ♪ [ Mouth Harp ] 647 00:40:47,011 --> 00:40:49,313 THEN I SAW THE CONGO CREEPING THROUGH THE BLACK, 648 00:40:49,380 --> 00:40:52,249 CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK ! [ Whoops ] 649 00:40:52,316 --> 00:40:54,685 THEN I SAW THE CONGO CREEPING THROUGH THE BLACK, 650 00:40:54,752 --> 00:40:57,021 CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK ! 651 00:40:57,087 --> 00:40:59,356 THEN I SAW THE CONGO CREEPING THROUGH THE BLACK, ♪♪ [ Mouth Harp ] 652 00:40:59,423 --> 00:41:01,992 CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK ! [ Whoops ] 653 00:41:02,059 --> 00:41:04,495 THEN I SAW THE CONGO CREEPING THROUGH THE BLACK, 654 00:41:04,562 --> 00:41:06,764 CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK ! 655 00:41:06,831 --> 00:41:09,500 ♪ [ Continues ] [ Nonsensical Chanting, Whooping ] 656 00:41:09,567 --> 00:41:11,535 CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK ! 657 00:41:11,602 --> 00:41:14,738 THEN I SAW THE CONGO CREEPING THROUGH THE BLACK-- [ Whooping, Shouting ] 658 00:41:14,805 --> 00:41:20,644 [ Bell Tolls 2:00 ] 659 00:41:23,147 --> 00:41:26,250 A MAN IS NOT "VERY TIRED." HE IS "EXHAUSTED." 660 00:41:26,317 --> 00:41:28,252 AND DON’T USE "VERY SAD." USE-- 661 00:41:28,319 --> 00:41:30,488 COME ON, MR. OVERSTREET, YOU TWERP. 662 00:41:30,554 --> 00:41:33,724 [ Knox ] "MOROSE" ? EXACTLY ! MOROSE ! 663 00:41:33,791 --> 00:41:37,862 NOW, LANGUAGE WAS DEVELOPED FOR ONE ENDEAVOR, AND THAT IS-- MR. ANDERSON ? 664 00:41:37,928 --> 00:41:41,232 COME ON, ARE YOU A MAN OR AN AMOEBA ? 665 00:41:41,298 --> 00:41:43,601 [ Boy Chuckles ] 666 00:41:43,667 --> 00:41:45,903 MR. PERRY ? 667 00:41:47,838 --> 00:41:50,608 UH... TO COMMUNICATE. 668 00:41:50,674 --> 00:41:53,344 NO ! TO WOO WOMEN. 669 00:41:53,410 --> 00:41:55,913 [ Laughing ] TODAY WE’RE GOING TO BE TALKING ABOUT... 670 00:41:55,980 --> 00:41:58,782 WILLIAM SHAKESPEARE. [ Boys Grumbling ] OH, GOD. 671 00:41:58,849 --> 00:42:00,784 I KNOW. A LOT OF YOU LOOK FORWARD TO THIS... 672 00:42:00,851 --> 00:42:03,387 ABOUT AS MUCH AS YOU LOOK FORWARD TO ROOT CANAL WORK. 673 00:42:03,454 --> 00:42:05,256 WE’RE GONNA TALK ABOUT SHAKESPEARE... 674 00:42:05,322 --> 00:42:08,025 AS SOMEONE WHO WRITES SOMETHING VERY INTERESTING. 675 00:42:08,092 --> 00:42:11,595 NOW, MANY OF YOU HAVE SEEN SHAKESPEARE DONE VERY MUCH LIKE THIS: 676 00:42:11,662 --> 00:42:15,065 [ British Accent ] "O, TITUS, BRING YOUR FRIEND HITHER." [ Boys Chuckling ] 677 00:42:15,132 --> 00:42:18,035 BUT IF ANY OF YOU HAVE SEEN MR. MARLON BRANDO, 678 00:42:18,102 --> 00:42:20,170 [ Imitating Brando ] YOU KNOW THAT SHAKESPEARE CAN BE DIFFERENT. 679 00:42:20,237 --> 00:42:24,542 "FRIENDS, ROMANS, COUNTRYMEN, LEND ME YOUR EARS." 680 00:42:24,608 --> 00:42:27,044 [ Boys Laughing ] 681 00:42:27,111 --> 00:42:29,580 YOU CAN ALSO IMAGINE MAYBE JOHN WAYNE AS MACBETH GOING... 682 00:42:29,647 --> 00:42:34,018 [ Imitating Wayne ] "WELL, IS THIS A DAGGER I SEE BEFORE ME ?" 683 00:42:34,084 --> 00:42:35,953 [ Laughing ] 684 00:42:36,020 --> 00:42:39,857 "DOGS, SIR ? OH, NOT JUST NOW. 685 00:42:39,924 --> 00:42:44,094 [ Laughing ] "I DO ENJOY A GOOD DOG ONCE IN A WHILE, SIR. 686 00:42:44,161 --> 00:42:47,665 "YOU CAN HAVE YOURSELF A THREE-COURSE MEAL FROM ONE DOG. 687 00:42:47,731 --> 00:42:51,869 "START WITH A CANINE CROQUETTE. 688 00:42:51,936 --> 00:42:53,871 "GO TO YOUR FIDO FLAMBE FOR MAIN COURSE. 689 00:42:53,938 --> 00:42:56,840 "AND FOR DESSERT, A PEKINGESE PARFAIT. 690 00:42:56,907 --> 00:42:59,243 AND YOU CAN PICK YOUR TEETH WITH THE LITTLE PAW." 691 00:43:01,712 --> 00:43:03,747 WHY DO I STAND UP HERE ? 692 00:43:03,814 --> 00:43:06,150 ANYBODY ? TO FEEL TALLER. 693 00:43:06,216 --> 00:43:08,152 NO ! THANK YOU FOR PLAYING, MR. DALTON. [ Rings Bell ] 694 00:43:08,218 --> 00:43:10,654 [ Laughing ] I STAND UPON MY DESK... 695 00:43:10,721 --> 00:43:16,293 TO REMIND MYSELF THAT WE MUST CONSTANTLY LOOK AT THINGS IN A DIFFERENT WAY. 696 00:43:21,131 --> 00:43:23,534 SEE, THE WORLD LOOKS VERY DIFFERENT FROM UP HERE. 697 00:43:23,601 --> 00:43:25,603 YOU DON’T BELIEVE ME ? 698 00:43:25,669 --> 00:43:29,073 COME SEE FOR YOURSELVES. COME ON. 699 00:43:29,139 --> 00:43:32,643 COME ON. JUST WHEN YOU THINK YOU KNOW SOMETHING, 700 00:43:32,710 --> 00:43:34,645 YOU HAVE TO LOOK AT IT IN ANOTHER WAY. 701 00:43:34,712 --> 00:43:37,514 EVEN THOUGH IT MAY SEEM SILLY OR WRONG, 702 00:43:37,581 --> 00:43:39,316 YOU MUST TRY. 703 00:43:39,383 --> 00:43:41,885 NOW WHEN YOU READ, DON’T JUST CONSIDER WHAT THE AUTHOR THINKS. 704 00:43:41,952 --> 00:43:45,923 - CONSIDER WHAT YOU THINK. - [ Jumps Down ] 705 00:43:45,990 --> 00:43:49,560 BOYS, YOU MUST STRIVE TO FIND YOUR OWN VOICE. 706 00:43:49,627 --> 00:43:51,562 BECAUSE THE LONGER YOU WAIT TO BEGIN, 707 00:43:51,629 --> 00:43:53,897 THE LESS LIKELY YOU ARE TO FIND IT AT ALL. 708 00:43:53,964 --> 00:43:57,234 THOREAU SAID, "MOST MEN LEAD LIVES OF QUIET DESPERATION." 709 00:43:57,301 --> 00:44:00,738 DON’T BE RESIGNED TO THAT. BREAK OUT. 710 00:44:00,804 --> 00:44:04,241 DON’T JUST WALK OFF THE EDGE LIKE LEMMINGS. LOOK AROUND YOU. 711 00:44:04,308 --> 00:44:07,277 [ Bell Ringing ] THERE ! THERE YOU GO, MR. PRISKE. THANK YOU ! 712 00:44:07,344 --> 00:44:09,213 YES ! 713 00:44:09,279 --> 00:44:13,450 [ Bell Tolling ] DARE TO STRIKE OUT AND FIND NEW GROUND. 714 00:44:13,517 --> 00:44:16,186 [ Tolling Continues ] NOW, IN ADDITION TO YOUR ESSAYS, 715 00:44:16,253 --> 00:44:19,857 I WOULD LIKE YOU TO COMPOSE A POEM OF YOUR OWN, AN ORIGINAL WORK. 716 00:44:19,923 --> 00:44:24,561 [ Boys Groaning ] OOH ! ♪ [ Hums Ominous Tune ] 717 00:44:24,628 --> 00:44:26,497 THAT’S RIGHT. 718 00:44:26,563 --> 00:44:30,434 YOU HAVE TO DELIVER IT OUT LOUD, IN FRONT OF THE CLASS ON MONDAY. 719 00:44:30,501 --> 00:44:32,870 [ Groaning Continues ] BON CHANCE, GENTLEMEN. 720 00:44:34,371 --> 00:44:36,507 MR. ANDERSON. 721 00:44:36,573 --> 00:44:41,812 DON’T THINK THAT I DON'T KNOW THAT THIS ASSIGNMENT SCARES THE HELL OUT OF YOU, YOU MOLE. 722 00:44:41,879 --> 00:44:44,581 [ Boys Laughing ] 723 00:44:44,648 --> 00:44:46,884 [ Jumps Down ] 724 00:44:55,492 --> 00:44:58,028 TAKE A POWER TRAIN IN TWO ! 725 00:44:59,430 --> 00:45:02,800 THREE, KEEP YOUR EYES IN THE BOAT ! STROKE ! STROKE ! 726 00:45:02,866 --> 00:45:05,002 STROKE ! STROKE ! [ Nolan Continues Shouting ] 727 00:45:05,069 --> 00:45:09,540 ♪♪ [ Static, Rock ’N' Roll ] [ Meeks ] WE GOT IT, PITTSIE. WE GOT IT. 728 00:45:09,606 --> 00:45:12,743 RADIO FREE AMERICA ! 729 00:45:12,810 --> 00:45:15,779 ♪ SOME PEOPLE LIKE TO ROCK SOME PEOPLE LIKE TO ROLL ♪ 730 00:45:15,846 --> 00:45:19,216 ♪ BUT MOVIN’ AND A-GROOVIN' IS GONNA SATISFY MY SOUL ♪ 731 00:45:19,283 --> 00:45:21,618 ♪ LET’S HAVE A PARTY OOOH ♪ 732 00:45:21,685 --> 00:45:24,321 ♪ LET’S HAVE A PARTY ♪ 733 00:45:24,388 --> 00:45:27,624 ♪ LET’S SPIN IT TO THE SOUL LET’S ROCK AND ROLL ♪ 734 00:45:27,691 --> 00:45:30,294 ♪ LET’S HAVE A PARTY TONIGHT ♪ 735 00:45:30,360 --> 00:45:33,163 ♪ I NEVER KISSED A BEAR I NEVER KISSED A GOOSE ♪ 736 00:45:33,230 --> 00:45:35,332 ♪ BUT I CAN SHAKE A CHICKEN IN THE MIDDLE OF THE ROOM ♪ 737 00:45:35,399 --> 00:45:37,401 ♪ LET’S HAVE A PARTY ♪♪ [ Door Opens ] 738 00:45:37,468 --> 00:45:39,970 [ Laughing ] 739 00:45:40,037 --> 00:45:42,506 I FOUND IT. YOU FOUND WHAT ? 740 00:45:42,573 --> 00:45:45,776 WHAT I WANT TO DO RIGHT NOW. WHAT’S REALLY, REALLY INSIDE OF ME. 741 00:45:45,843 --> 00:45:48,212 [ Todd ] "A MIDSUMMER NIGHT’S DREAM." [ Neil ] THIS IS IT. 742 00:45:48,278 --> 00:45:51,181 WHAT IS THAT ? [ Laughing ] IT’S A PLAY, DUMMY. 743 00:45:51,248 --> 00:45:53,884 I KNOW THAT. WH-WHAT DOES IT HAVE TO DO WITH YOU ? 744 00:45:53,951 --> 00:45:55,953 ALL RIGHT, THEY’RE PUTTING IT ON AT HENLEY HALL. 745 00:45:56,019 --> 00:45:58,522 OPEN TRYOUTS. OPEN TRYOUTS ! 746 00:45:58,589 --> 00:46:00,524 YEAH, SO ? SO ! 747 00:46:00,591 --> 00:46:04,328 I’M GONNA ACT. [ Shouts ] 748 00:46:04,394 --> 00:46:07,431 YES ! YES ! I’M GONNA BE AN ACTOR ! 749 00:46:07,498 --> 00:46:09,566 EVER SINCE I CAN REMEMBER, I’VE WANTED TO TRY THIS ! 750 00:46:09,633 --> 00:46:11,769 I EVEN TRIED TO GO TO SUMMER STOCK AUDITIONS LAST YEAR, 751 00:46:11,835 --> 00:46:13,737 BUT, OF COURSE, MY FATHER WOULDN’T LET ME. 752 00:46:13,804 --> 00:46:17,307 FOR THE FIRST TIME IN MY WHOLE LIFE, I KNOW WHAT I WANT TO DO. 753 00:46:17,374 --> 00:46:20,077 [ Snatches Papers ] AND FOR THE FIRST TIME, I’M GONNA DO IT... 754 00:46:20,144 --> 00:46:22,079 WHETHER MY FATHER WANTS ME TO OR NOT ! 755 00:46:22,146 --> 00:46:25,315 - CARPE DIEM ! - NEIL, NEIL, HOLD IT. 756 00:46:25,382 --> 00:46:28,986 HOW ARE YOU GONNA BE IN A PLAY IF YOUR FATHER WON’T LET YOU ? 757 00:46:29,052 --> 00:46:31,622 FIRST, I GOTTA GET THE PART, THEN I CAN WORRY ABOUT THAT. 758 00:46:31,688 --> 00:46:33,991 YEAH, BUT WON’T HE KILL YOU IF HE FINDS OUT YOU WENT TO AN AUDITION AND DIDN’T TELL HIM ? 759 00:46:34,057 --> 00:46:37,261 NO, NO, NO, NO. AS FAR AS I’M CONCERNED, HE WON'T HAVE TO KNOW ABOUT ANY OF THIS. 760 00:46:37,327 --> 00:46:40,664 WELL, THAT’S IMPOSSIBLE. BULLSHIT. NOTHING’S IMPOSSIBLE. 761 00:46:40,731 --> 00:46:43,700 WELL, WHY DON’T YOU JUST CALL HIM AND ASK HIM AND M-MAYBE HE’LL SAY YES. 762 00:46:43,767 --> 00:46:46,236 THAT’S A LAUGH. 763 00:46:46,303 --> 00:46:49,473 IF I DON’T ASK HIM, AT LEAST I WON’T BE DISOBEYING HIM. 764 00:46:49,540 --> 00:46:52,876 YEAH, BUT IF HE SAID NO BEFORE-- JESUS, TODD, WHOSE SIDE ARE YOU ON ? 765 00:46:59,249 --> 00:47:01,451 [ Grabs Flyer ] 766 00:47:03,520 --> 00:47:06,957 I MEAN, I HAVEN’T EVEN GOTTEN THE PART YET. 767 00:47:07,024 --> 00:47:11,295 CAN’T I EVEN ENJOY THE IDEA FOR A LITTLE WHILE ? 768 00:47:20,270 --> 00:47:24,608 YOU’RE COMING TO THE MEETING THIS AFTERNOON ? I DON’T KNOW. MAYBE. 769 00:47:24,675 --> 00:47:29,246 NOTHING MR. KEATING HAS TO SAY MEANS SHIT TO YOU, DOES IT, TODD ? 770 00:47:29,313 --> 00:47:31,481 WH-WHAT IS THAT SUPPOSED TO MEAN ? YOU’RE IN THE CLUB ! 771 00:47:31,548 --> 00:47:34,084 BEING IN THE CLUB MEANS BEING STIRRED UP BY THINGS. 772 00:47:34,151 --> 00:47:36,086 YOU LOOK ABOUT AS STIRRED UP AS CESSPOOL. 773 00:47:36,153 --> 00:47:39,489 SO YOU WANT ME OUT ? NO, I WANT YOU IN ! 774 00:47:39,556 --> 00:47:42,459 BUT BEING IN MEANS YOU GOTTA DO SOMETHING, NOT JUST SAY YOU’RE IN. 775 00:47:42,526 --> 00:47:45,863 LISTEN, NEIL, I MEAN, I APPRECIATE THIS CONCERN, 776 00:47:45,929 --> 00:47:48,232 BUT I’M NOT LIKE YOU, ALL RIGHT ? 777 00:47:48,298 --> 00:47:51,735 YOU-- YOU-YOU SAY THINGS AND PEOPLE LISTEN. 778 00:47:51,802 --> 00:47:53,804 I-- I-I’M NOT LIKE THAT. 779 00:47:53,871 --> 00:47:55,906 DON’T YOU THINK YOU COULD BE ? NO. 780 00:47:55,973 --> 00:47:58,709 I-- I-I DON’T KNOW, BUT THAT’S NOT THE POINT. 781 00:47:58,775 --> 00:48:03,180 THE POINT IS THAT THERE’S NOTHING YOU CAN DO ABOUT IT, SO YOU CAN JUST BUTT OUT. 782 00:48:03,247 --> 00:48:05,782 I CAN TAKE CARE OF MYSELF JUST FINE. 783 00:48:05,849 --> 00:48:08,185 ALL RIGHT ? 784 00:48:10,187 --> 00:48:12,189 NO. 785 00:48:14,858 --> 00:48:17,060 WHAT DO YOU MEAN, "NO" ? 786 00:48:18,228 --> 00:48:20,197 NO. 787 00:48:20,264 --> 00:48:22,299 GIVE ME THAT ! NEIL ! 788 00:48:22,366 --> 00:48:24,668 NEIL, GIVE THAT BACK ! "WE ARE DREAMING OF A TOMORROW--" 789 00:48:24,735 --> 00:48:26,470 IT’S POETRY ! NEIL ! 790 00:48:26,536 --> 00:48:29,306 I’M BEING CHASED BY WALT WHITMAN ! [ Laughing ] 791 00:48:29,373 --> 00:48:31,208 OKAY ! OKAY ! 792 00:48:31,275 --> 00:48:34,077 WHAT ARE YOU GUYS DOING ? I’M TRYING-- YOU SEE THIS CHEMISTRY-- 793 00:48:34,144 --> 00:48:36,546 HEY. GIVE ME-- NEIL, GIVE ME-- [ Laughing ] 794 00:48:36,613 --> 00:48:38,515 DON’T BE IMMATURE. COME ON ! [ Laughing Continues ] 795 00:48:38,582 --> 00:48:41,218 I NEED MY-- [ Charlie Shouts ] GIVE IT TO ME ! GIVE IT TO ME ! 796 00:48:41,285 --> 00:48:43,520 [ Neil ] CHARLIE ! [ Shouting, Laughing ] 797 00:48:43,587 --> 00:48:46,456 [ Cameron ] LET ME HAVE MY BOOK. I NEED MY-- 798 00:48:46,523 --> 00:48:50,227 [ Shouting, Laughing ] 799 00:48:50,294 --> 00:48:54,531 ♪ [ Whistle, Drums, Hooting ] 800 00:49:15,052 --> 00:49:19,589 [ Shouting ] 801 00:49:19,656 --> 00:49:22,492 [ Continues Shouting ] 802 00:49:22,559 --> 00:49:26,330 [ Birds Squawking ] 803 00:49:32,102 --> 00:49:35,472 ♪ [ Trumpet Playing "Charge" ] 804 00:49:35,539 --> 00:49:41,311 ♪ [ Horns Blaring ] 805 00:49:41,378 --> 00:49:47,150 [ Crowd Cheering ] ♪♪ [ Continues ] 806 00:49:47,217 --> 00:49:51,154 [ Cheering Continues ] 807 00:49:51,221 --> 00:49:53,724 ♪♪ [ Funky Drum Cadence ] 808 00:49:53,790 --> 00:49:56,126 [ Crowd Shouting, Hooting ] 809 00:49:56,193 --> 00:50:01,331 ♪♪ [ Cheering Continues ] 810 00:50:01,398 --> 00:50:11,441 ♪ 811 00:50:14,945 --> 00:50:19,549 ♪♪ [ Coach Blowing Whistle ] OKAY, EVERYBODY ON THE BUS. 812 00:50:19,616 --> 00:50:22,853 ♪♪ LET’S GO, BOYS. [ Blowing Whistle ] 813 00:50:22,919 --> 00:50:25,255 COME ON. LET’S GO. ON THE BUS, BOYS. [ Car Engines Revving ] 814 00:50:25,322 --> 00:50:28,425 NOW ! [ Revving Continues, Crowd Cheering ] 815 00:50:29,359 --> 00:50:30,994 NOW, DEVOTEES MAY ARGUE... 816 00:50:31,061 --> 00:50:34,931 THAT ONE SPORT OR GAME IS INHERENTLY BETTER THAN ANOTHER. 817 00:50:34,998 --> 00:50:37,601 FOR ME, SPORTS IS ACTUALLY A CHANCE... 818 00:50:37,667 --> 00:50:41,038 FOR US TO HAVE OTHER HUMAN BEINGS PUSH US TO EXCEL. 819 00:50:41,104 --> 00:50:44,975 I WANT YOU ALL TO COME OVER HERE AND TAKE A SLIP OF PAPER... 820 00:50:45,042 --> 00:50:47,911 AND LINE UP SINGLE FILE. 821 00:50:47,978 --> 00:50:50,047 MR. MEEKS, TIME TO INHERIT THE EARTH. 822 00:50:50,113 --> 00:50:53,850 MR. PITTS... RISE ABOVE YOUR NAME. 823 00:50:53,917 --> 00:50:58,255 I WANT YOU TO HAND THESE OUT TO THE BOYS, ONE APIECE. 824 00:50:58,321 --> 00:51:01,792 [ Keating Blows Whistle ] YOU KNOW WHAT TO DO, PITTS ! 825 00:51:01,858 --> 00:51:05,095 "OH, TO STRUGGLE AGAINST GREAT ODDS, TO MEET ENEMIES UNDAUNTED." 826 00:51:05,162 --> 00:51:08,398 [ Keating ] SOUNDS TO ME LIKE YOU’RE DAUNTED. SAY IT AGAIN LIKE YOU’RE UNDAUNTED. 827 00:51:08,465 --> 00:51:11,735 "OH, TO STRUGGLE AGAINST GREAT ODDS, TO MEET ENEMIES UNDAUNTED" ! 828 00:51:11,802 --> 00:51:14,104 [ Keating ] NOW GO ON ! 829 00:51:14,171 --> 00:51:16,273 YES ! NEXT ! 830 00:51:16,339 --> 00:51:21,778 "TO BE A SAILOR OF THE WORLD BOUND FOR ALL PORTS." 831 00:51:21,845 --> 00:51:23,947 NEXT. LOUDER ! 832 00:51:24,014 --> 00:51:28,251 "OH, I LIVE TO BE THE RULER OF LIFE, NOT A SLAVE." [ Kicks Ball ] 833 00:51:28,318 --> 00:51:30,053 "TO MOUNT THE SCAFFOLDS. 834 00:51:30,120 --> 00:51:33,590 TO ADVANCE TO THE MUZZLES OF GUNS WITH PERFECT NONCHALANCE." 835 00:51:33,657 --> 00:51:36,760 [ Kicks Ball ] ♪♪ [ Classical ] 836 00:51:36,827 --> 00:51:41,131 ♪♪ [ Continues ] [ Keating ] COME ON, MEEKS ! LISTEN TO THE MUSIC ! 837 00:51:41,198 --> 00:51:45,202 "TO DANCE, CLAP HANDS, EXALT, SHOUT, SKIP, 838 00:51:45,268 --> 00:51:48,872 ROLL ON, FLOAT ON !" [ Keating ] YES ! 839 00:51:48,939 --> 00:51:53,376 ♪♪ [ Continues ] "OH, TO HAVE LIFE HENCEFORTH, THE POEM OF NEW JOYS." 840 00:51:53,443 --> 00:51:55,378 [ Kicks Ball Weakly ] 841 00:51:55,445 --> 00:51:57,747 [ Groans, Blows Raspberry ] BOO ! 842 00:51:57,814 --> 00:52:00,283 COME ON, CHARLIE, LET IT FILL YOUR SOUL. 843 00:52:00,350 --> 00:52:03,153 "TO INDEED BE A GOD !" 844 00:52:04,754 --> 00:52:07,257 CHARLIE, I GOT THE PART ! 845 00:52:07,324 --> 00:52:09,292 [ Shouts ] I’M GONNA PLAY PUCK ! 846 00:52:09,359 --> 00:52:11,294 I’M GONNA PLAY PUCK ! WHAT DID HE SAY ? 847 00:52:11,361 --> 00:52:13,296 PUCK YOU ! PIPE DOWN ! THE MAIN PART ! 848 00:52:13,363 --> 00:52:15,298 GREAT, NEIL ! CHARLIE, I GOT IT ! 849 00:52:15,365 --> 00:52:17,934 CONGRATULATIONS. GOOD FOR YOU, NEIL ! GOOD FOR YOU ! 850 00:52:18,001 --> 00:52:21,438 [ Hallway Chatter Continues ] OKAY, OKAY, OKAY, OKAY. 851 00:52:21,505 --> 00:52:23,974 [ Exhales ] NEIL, HOW ARE YOU GONNA DO THIS ? 852 00:52:24,040 --> 00:52:28,178 THEY NEED A LETTER OF PERMISSION FROM MY FATHER AND MR. NOLAN. 853 00:52:28,245 --> 00:52:30,714 YOU’RE NOT GONNA WRITE IT. OH, YES, I AM. 854 00:52:30,780 --> 00:52:34,184 OH, NEIL-- NEIL, YOU’RE CRAZY. [ Laughs, Squawks ] 855 00:52:34,251 --> 00:52:36,353 [ Laughs ] OKAY. 856 00:52:36,419 --> 00:52:40,190 I AM WRITING TO YOU... 857 00:52:40,257 --> 00:52:43,493 ON BEHALF OF... 858 00:52:43,560 --> 00:52:46,163 MY SON... 859 00:52:46,229 --> 00:52:49,166 NEIL PERRY. 860 00:52:49,232 --> 00:52:53,270 [ Giggling, Stamping Feet ] THIS IS GREAT ! 861 00:52:53,336 --> 00:52:57,974 ♪♪ [ Bagpipes ] 862 00:52:58,041 --> 00:53:03,513 ♪♪ [ Continues ] 863 00:53:03,580 --> 00:53:13,623 ♪ 864 00:53:17,227 --> 00:53:23,066 ♪♪ [ Bagpipes Continue ] 865 00:53:23,133 --> 00:53:33,376 ♪ 866 00:53:38,114 --> 00:53:41,818 [ Rips Paper ] 867 00:53:42,953 --> 00:53:45,055 "TO CHRIS." 868 00:53:45,121 --> 00:53:49,960 [ Boys Murmuring ] WHO’S CHRIS ? MMM, CHRIS. 869 00:53:50,026 --> 00:53:53,129 "I SEE A SWEETNESS IN HER SMILE. 870 00:53:53,196 --> 00:53:55,799 "BRIGHT LIGHT SHINES FROM HER EYES. 871 00:53:57,467 --> 00:54:00,604 "BUT LIFE IS COMPLETE, CONTENTMENT IS MINE... 872 00:54:00,670 --> 00:54:05,008 "JUST KNOWING THAT-- [ Snickering ] 873 00:54:05,075 --> 00:54:08,378 "JUST KNOWING THAT... [ Sighs ] [ Laughing ] 874 00:54:08,445 --> 00:54:10,280 SHE’S ALIVE." 875 00:54:10,347 --> 00:54:13,283 I’M SORRY, CAPTAIN. IT’S STUPID. NO. NO, IT’S NOT STUPID. 876 00:54:13,350 --> 00:54:17,387 IT’S A GOOD EFFORT. IT TOUCHED ON ONE OF THE MAJOR THEMES: LOVE. 877 00:54:17,454 --> 00:54:20,490 A MAJOR THEME NOT ONLY IN POETRY BUT LIFE. 878 00:54:20,557 --> 00:54:25,395 MR. HOPKINS, YOU WERE LAUGHING. YOU’RE UP. 879 00:54:25,462 --> 00:54:28,665 [ Boys Snickering ] 880 00:54:34,504 --> 00:54:38,341 "THE CAT SAT ON THE MAT." 881 00:54:38,408 --> 00:54:41,911 [ Boys Laughing ] 882 00:54:41,978 --> 00:54:45,448 [ Laughter Continues ] [ Keating ] CONGRATULATIONS, MR. HOPKINS. 883 00:54:45,515 --> 00:54:48,184 YOURS IS THE FIRST POEM TO EVER HAVE A NEGATIVE SCORE ON THE PRITCHARD SCALE. 884 00:54:48,251 --> 00:54:51,888 [ Boys Laughing ] WE’RE NOT LAUGHING AT YOU, WE’RE LAUGHING NEAR YOU. 885 00:54:51,955 --> 00:54:54,658 I DON’T MIND THAT YOUR POEM HAD A SIMPLE THEME. 886 00:54:54,724 --> 00:54:57,093 SOMETIMES THE MOST BEAUTIFUL POETRY CAN BE ABOUT SIMPLE THINGS, 887 00:54:57,160 --> 00:54:59,996 LIKE A CAT OR A FLOWER OR RAIN. 888 00:55:00,063 --> 00:55:03,466 YOU SEE, POETRY CAN COME FROM ANYTHING WITH THE STUFF OF REVELATION IN IT. 889 00:55:03,533 --> 00:55:05,902 JUST DON’T LET YOUR POEMS BE ORDINARY. 890 00:55:07,904 --> 00:55:10,740 NOW, WHO’S NEXT ? 891 00:55:11,675 --> 00:55:15,512 MR. ANDERSON, I SEE YOU SITTING THERE IN AGONY. 892 00:55:15,578 --> 00:55:18,848 COME ON, TODD, STEP UP. LET’S PUT YOU OUT OF YOUR MISERY. 893 00:55:21,484 --> 00:55:23,820 I-I DIDN’T DO IT. I DIDN’T WRITE A POEM. 894 00:55:27,257 --> 00:55:32,228 MR. ANDERSON THINKS THAT EVERYTHING INSIDE OF HIM IS WORTHLESS AND EMBARRASSING. 895 00:55:32,295 --> 00:55:36,900 ISN’T THAT RIGHT, TODD ? ISN’T THAT YOUR WORST FEAR ? 896 00:55:36,966 --> 00:55:39,669 WELL, I THINK YOU’RE WRONG. I THINK YOU HAVE SOMETHING INSIDE OF YOU... 897 00:55:39,736 --> 00:55:42,906 THAT IS WORTH A GREAT DEAL. 898 00:55:42,972 --> 00:55:46,443 "I SOUND... 899 00:55:46,509 --> 00:55:51,981 "MY BARBARIC... 900 00:55:52,982 --> 00:55:54,984 "YAWP... 901 00:55:57,554 --> 00:55:59,989 [ Continues Writing ] "OVER THE ROOFTOPS... 902 00:56:00,056 --> 00:56:02,625 OF THE WORLD." 903 00:56:04,627 --> 00:56:08,231 W.W. UNCLE WALT, AGAIN. 904 00:56:08,298 --> 00:56:12,936 NOW, FOR THOSE OF YOU WHO DON’T KNOW, A YAWP IS A LOUD CRY OR YELL. 905 00:56:13,002 --> 00:56:17,240 NOW, TODD, I WOULD LIKE YOU TO GIVE US A DEMONSTRATION OF A BARBARIC YAWP. 906 00:56:17,307 --> 00:56:20,744 [ Boys Chuckling ] [ Keating ] COME ON, YOU CAN’T YAWP SITTING DOWN. 907 00:56:20,810 --> 00:56:22,946 LET’S GO. COME ON, UP. 908 00:56:23,012 --> 00:56:27,016 GOT TO GET IN YAWPING STANCE. [ Boys Laughing ] 909 00:56:27,083 --> 00:56:31,054 A-A YAWP ? NO, NOT JUST A YAWP. A BARBARIC YAWP. 910 00:56:31,121 --> 00:56:35,325 RIGHT. YAWP. COME ON. LOUDER. 911 00:56:35,392 --> 00:56:37,627 [ Louder ] YAWP. OH, THAT’S A MOUSE. COME ON, LOUDER ! 912 00:56:37,694 --> 00:56:39,429 YAWP. OH, GOOD GOD, BOY, YELL LIKE A MAN ! 913 00:56:39,496 --> 00:56:43,533 YAWP ! THERE IT IS. YOU SEE, YOU HAVE A BARBARIAN IN YOU AFTER ALL. 914 00:56:43,600 --> 00:56:46,169 NOW, YOU DON’T GET AWAY THAT EASY. THERE’S A PICTURE OF UNCLE WALT UP THERE. 915 00:56:46,236 --> 00:56:50,140 WHAT DOES HE REMIND YOU OF ? DON’T THINK, ANSWER. GO ON. 916 00:56:50,206 --> 00:56:52,442 A M-M-M-MADMAN. [ Keating ] WHAT KIND OF MADMAN ? 917 00:56:52,509 --> 00:56:54,444 DON’T THINK ABOUT IT, JUST ANSWER AGAIN. A CR-CRAZY MADMAN. 918 00:56:54,511 --> 00:56:57,347 NO, YOU CAN DO BETTER THAN THAT. FREE UP YOUR MIND. USE YOUR IMAGINATION. 919 00:56:57,414 --> 00:57:00,216 SAY THE FIRST THING THAT POPS INTO YOUR HEAD, EVEN IF IT’S TOTAL GIBBERISH. GO ON. 920 00:57:00,283 --> 00:57:02,185 A-A-A SWEATY-TOOTHED MADMAN. 921 00:57:02,252 --> 00:57:04,921 GOOD GOD, BOY, THERE’S A POET IN YOU AFTER ALL ! 922 00:57:04,988 --> 00:57:08,024 THERE. CLOSE YOUR EYES. CLOSE YOUR EYES. CLOSE THEM. 923 00:57:08,091 --> 00:57:10,160 NOW, DESCRIBE WHAT YOU SEE. 924 00:57:10,226 --> 00:57:12,796 UH, I-I CLOSE MY EYES... YES ? 925 00:57:12,862 --> 00:57:16,399 UH, AND HIS IMAGE FLOATS BESIDE ME. A SWEATY-TOOTHED MADMAN. 926 00:57:16,466 --> 00:57:20,837 A SWEATY-TOOTHED MADMAN WITH A STARE THAT POUNDS MY BRAIN. OH, THAT’S EXCELLENT ! 927 00:57:20,904 --> 00:57:22,872 NOW, GIVE HIM ACTION, MAKE HIM DO SOMETHING. 928 00:57:22,939 --> 00:57:25,275 H-HIS HANDS REACH OUT AND CHOKE ME. THAT’S IT. WONDERFUL. WONDERFUL. 929 00:57:25,341 --> 00:57:27,477 AND ALL THE TIME HE’S MUMBLING. WHAT’S HE MUMBLING ? 930 00:57:27,544 --> 00:57:29,412 MUMBLING TRUTH. YES. 931 00:57:29,479 --> 00:57:32,715 TRUTH IS LIKE A BLANKET THAT ALWAYS LEAVES YOUR FEET COLD. [ Boys Laughing ] 932 00:57:32,782 --> 00:57:35,952 FORGET THEM. FORGET THEM. STAY WITH THE BLANKET. TELL ME ABOUT THAT BLANKET. 933 00:57:36,019 --> 00:57:39,556 Y-Y-YOU PUSH IT, STRETCH IT, IT’LL NEVER BE ENOUGH. 934 00:57:39,622 --> 00:57:41,491 YOU KICK AT IT, BEAT IT, IT’LL NEVER COVER ANY OF US. 935 00:57:41,558 --> 00:57:44,994 FROM THE MOMENT WE ENTER CRYING TO THE MOMENT WE LEAVE DYING, 936 00:57:45,061 --> 00:57:50,233 IT’LL JUST COVER YOUR FACE AS YOU WAIL AND CRY AND SCREAM. 937 00:57:55,238 --> 00:57:58,374 [ Boys Cheering, Applauding ] 938 00:57:58,441 --> 00:58:01,778 [ Cheering, Applause Continue ] [ Softly ] DON’T YOU FORGET THIS. 939 00:58:59,769 --> 00:59:02,472 [ Puffing, Coughs ] 940 00:59:02,539 --> 00:59:05,008 [ Boys Laughing ] [ Charlie ] THAT A BOY, PITTSIE. 941 00:59:05,074 --> 00:59:07,310 INHALE, DEEPLY. [ Meeks ] MY DAD COLLECTS A LOT OF PIPES. 942 00:59:07,377 --> 00:59:09,579 [ Pitts ] REALLY ? [ Meeks ] HE MUST HAVE 30. 943 00:59:09,646 --> 00:59:12,382 YOUR PARENTS COLLECT PIPES ? OH, THAT’S REALLY INTERESTING. [ Laughing ] 944 00:59:12,448 --> 00:59:16,753 COME ON, KNOX. JOIN IN. [ Cameron ] YEAH, KNOX, WE’RE FROM THE GOVERNMENT. 945 00:59:16,819 --> 00:59:18,555 WE’RE HERE TO HELP. WHAT’S WRONG ? 946 00:59:18,621 --> 00:59:22,091 [ Boys Taunting ] IT’S CHRIS ! HERE’S A PICTURE OF CHRIS FOR YOU ! 947 00:59:22,158 --> 00:59:24,294 PUT THAT IN YOUR PIPE AND SMOKE IT. IT’S NOT FUNNY. 948 00:59:24,360 --> 00:59:27,463 KNOCK IT OFF. SMOKE YOUR PIPES. 949 00:59:27,530 --> 00:59:32,502 [ Meeks ] NEIL. FRIENDS, SCHOLARS, WELTON MEN. [ Chuckling ] 950 00:59:32,569 --> 00:59:34,771 WHAT IS THAT, NEIL ? 951 00:59:34,837 --> 00:59:39,943 DUH, IT’S A LAMP, MEEKS. NO, THIS IS THE GOD OF THE CAVE. 952 00:59:40,009 --> 00:59:41,511 THE GOD OF THE CAVE. ♪ [ Saxophone ] 953 00:59:41,578 --> 00:59:43,479 ♪ [ Blaring ] 954 00:59:43,546 --> 00:59:46,916 CHARLIE, WHAT ARE YOU DOING ? WHAT DO YOU SAY WE START THIS MEETING ? 955 00:59:46,983 --> 00:59:50,286 I NEED A LIGHT. WHO’S GOT A LIGHT ? ANYBODY BRING EARPLUGS ? 956 00:59:50,353 --> 00:59:53,423 [ Clears Throat ] GENTLEMEN. 957 00:59:53,489 --> 00:59:58,194 "POETRUSIC" BY CHARLES DALTON. [ Boys Murmuring ] 958 00:59:58,261 --> 01:00:01,965 ♪ [ Wild, Random Notes ] [ Groaning ] OH, MAN. 959 01:00:02,031 --> 01:00:04,734 LAUGHING, CRYING, TUMBLING, MUMBLING. 960 01:00:04,801 --> 01:00:06,869 GOTTA DO MORE, GOTTA BE MORE. 961 01:00:06,936 --> 01:00:08,972 ♪ [ Wild, Random Notes ] 962 01:00:09,038 --> 01:00:11,841 [ Groans ] [ Boy Laughs ] PITTS. 963 01:00:11,908 --> 01:00:15,712 CHAOS SCREAMING, CHAOS DREAMING. GOTTA DO MORE, GOTTA BE MORE ! 964 01:00:15,778 --> 01:00:21,584 ♪ [ Slow, Sweet Melody ] 965 01:00:21,651 --> 01:00:31,894 ♪ 966 01:00:35,465 --> 01:00:39,469 ♪♪ [ Sweet Melody Continues ] 967 01:00:39,535 --> 01:00:47,577 ♪ 968 01:00:47,644 --> 01:00:51,114 WOW. NICE. THAT WAS GREAT. 969 01:00:51,180 --> 01:00:53,116 WHERE DID YOU LEARN TO PLAY LIKE THAT ? 970 01:00:53,182 --> 01:00:55,885 MY PARENTS MADE ME TAKE THE CLARINET FOR YEARS ! 971 01:00:55,952 --> 01:00:58,454 I LOVED THE CLARINET. I HATED IT. 972 01:00:58,521 --> 01:01:00,256 [ Boys Laughing ] 973 01:01:00,323 --> 01:01:05,628 THE SAXOPHONE. THE SAXOPHONE IS MORE... SONOROUS. 974 01:01:05,695 --> 01:01:08,164 OOH, MORE SONOROUS. VOCABULARY. 975 01:01:08,231 --> 01:01:11,734 [ Throws Pipe Down ] I CAN’T TAKE IT ANYMORE. IF I DON’T HAVE CHRIS, 976 01:01:11,801 --> 01:01:15,138 I’M GONNA KILL MYSELF. [ Charlie ] KNOXIOUS, YOU GOTTA CALM DOWN. 977 01:01:15,204 --> 01:01:19,242 NO, CHARLIE ! THAT’S JUST MY PROBLEM. 978 01:01:19,308 --> 01:01:23,012 I’VE BEEN CALM ALL MY LIFE. I’M GONNA DO SOMETHING ABOUT THAT. 979 01:01:23,079 --> 01:01:25,715 WHERE ARE YOU GOING ? WHAT ARE YOU GONNA DO ? 980 01:01:25,782 --> 01:01:27,917 I’M GONNA CALL HER. [ Dastardly Chuckling ] 981 01:01:27,984 --> 01:01:32,288 HE’S GONNA CALL HER ! WAIT FOR ME ! ♪ [ Wildly ] 982 01:01:32,355 --> 01:01:34,290 [ Line Ringing ] 983 01:01:34,357 --> 01:01:36,092 [ Chris ] HELLO ? 984 01:01:36,159 --> 01:01:39,228 [ Coins Drop ] SHE’S GONNA HATE ME. 985 01:01:41,130 --> 01:01:43,199 THE DANBURRYS WILL HATE ME. 986 01:01:43,266 --> 01:01:46,469 MY PARENTS WILL KILL ME. 987 01:01:50,740 --> 01:01:52,875 [ Softly ] ALL RIGHT, GODDAMN IT. 988 01:01:52,942 --> 01:01:56,412 YOU’RE RIGHT. CARPE DIEM. 989 01:01:56,479 --> 01:01:58,915 [ Deposits Coins, Dials ] EVEN IF IT KILLS ME. 990 01:01:58,981 --> 01:02:01,384 [ All Chuckling ] 991 01:02:05,188 --> 01:02:06,923 [ Line Ringing ] 992 01:02:06,989 --> 01:02:08,958 [ Chris ] HELLO ? HELLO, CHRIS ? 993 01:02:09,025 --> 01:02:11,961 YES. HI, THIS IS KNOX OVERSTREET. 994 01:02:12,028 --> 01:02:15,465 [ Boys Chuckling ] OH, YES. KNOX. 995 01:02:15,531 --> 01:02:18,468 I’M GLAD YOU CALLED. [ Whispers ] SHE’S GLAD I CALLED. 996 01:02:18,534 --> 01:02:20,870 [ Chris ] LISTEN, CHET’S PARENTS ARE GOING OUT OF TOWN THIS WEEKEND, 997 01:02:20,937 --> 01:02:22,672 AND HE’S HAVING A PARTY. 998 01:02:22,739 --> 01:02:24,974 WOULD YOU LIKE TO COME ? WOULD I LIKE TO COME TO A PARTY ? 999 01:02:25,041 --> 01:02:27,810 YES. SAY YES. IT’S FRIDAY. WELL, SURE. 1000 01:02:27,877 --> 01:02:29,912 [ Chris ] ABOUT 7:00. [ Knox ] OKAY, GREAT. I’LL BE THERE, CHRIS. 1001 01:02:29,979 --> 01:02:32,648 OKAY. FRIDAY NIGHT AT THE DANBURRYS’. OKAY. 1002 01:02:32,715 --> 01:02:35,284 OKAY. BYE. THANK YOU. THANK YOU. I’LL SEE YOU. BYE. 1003 01:02:35,351 --> 01:02:37,653 [ Coins Drop ] YAWP ! 1004 01:02:37,720 --> 01:02:39,722 [ Chuckling ] 1005 01:02:39,789 --> 01:02:41,724 CAN YOU BELIEVE IT ? 1006 01:02:41,791 --> 01:02:44,560 SHE WAS GONNA CALL ME. 1007 01:02:44,627 --> 01:02:46,963 SHE INVITED ME TO A PARTY WITH HER. 1008 01:02:47,029 --> 01:02:49,799 AT CHET DANBURRY’S HOUSE. YEAH. 1009 01:02:49,866 --> 01:02:52,335 WELL ? SO ? 1010 01:02:52,401 --> 01:02:57,106 SO YOU DON’T REALLY THINK SHE MEANS YOU’RE GOING WITH HER ? 1011 01:02:57,173 --> 01:03:00,476 WELL, OF COURSE NOT, CHARLIE. BUT THAT’S NOT THE POINT. 1012 01:03:00,543 --> 01:03:04,981 THAT’S NOT THE POINT AT ALL. WHAT IS THE POINT ? 1013 01:03:05,047 --> 01:03:10,419 THE POINT, CHARLIE... UH-HUH ? 1014 01:03:10,486 --> 01:03:14,090 IS... YEAH ? 1015 01:03:14,157 --> 01:03:17,894 THAT SHE WAS THINKING ABOUT ME. 1016 01:03:17,960 --> 01:03:20,763 I’VE ONLY MET HER ONCE, AND ALREADY... 1017 01:03:20,830 --> 01:03:22,632 SHE’S THINKING ABOUT ME. 1018 01:03:22,698 --> 01:03:25,601 DAMN IT, IT’S GONNA HAPPEN, GUYS. [ Others Chuckling ] 1019 01:03:25,668 --> 01:03:27,804 I FEEL IT. 1020 01:03:27,870 --> 01:03:30,973 SHE IS GOING TO BE MINE. 1021 01:03:31,040 --> 01:03:33,910 [ Laughs ] ♪ [ Humming ] 1022 01:03:33,976 --> 01:03:38,347 CARPE ! CARPE ! ♪♪ [ Continues Humming ] 1023 01:03:38,414 --> 01:03:43,019 NO GRADES ATSTAKE,GENTLEMEN. JUST TAKE A STROLL. 1024 01:03:49,659 --> 01:03:54,530 - THERE IT IS. - [ Boys Clapping In Time To Steps ] 1025 01:04:00,870 --> 01:04:04,407 I DON’T KNOW, BUT I'VE BEEN TOLD. [ Boys ] I DON’T KNOW BUT I’VE BEEN TOLD. 1026 01:04:04,473 --> 01:04:07,210 [ Keating ] DOING POETRY IS COLD. 1027 01:04:07,276 --> 01:04:11,547 [ Boys ] DOING POETRY IS COLD. LEFT. LEFT. LEFT, RIGHT, LEFT. 1028 01:04:11,614 --> 01:04:14,817 LEFT. LEFT. LEFT, RIGHT, LEFT. 1029 01:04:14,884 --> 01:04:16,819 LEFT. HALT ! 1030 01:04:16,886 --> 01:04:20,356 THANK YOU, GENTLEMEN. 1031 01:04:20,423 --> 01:04:24,427 IF YOU NOTICED, EVERYONE STARTED OFF WITH THEIR OWN STRIDE, THEIR OWN PACE. 1032 01:04:24,493 --> 01:04:28,464 MR. PITTS TAKING HIS TIME. HE KNEW HE’LL GET THERE ONE DAY. 1033 01:04:28,531 --> 01:04:31,334 MR. CAMERON. YOU COULD SEE HIM THINKING, "IS THIS RIGHT ? IT MIGHT BE RIGHT. 1034 01:04:31,400 --> 01:04:34,270 IT MIGHT BE RIGHT. I KNOW THAT-- MAYBE NOT. I DON’T KNOW." 1035 01:04:34,337 --> 01:04:39,642 MR. OVERSTREET, DRIVEN BY A DEEPER FORCE. YES. [ Boys Laughing ] 1036 01:04:39,709 --> 01:04:42,678 WE KNOW THAT. ALL RIGHT. NOW, I DIDN’T BRING THEM UP HERE TO RIDICULE THEM. 1037 01:04:42,745 --> 01:04:45,548 I BROUGHT THEM UP HERE TO ILLUSTRATE THE POINT OF CONFORMITY. 1038 01:04:45,615 --> 01:04:49,118 THE DIFFICULTY IN MAINTAINING YOUR OWN BELIEFS IN THE FACE OF OTHERS. 1039 01:04:49,185 --> 01:04:53,856 NOW, THOSE OF YOU, I SEE THE LOOK IN YOUR EYES LIKE, "I WOULD HAVE WALKED DIFFERENTLY." 1040 01:04:53,923 --> 01:04:56,525 WELL, ASK YOURSELVES WHY YOU WERE CLAPPING ? 1041 01:04:56,592 --> 01:04:59,629 NOW WE ALL HAVE A GREAT NEED FOR ACCEPTANCE. 1042 01:04:59,695 --> 01:05:02,999 BUT YOU MUST TRUST THAT YOUR BELIEFS ARE UNIQUE, YOUR OWN. 1043 01:05:03,065 --> 01:05:05,368 EVEN THOUGH OTHERS MAY THINK THEM ODD OR UNPOPULAR. 1044 01:05:05,434 --> 01:05:08,170 EVEN THOUGH THE HERD MAY GO, "THAT’S BA-A-A-A-AD." 1045 01:05:08,237 --> 01:05:10,673 - [ Boys Laughing ] - [ Keating ] ROBERT FROST SAID, 1046 01:05:10,740 --> 01:05:16,279 "TWO ROADS DIVERGED IN THE WOOD AND I, I TOOK THE ONE LESS TRAVELED BY. 1047 01:05:16,345 --> 01:05:18,281 AND THAT HAS MADE ALL THE DIFFERENCE." 1048 01:05:18,347 --> 01:05:20,683 I WANT YOU TO FIND YOUR OWN WALK RIGHT NOW, 1049 01:05:20,750 --> 01:05:23,653 YOUR OWN WAY OF STRIDING, PACING ANY DIRECTION. 1050 01:05:23,719 --> 01:05:27,323 ANYTHING YOU WANT, WHETHER IT’S PROUD, WHETHER IT'S SILLY, ANYTHING. 1051 01:05:27,390 --> 01:05:31,794 GENTLEMEN, THE COURTYARD IS YOURS. [ Boys Murmuring, Chuckling ] 1052 01:05:31,861 --> 01:05:36,799 YOU DON’T HAVE TO PERFORM, JUST MAKE IT FOR YOURSELF. 1053 01:05:36,866 --> 01:05:41,170 MR. DALTON, WILL YOU BE JOINING US ? 1054 01:05:41,237 --> 01:05:43,406 EXERCISING THE RIGHT NOT TO WALK. 1055 01:05:43,472 --> 01:05:47,944 THANK YOU, MR. DALTON. JUST ILLUSTRATED THE POINT. 1056 01:05:48,010 --> 01:05:52,181 SWIM AGAINST THE STREAM. [ Boys Chattering ] 1057 01:06:00,756 --> 01:06:02,725 TODD ? 1058 01:06:04,660 --> 01:06:06,629 HEY. HEY. 1059 01:06:06,696 --> 01:06:09,699 WHAT’S GOING ON ? NOTHING. 1060 01:06:11,634 --> 01:06:14,837 TODAY’S MY BIRTHDAY. IS TODAY YOUR BIRTHDAY ? 1061 01:06:14,904 --> 01:06:16,472 HAPPY BIRTHDAY. THANKS. 1062 01:06:16,539 --> 01:06:20,443 - WHAT DID YOU GET ? - MY PARENTS JUST GAVE ME THIS. 1063 01:06:20,509 --> 01:06:25,247 ISN’T THIS THE SAME DESK SET-- YEAH, YEAH, THEY GAVE ME THE SAME THING AS LAST YEAR. 1064 01:06:27,717 --> 01:06:29,685 OH. OH. 1065 01:06:31,187 --> 01:06:32,922 MAYBE THEY THOUGHT YOU NEEDED ANOTHER ONE. [ Laughs ] 1066 01:06:32,989 --> 01:06:36,759 [ Laughs ] MAYBE THEY WEREN’T THINKING ABOUT ANYTHING AT ALL. 1067 01:06:38,995 --> 01:06:44,166 THE FUNNY THING IS, ABOUT THIS, IS I DIDN’T EVEN LIKE IT THE FIRST TIME. 1068 01:06:44,233 --> 01:06:46,502 [ Laughs ] [ Laughs ] 1069 01:06:46,569 --> 01:06:50,506 TODD, I THINK YOU’RE UNDERESTIMATING THE VALUE OF THIS DESK SET. 1070 01:06:52,375 --> 01:06:57,747 I MEAN, WHO WOULD WANT A FOOTBALL OR A BASEBALL-- 1071 01:06:57,813 --> 01:06:59,615 OR A CAR. MM-HMM, OR A CAR-- 1072 01:06:59,682 --> 01:07:02,385 IF THEY COULD HAVE A DESK SET AS WONDERFUL AS THIS ONE. 1073 01:07:02,451 --> 01:07:06,522 I MEAN, IF I WERE EVER GOING TO BUY A DESK SET... TWICE, 1074 01:07:06,589 --> 01:07:10,559 I WOULD PROBABLY BUY THIS ONE... BOTH TIMES. 1075 01:07:10,626 --> 01:07:12,595 [ Laughing ] 1076 01:07:12,661 --> 01:07:16,899 IN FACT, ITS... SHAPE IS-- 1077 01:07:16,966 --> 01:07:19,802 IT’S RATHER AERODYNAMIC, ISN’T IT ? 1078 01:07:19,869 --> 01:07:23,172 YOU CAN FEEL IT. 1079 01:07:23,239 --> 01:07:28,511 [ Exhales ] THIS DESK SET WANTS TO FLY. 1080 01:07:31,047 --> 01:07:33,049 TODD... 1081 01:07:33,115 --> 01:07:37,420 THE WORLD’S FIRST UNMANNED FLYING DESK SET. 1082 01:07:37,486 --> 01:07:39,388 [ Yells ] 1083 01:07:39,455 --> 01:07:42,191 [ Both Laughing, Desk Supplies Clattering ] 1084 01:07:42,258 --> 01:07:46,695 OH, MY ! WELL, I WOULDN’T WORRY. 1085 01:07:46,762 --> 01:07:50,266 YOU’LL GET ANOTHER ONE NEXT YEAR. [ Laughing ] 1086 01:07:50,332 --> 01:07:53,335 [ Boys ] "TO LIVE DEEP AND SUCK OUT ALL THE MARROW OF LIFE. 1087 01:07:53,402 --> 01:07:57,273 TO PUT TO ROUT ALL THAT WAS NOT LIFE--" [ Girls Laughing ] 1088 01:07:57,339 --> 01:07:59,742 [ Laughing Continues ] MY GOD. 1089 01:07:59,809 --> 01:08:03,712 - [ Girl ] IS THIS IT ? - [ Charlie ] YEAH, THIS IS IT. 1090 01:08:03,779 --> 01:08:07,750 GO AHEAD. GO ON IN. IT’S MY CAVE. WATCH YOUR STEP. 1091 01:08:07,817 --> 01:08:09,151 [ Girls Giggling ] UH-OH. 1092 01:08:09,218 --> 01:08:11,687 [ Giggling ] HI. 1093 01:08:11,754 --> 01:08:13,355 [ Meeks ] HELLO. [ Girl ] HI. 1094 01:08:13,422 --> 01:08:18,594 HI, GUYS. MEET, UH, GLORIA AND-- [ Snaps Fingers ] 1095 01:08:18,661 --> 01:08:20,429 TINA. TINA. 1096 01:08:20,496 --> 01:08:24,300 THIS IS THE PLEDGE CLASS OF THE DEAD POETS SOCIETY. [ Boys ] HELLO. 1097 01:08:24,366 --> 01:08:26,435 HOW DO YOU DO ? HELLO. HI. 1098 01:08:26,502 --> 01:08:30,172 GUYS, MOVE. MOVE ! COME ON, FOLKS, IT’S FRIDAY NIGHT. 1099 01:08:30,239 --> 01:08:34,610 LET’S GET ON WITH THE MEETING. GUYS, I HAVE AN ANNOUNCEMENT TO MAKE. 1100 01:08:34,677 --> 01:08:38,481 IN KEEPING WITH THE SPIRIT OF PASSIONATE EXPERIMENTATION OF THE DEAD POETS, 1101 01:08:38,547 --> 01:08:40,916 I’M GIVING UP THE NAME CHARLES DALTON. 1102 01:08:40,983 --> 01:08:43,452 FROM NOW ON, CALL ME NUWANDA. 1103 01:08:43,519 --> 01:08:46,188 [ Boys Laughing ] NUWANDA ? 1104 01:08:46,255 --> 01:08:48,190 [ Giggling ] 1105 01:08:48,257 --> 01:08:52,361 [ Boys Chuckling, Chattering ] 1106 01:08:52,428 --> 01:08:55,865 [ Indian War Whooping ] 1107 01:08:55,931 --> 01:08:58,267 ♪ 1108 01:08:58,334 --> 01:09:03,506 HELLO ? HELLO, CHRIS ? ♪ I CRASHED IN THE JUNGLE WHILE TRYING TO KEEP A DATE ♪ 1109 01:09:03,572 --> 01:09:06,675 ♪ WITH MY LITTLE GIRL WHO WAS BACK IN THE STATES ♪ 1110 01:09:06,742 --> 01:09:08,577 ♪ I WAS STRANDED IN THE JUNGLE-- ♪♪ [ Chris ] KNOX ! 1111 01:09:08,644 --> 01:09:10,880 HI. YOU MADE IT ! GREAT. 1112 01:09:10,946 --> 01:09:12,681 DID YOU BRING ANYBODY ? NO. 1113 01:09:12,748 --> 01:09:16,352 NO ? GINNY DANBURRY’S HERE. LOOK, I HAVE TO GO FIND CHET. 1114 01:09:16,418 --> 01:09:19,455 WHY DON’T YOU GO DOWNSTAIRS ? THAT’S WHERE EVERYBODY IS. YEAH, BUT CHRIS, I’VE-- 1115 01:09:19,522 --> 01:09:22,791 MAKE YOURSELF AT HOME. BUT I’VE-- 1116 01:09:22,858 --> 01:09:25,828 ♪ 1117 01:09:25,895 --> 01:09:30,399 ♪ BABY, BABY LET’S MAKE ROMANCE ♪ 1118 01:09:31,867 --> 01:09:36,138 ♪ YOU KNOW YOUR OLD-TIME LOVER HASN’T GOT A CHANCE ♪ 1119 01:09:36,205 --> 01:09:39,942 ♪♪ [ Continues ] HI, GUYS. 1120 01:09:40,009 --> 01:09:43,379 [ Pouring Beer ] 1121 01:09:43,445 --> 01:09:46,315 HEY, YOU MUTT SANDERS’ BROTHER ? 1122 01:09:46,382 --> 01:09:49,852 BUBBA, THIS GUY LOOK LIKE MUTT SANDERS TO YOU, OR WHAT ? [ Spits ] 1123 01:09:49,919 --> 01:09:53,756 YOU’RE HIS BROTHER ? [ Chuckles ] NO RELATION. 1124 01:09:53,822 --> 01:09:56,325 NEVER HEARD OF HIM. SORRY, GUYS. WHERE’S OUR MANNERS, STEVE ? 1125 01:09:56,392 --> 01:09:58,694 HERE’S MUTT SANDERS' BROTHER AND WE DON’T EVEN OFFER HIM A DRINK. 1126 01:09:58,761 --> 01:10:01,564 HERE YOU GO. HAVE SOME WHISKEY, PAL. YEAH. 1127 01:10:01,630 --> 01:10:04,033 I, UH, I DON’T REALLY DRINK WHISKEY. 1128 01:10:04,099 --> 01:10:07,269 TO MUTT. TO MUTT. 1129 01:10:07,336 --> 01:10:09,638 TO MUTT. [ Sighs ] 1130 01:10:11,373 --> 01:10:16,145 NOW, HOW THE HELL IS OLD MUTT ANYWAY ? YEAH, WHAT’S OLD MUTTER BEEN UP TO ? 1131 01:10:16,212 --> 01:10:18,380 [ Coughing ] I DON’T REALLY KNOW MUTT. 1132 01:10:18,447 --> 01:10:21,050 [ Sighs ] TO THE MIGHTY MUTT. 1133 01:10:21,116 --> 01:10:24,553 TO MIGHTY MUTT. TO MIGHTY MUTT. 1134 01:10:27,623 --> 01:10:32,161 [ Sighs, Shudders ] LISTEN, I GOTTA GO FIND PATSY. 1135 01:10:32,228 --> 01:10:36,232 SAY HELLO TO MUTT FOR ME, OKAY ? WILL DO. 1136 01:10:36,298 --> 01:10:40,436 HELL OF A GUY, YOUR BROTHER MUTT. [ Sighs ] 1137 01:10:40,502 --> 01:10:43,172 WE GONNA HAVE A MEETING, OR WHAT ? 1138 01:10:43,239 --> 01:10:45,174 YEAH, IF YOU GUYS DON’T HAVE A MEETING, 1139 01:10:45,241 --> 01:10:47,176 HOW DO WE KNOW IF WE WANT TO JOIN ? 1140 01:10:47,243 --> 01:10:50,279 "JOIN" ? 1141 01:10:50,346 --> 01:10:52,881 "SHALL I COMPARE THEE TO A SUMMER’S DAY ? 1142 01:10:52,948 --> 01:10:57,052 THOU ART MORE LOVELY AND MORE TEMPERATE." THAT’S SO SWEET. 1143 01:10:57,119 --> 01:11:02,157 I MADE THAT UP JUST FOR YOU. YOU DID ? [ Scoffing ] 1144 01:11:02,224 --> 01:11:05,227 I’LL WRITE ONE FOR YOU TOO, GLORIA. 1145 01:11:05,294 --> 01:11:07,529 [ Sighs ] 1146 01:11:07,596 --> 01:11:11,000 "SHE WALKS IN BEAUTY LIKE THE NIGHT. 1147 01:11:12,401 --> 01:11:15,404 "SHE WALKS IN BEAUTY LIKE THE NIGHT... 1148 01:11:15,471 --> 01:11:20,576 "OF CLOUDLESS CLIMES AND STARRY SKIES. 1149 01:11:20,643 --> 01:11:22,578 "ALL THAT’S BEST, DARK AND BRIGHT, 1150 01:11:22,645 --> 01:11:27,316 MEET IN HER ASPECT AND HER EYES." THAT’S BEAUTIFUL. 1151 01:11:28,417 --> 01:11:31,320 THERE’S PLENTY MORE WHERE THAT CAME FROM. 1152 01:11:33,222 --> 01:11:37,960 ♪♪ [ Crowd Chattering ] 1153 01:11:38,027 --> 01:11:39,962 [ Belches ] 1154 01:11:40,029 --> 01:11:42,197 ♪ 1155 01:11:42,264 --> 01:11:44,199 [ Growling ] 1156 01:11:44,266 --> 01:11:46,568 ♪ 1157 01:11:46,635 --> 01:11:50,973 ♪ SHE SURE LOOKS FINE TO ME WHAT’S HER NAME ♪ 1158 01:11:51,040 --> 01:11:53,909 ♪ LOOK OUT LET ME CALL HER ONE TIME ♪ 1159 01:11:53,976 --> 01:11:56,912 ♪♪ [ Continues ] 1160 01:12:01,050 --> 01:12:03,052 [ Both Moaning ] 1161 01:12:05,321 --> 01:12:08,257 ♪ HEY, LITTLE GIRL ♪ 1162 01:12:08,324 --> 01:12:12,227 ♪ GEE, YOU SURE LOOK FINE ♪ 1163 01:12:12,294 --> 01:12:14,330 ♪♪ [ Continues ] 1164 01:12:14,396 --> 01:12:16,432 GOD, HELP ME. 1165 01:12:16,498 --> 01:12:20,703 ♪ OOH, BABY YOU’RE NOT MINE ♪ 1166 01:12:23,572 --> 01:12:28,877 ♪ HEY, LITTLE GIRL HOW’S ABOUT A DATE ♪ 1167 01:12:30,346 --> 01:12:33,749 [ Whispers ] CARPE DIEM. ♪ HEY, LITTLE GIRL ♪ 1168 01:12:33,816 --> 01:12:37,953 ♪ HOW’S ABOUT A DATE ♪ 1169 01:12:39,188 --> 01:12:42,458 ♪ YOU KNOW I’LL COME GET YOU EARLY, BABY ♪ 1170 01:12:42,524 --> 01:12:45,594 ♪ WON’T KEEP YOU OUT TOO LATE ♪ 1171 01:12:48,564 --> 01:12:51,200 ♪ SAY, LITTLE GIRL ♪ 1172 01:12:51,266 --> 01:12:53,702 ♪ NOW HOW’S ABOUT A KISS ♪ 1173 01:12:56,438 --> 01:12:59,441 ♪ YEAH, SAY, LITTLE GIRL ♪ 1174 01:12:59,508 --> 01:13:03,145 ♪ HOW’S ABOUT A KISS ♪ 1175 01:13:03,212 --> 01:13:06,982 YOU DON’T REMEMBER ? ♪ WELL, IF YOU DON’T KISS ME, BABY ♪♪ 1176 01:13:07,049 --> 01:13:11,854 [ Bubba ] CHET. CHET. LOOK. [ Chet ] WHAT ? 1177 01:13:11,920 --> 01:13:14,957 - IT’S MUTT SANDERS' BROTHER. - [ Chet ] HUH ? 1178 01:13:15,023 --> 01:13:16,825 KNOX, WHAT-- AND HE’S FEELING UP YOUR GIRL ! 1179 01:13:16,892 --> 01:13:19,161 [ Chris ] WHAT ARE YOU DOING ? 1180 01:13:19,228 --> 01:13:21,764 [ Chet ] WHAT THE HELL ARE YOU DOING ? [ Chris ] CHET. CHET, DON’T ! 1181 01:13:21,830 --> 01:13:25,234 NOW, CHET, I KNOW THIS LOOKS BAD-- LEAVE HIM ALONE. 1182 01:13:25,300 --> 01:13:27,269 CHET, NO ! YOU’LL HURT HIM ! 1183 01:13:27,336 --> 01:13:30,739 - CHET, STOP IT ! LEAVE HIM ALONE ! NO ! - DAMN ! 1184 01:13:30,806 --> 01:13:32,908 CHET, STOP IT ! BASTARD ! 1185 01:13:32,975 --> 01:13:35,010 - [ Groaning ] - KNOX, ARE YOU ALL RIGHT ? 1186 01:13:35,077 --> 01:13:37,045 [ Chet ] CHRIS, GET THE HELL AWAY FROM HIM ! 1187 01:13:37,112 --> 01:13:39,248 CHET, YOU HURT HIM ! GOOD ! I’M SORRY. 1188 01:13:39,314 --> 01:13:41,817 I’M SO SORRY. IT’S OKAY. IT'S-IT’S OKAY. 1189 01:13:41,884 --> 01:13:44,019 NEXT TIME I SEE YOU, YOU DIE. 1190 01:13:44,086 --> 01:13:46,288 [ Guests Chattering ] 1191 01:13:46,355 --> 01:13:50,125 GO AHEAD. PASS IT AROUND. 1192 01:13:58,133 --> 01:14:01,770 ME AND PITTS ARE WORKING ON A HI-FI SYSTEM. 1193 01:14:01,837 --> 01:14:05,674 IT SHOULDN’T BE THAT HARD TO, UH, TO PUT TOGETHER. 1194 01:14:05,741 --> 01:14:09,244 YEAH. UH, I MIGHT BE GOING TO YALE. 1195 01:14:09,311 --> 01:14:12,047 UH, BUT I-I MIGHT NOT. 1196 01:14:12,114 --> 01:14:14,383 DON’T YOU GUYS MISS HAVING GIRLS AROUND HERE ? 1197 01:14:14,450 --> 01:14:16,018 [ Chuckles ] YEAH. [ Chuckles ] YEAH. 1198 01:14:16,084 --> 01:14:18,620 [ Charlie ] THAT’S PART OF WHAT THIS CLUB IS ABOUT. 1199 01:14:18,687 --> 01:14:20,622 IN FACT, I’D LIKE TO ANNOUNCE... 1200 01:14:20,689 --> 01:14:24,092 I PUBLISHED AN ARTICLE IN THE SCHOOL PAPER IN THE NAME OF THE DEAD POETS, 1201 01:14:24,159 --> 01:14:27,729 - WHAT ? - DEMANDING GIRLS BE ADMITTED TO WELTON... 1202 01:14:27,796 --> 01:14:30,365 YOU DIDN’T. SO WE CAN ALL STOP BEATING OFF. 1203 01:14:30,432 --> 01:14:32,100 HOW DID YOU DO THAT ? [ Charlie ] I’M ONE OF THE PROOFERS. 1204 01:14:32,167 --> 01:14:35,370 I SLIPPED THE ARTICLE IN. IT’S-IT'S OVER NOW. 1205 01:14:35,437 --> 01:14:37,039 WHY ? NOBODY KNOWS WHO WE ARE. 1206 01:14:37,139 --> 01:14:39,274 WELL, DON’T YOU THINK THEY’RE GONNA FIGURE OUT WHO WROTE IT ? 1207 01:14:39,341 --> 01:14:42,945 THEY’RE GONNA COME TO YOU AND ASK TO KNOW WHAT THE DEAD POETS SOCIETY IS. 1208 01:14:43,011 --> 01:14:45,647 CHARLIE, YOU HAD NO RIGHT TO DO SOMETHING LIKE THAT. 1209 01:14:45,714 --> 01:14:47,950 IT’S NUWANDA, CAMERON. 1210 01:14:48,016 --> 01:14:50,853 [ Gloria ] THAT’S RIGHT. IT’S NUWANDA. 1211 01:14:50,919 --> 01:14:54,022 ARE WE JUST PLAYING AROUND OUT HERE, OR DO WE MEAN WHAT WE SAY ? 1212 01:14:54,089 --> 01:14:56,959 IF ALL WE DO IS COME TOGETHER AND READ A BUNCH OF POEMS TO EACH OTHER, 1213 01:14:57,025 --> 01:14:58,961 WHAT THE HELL ARE WE DOING ? [ Neil ] ALL RIGHT, 1214 01:14:59,027 --> 01:15:01,063 BUT YOU STILL SHOULDN’T HAVE DONE IT, CHARLIE. 1215 01:15:01,129 --> 01:15:03,699 THIS COULD MEAN TROUBLE. YOU DON’T SPEAK FOR THE CLUB. 1216 01:15:03,765 --> 01:15:06,201 HEY, WOULD YOU NOT WORRY ABOUT YOUR PRECIOUS LITTLE NECK ? 1217 01:15:06,268 --> 01:15:10,005 IF THEY CATCH ME, I’LL TELL THEM I MADE IT UP. 1218 01:15:23,819 --> 01:15:26,622 [ Whispering ] FINE. 1219 01:15:36,465 --> 01:15:38,634 SIT. 1220 01:15:43,505 --> 01:15:45,274 IN THIS WEEK’S ISSUE OF WELTON HONOR, 1221 01:15:45,340 --> 01:15:49,211 THERE APPEARED A PROFANE AND UNAUTHORIZED ARTICLE. 1222 01:15:49,278 --> 01:15:54,950 RATHER THAN SPEND MY VALUABLE TIME FERRETING OUT THE GUILTY PERSONS-- 1223 01:15:55,017 --> 01:15:57,252 AND LET ME ASSURE YOU I WILL FIND THEM-- 1224 01:15:57,319 --> 01:16:00,856 I’M ASKING ANY AND ALL STUDENTS WHO KNOW ANYTHING ABOUT THIS ARTICLE... 1225 01:16:00,923 --> 01:16:05,027 TO MAKE THEMSELVES KNOWN HERE AND NOW. 1226 01:16:06,695 --> 01:16:09,064 WHOEVER THE GUILTY PERSONS ARE, 1227 01:16:09,131 --> 01:16:13,468 THIS IS YOUR ONLY CHANCE TO AVOID EXPULSION FROM THIS SCHOOL. 1228 01:16:13,535 --> 01:16:18,473 [ Phone Ringing, Teachers Murmuring ] 1229 01:16:18,540 --> 01:16:20,576 WELTON ACADEMY. HELLO. 1230 01:16:20,642 --> 01:16:23,312 YES, HE IS. JUST A MOMENT. 1231 01:16:23,378 --> 01:16:26,381 MR. NOLAN, IT’S FOR YOU. 1232 01:16:26,448 --> 01:16:28,417 IT’S GOD ! 1233 01:16:28,483 --> 01:16:30,452 HE SAYS WE SHOULD HAVE GIRLS AT WELTON. 1234 01:16:30,519 --> 01:16:33,755 [ Boys Laughing ] 1235 01:16:46,101 --> 01:16:48,437 WIPE THAT SMIRK OFF YOUR FACE. 1236 01:16:48,503 --> 01:16:51,306 IF YOU THINK, MR. DALTON, 1237 01:16:51,373 --> 01:16:54,343 THAT YOU’RE THE FIRST TO TRY TO GET THROWN OUT OF THIS SCHOOL, THINK AGAIN. 1238 01:16:54,409 --> 01:16:58,647 OTHERS HAVE HAD SIMILAR NOTIONS AND HAVE FAILED JUST AS SURELY AS YOU WILL FAIL. 1239 01:16:58,714 --> 01:17:02,284 ASSUME THE POSITION. [ Sighs ] 1240 01:17:13,462 --> 01:17:16,064 COUNT ALOUD, MR. DALTON. 1241 01:17:17,332 --> 01:17:19,267 [ Paddle Strikes ] 1242 01:17:19,334 --> 01:17:21,336 ONE. 1243 01:17:21,403 --> 01:17:23,405 [ Strikes Dalton ] 1244 01:17:23,472 --> 01:17:25,807 TWO. 1245 01:17:26,642 --> 01:17:29,578 [ Strikes Dalton ] 1246 01:17:29,645 --> 01:17:32,147 THREE. 1247 01:17:32,214 --> 01:17:35,851 [ Strikes Dalton ] FOUR. [ Stifles Groan ] 1248 01:17:35,917 --> 01:17:38,253 [ Paddle Strikes ] FIVE. 1249 01:17:38,320 --> 01:17:41,289 WHAT IS THIS DEAD POETS SOCIETY ? I WANT NAMES. 1250 01:17:41,356 --> 01:17:45,761 [ Low Murmuring ] 1251 01:18:10,485 --> 01:18:12,688 [ Neil ] YOU KICKED OUT ? NO. 1252 01:18:12,754 --> 01:18:15,791 [ Neil ] SO WHAT HAPPENED ? [ Sighs ] 1253 01:18:17,426 --> 01:18:21,296 I’M TO TURN EVERYBODY IN, APOLOGIZE TO THE SCHOOL, 1254 01:18:21,363 --> 01:18:23,432 AND ALL WILL BE FORGIVEN. 1255 01:18:23,498 --> 01:18:25,634 SO WHAT ARE YOU GONNA DO ? 1256 01:18:25,701 --> 01:18:29,171 - CHARLIE-- - DAMN IT, NEIL, 1257 01:18:29,237 --> 01:18:32,207 THE NAME IS NUWANDA. 1258 01:18:32,274 --> 01:18:35,243 [ Door Closes ] 1259 01:18:35,310 --> 01:18:37,345 [ Both Chuckling ] 1260 01:18:37,412 --> 01:18:41,149 EXCUSE ME. MAY WE HAVE A WORD, MR. KEATING ? 1261 01:18:41,216 --> 01:18:43,285 CERTAINLY. 1262 01:18:48,390 --> 01:18:52,661 THIS WAS MY FIRST CLASSROOM, JOHN. DID YOU KNOW THAT ? 1263 01:18:52,728 --> 01:18:54,896 MY FIRST DESK. 1264 01:18:54,963 --> 01:18:57,532 I DIDN’T KNOW YOU TAUGHT, MR. NOLAN. 1265 01:18:57,599 --> 01:19:01,937 ENGLISH. LONG BEFORE YOUR TIME. 1266 01:19:02,003 --> 01:19:05,774 IT WAS HARD GIVING IT UP, I CAN TELL YOU. 1267 01:19:08,510 --> 01:19:13,615 I’M HEARING RUMORS, JOHN, ABOUT SOME UNORTHODOX TEACHING METHODS IN YOUR CLASSROOM. 1268 01:19:13,682 --> 01:19:17,853 I’M NOT SAYING THEY’VE HAD ANYTHING TO DO WITH THE DALTON BOY’S OUTBURST, 1269 01:19:17,919 --> 01:19:22,758 BUT I DON’T THINK I HAVE TO WARN YOU BOYS HIS AGE ARE VERY IMPRESSIONABLE. 1270 01:19:22,824 --> 01:19:26,461 WELL, YOUR REPRIMAND MADE QUITE AN IMPRESSION, I’M SURE. 1271 01:19:28,797 --> 01:19:33,101 WHAT WAS GOING ON IN THE COURTYARD THE OTHER DAY ? COURTYARD ? 1272 01:19:33,168 --> 01:19:36,238 YEAH, BOYS MARCHING, CLAPPING IN UNISON. OH, THAT. 1273 01:19:36,304 --> 01:19:39,407 THAT WAS AN EXERCISE TO PROVE A POINT: DANGERS OF CONFORMITY. 1274 01:19:39,474 --> 01:19:42,344 WELL, JOHN, THE CURRICULUM HERE IS SET. IT’S PROVEN. IT WORKS. 1275 01:19:42,410 --> 01:19:44,880 IF YOU QUESTION IT, WHAT’S TO PREVENT THEM FROM DOING THE SAME ? 1276 01:19:44,946 --> 01:19:47,649 I ALWAYS THOUGHT THE IDEA OF EDUCATION WAS TO LEARN TO THINK FOR YOURSELF. 1277 01:19:47,716 --> 01:19:50,418 AT THESE BOYS’ AGE ? NOT ON YOUR LIFE ! 1278 01:19:50,485 --> 01:19:54,322 TRADITION, JOHN. DISCIPLINE. 1279 01:19:54,389 --> 01:19:58,960 PREPARE THEM FOR COLLEGE, AND THE REST WILL TAKE CARE OF ITSELF. 1280 01:19:59,027 --> 01:20:02,898 [ Footsteps Departing ] 1281 01:20:02,964 --> 01:20:06,201 CREAK. [ Hits Bongo Drum ] [ Chuckling ] 1282 01:20:06,268 --> 01:20:09,237 HE STARTS WALKING AROUND TOWARDS MY LEFT. 1283 01:20:09,304 --> 01:20:12,574 CREAK. CREAK. [ Hitting Bongo Drum ] 1284 01:20:12,641 --> 01:20:16,344 "ASSUME THE POSITION, MR. DALTON," WHICH MEANS-- 1285 01:20:16,411 --> 01:20:18,680 [ Keating ] ALL RIGHT, GENTLEMEN. 1286 01:20:18,747 --> 01:20:21,817 MR. KEATING. MR. DALTON. 1287 01:20:21,883 --> 01:20:24,119 THAT WAS A PRETTY LAME STUNT YOU PULLED TODAY. 1288 01:20:24,186 --> 01:20:26,087 YOU’RE SIDING WITH MR. NOLAN ? 1289 01:20:26,154 --> 01:20:28,123 WHAT ABOUT CARPE DIEM AND SUCKING ALL THE MARROW... 1290 01:20:28,190 --> 01:20:30,025 OUT OF LIFE AND ALL THAT ? SUCKING THE MARROW OUT OF LIFE... 1291 01:20:30,091 --> 01:20:33,061 DOESN’T MEAN CHOKING ON THE BONE. 1292 01:20:33,128 --> 01:20:37,365 THERE IS A TIME FOR DARING, AND THERE IS A TIME FOR CAUTION. 1293 01:20:37,432 --> 01:20:40,001 AND A WISE MAN UNDERSTANDS WHICH IS CALLED FOR. 1294 01:20:40,068 --> 01:20:42,404 BUT I THOUGHT YOU’D LIKE THAT. 1295 01:20:42,470 --> 01:20:44,206 NO. 1296 01:20:44,272 --> 01:20:47,075 YOU BEING EXPELLED FROM SCHOOL IS NOT DARING TO ME. IT’S STUPID. 1297 01:20:47,142 --> 01:20:51,346 ’CAUSE YOU'LL MISS SOME GOLDEN OPPORTUNITIES. YEAH ? LIKE WHAT ? 1298 01:20:51,413 --> 01:20:55,917 LIKE, IF NOTHING ELSE, THE OPPORTUNITY TO ATTEND MY CLASSES. 1299 01:20:57,586 --> 01:20:59,855 GOT IT, ACE ? 1300 01:20:59,921 --> 01:21:02,724 AYE, AYE, CAPTAIN. 1301 01:21:02,791 --> 01:21:05,193 KEEP YOUR HEAD ABOUT YOU. 1302 01:21:05,260 --> 01:21:08,096 THAT GOES FOR THE LOT OF YOU. 1303 01:21:08,163 --> 01:21:11,099 YES, CAPTAIN. YES, CAPTAIN. 1304 01:21:11,166 --> 01:21:13,401 PHONE CALL FROM GOD. 1305 01:21:14,970 --> 01:21:18,607 IF IT’D BEEN COLLECT, IT WOULD HAVE BEEN DARING. [ Boys Laughing ] 1306 01:21:18,673 --> 01:21:20,675 [ Door Closes ] 1307 01:21:20,742 --> 01:21:24,045 [ Neil ] ALL RIGHT. GO ON, BOY. NO. 1308 01:21:24,112 --> 01:21:30,218 [ Bell Tolling ] 1309 01:21:33,822 --> 01:21:36,524 [ Director ] WE’RE TRYING TO REHEARSE, OKAY ? GO. ♪♪ [ Flute ] 1310 01:21:36,591 --> 01:21:38,693 [ Actor ] A GOOD PERSUASION, THEREFORE HEAR ME, HERMIA. 1311 01:21:38,760 --> 01:21:42,797 WAIT, WAIT. THE EXCITEMENT. I DON’T HEAR ANY EXCITEMENT ABOUT THIS PLAY. 1312 01:21:42,864 --> 01:21:47,235 NOW TAKE HER HAND, BRING HER DOWNSTAGE... 1313 01:21:47,302 --> 01:21:49,504 AND STOP AND "FAIR, GENTLE HERMIA." 1314 01:21:49,571 --> 01:21:51,439 OKAY ? TRY AGAIN. 1315 01:21:51,506 --> 01:21:53,441 [ Bell Ringing ] [ Pitts ] WHAT’S FOR DINNER ? 1316 01:21:53,508 --> 01:21:55,510 SPAGHETTI AND MEATBALLS ! FOOD ! 1317 01:21:55,577 --> 01:21:57,979 [ Boys Chattering ] 1318 01:21:58,046 --> 01:22:00,348 SAVE SOME FOR ME. 1319 01:22:01,917 --> 01:22:05,387 "BUT, ROOM, FAIRY ! HERE COMES OBERON." 1320 01:22:07,789 --> 01:22:11,393 FATHER. NEIL. 1321 01:22:11,459 --> 01:22:13,628 WAIT A MINUTE. BEFORE YOU SAY ANYTHING, 1322 01:22:13,695 --> 01:22:17,198 PLEASE LET ME EX-- DON’T YOU DARE TALK BACK TO ME. 1323 01:22:18,533 --> 01:22:21,836 IT’S BAD ENOUGH THAT YOU’VE WASTED YOUR TIME... 1324 01:22:21,903 --> 01:22:25,307 WITH THIS, THIS ABSURD ACTING BUSINESS, 1325 01:22:25,373 --> 01:22:28,510 BUT YOU DELIBERATELY DECEIVED ME. 1326 01:22:28,576 --> 01:22:32,480 HOW-HOW-HOW DID YOU EXPECT TO GET AWAY WITH THIS ? 1327 01:22:34,549 --> 01:22:36,584 ANSWER ME. 1328 01:22:36,651 --> 01:22:38,486 WHO PUT YOU UP TO IT ? 1329 01:22:38,553 --> 01:22:41,790 WAS IT THIS NEW MAN ? THIS, UH, MR. KEATING ? NO. 1330 01:22:41,856 --> 01:22:45,860 NOBODY P-- I THOUGHT I’D SURPRISE YOU. I’VE GOTTEN ALL A's... 1331 01:22:45,927 --> 01:22:49,297 IN EVERY CLASS. DID YOU REALLY THINK I WASN’T GOING TO FIND OUT ? 1332 01:22:49,364 --> 01:22:53,134 "OH, MY NIECE IS IN A PLAY WITH YOUR SON," SAYS MRS. MARKS. 1333 01:22:53,201 --> 01:22:57,305 "NO, NO, NO," I SAY. "YOU MUST BE MISTAKEN, MY SON’S NOT IN A PLAY." 1334 01:22:57,372 --> 01:22:59,574 YOU MADE A LIAR OUT OF ME, NEIL ! 1335 01:23:03,178 --> 01:23:07,916 NOW, TOMORROW, YOU GO TO THEM AND YOU TELL THEM THAT YOU’RE QUITTING. 1336 01:23:07,983 --> 01:23:09,718 NO, I CAN’T. 1337 01:23:09,784 --> 01:23:11,920 I HAVE THE MAIN PART. THE PERFORMANCE IS TOMORROW NIGHT ! 1338 01:23:11,987 --> 01:23:14,189 I DON’T CARE IF THE WORLD COMES TO AN END TOMORROW NIGHT, 1339 01:23:14,255 --> 01:23:17,559 YOU ARE THROUGH WITH THAT PLAY ! 1340 01:23:17,625 --> 01:23:19,361 IS THAT CLEAR ? 1341 01:23:19,427 --> 01:23:22,364 [ Louder ] IS THAT CLEAR ? 1342 01:23:22,998 --> 01:23:26,034 YES, SIR. 1343 01:23:32,774 --> 01:23:36,711 I MADE A GREAT MANY SACRIFICES TO GET YOU HERE, NEIL, 1344 01:23:36,778 --> 01:23:40,915 AND YOU WILL NOT LET ME DOWN. 1345 01:23:40,982 --> 01:23:43,585 NO, SIR. 1346 01:23:52,827 --> 01:24:03,338 ♪ 1347 01:24:03,405 --> 01:24:06,408 [ Knocking ] IT’S OPEN. 1348 01:24:12,580 --> 01:24:14,549 [ Closes Door ] 1349 01:24:17,152 --> 01:24:18,887 NEIL, WHAT’S UP ? 1350 01:24:18,953 --> 01:24:22,157 CAN I SPEAK TO YOU A MINUTE ? CERTAINLY. SIT DOWN. 1351 01:24:22,791 --> 01:24:24,959 OH. 1352 01:24:25,026 --> 01:24:27,695 I’M SORRY. HERE. EXCUSE ME. 1353 01:24:29,597 --> 01:24:34,269 GET YOU SOME TEA ? TEA ? SURE. 1354 01:24:34,335 --> 01:24:37,572 WANT SOME MILK OR SUGAR IN THAT ? NO, THANKS. 1355 01:24:37,639 --> 01:24:40,008 GOSH, THEY DON’T GIVE YOU MUCH ROOM AROUND HERE. 1356 01:24:40,075 --> 01:24:41,743 IT’S PART OF THE MONASTIC OATH. 1357 01:24:41,810 --> 01:24:45,647 THEY DON’T WANT WORLDLY THINGS DISTRACTING ME FROM MY TEACHING. 1358 01:24:48,316 --> 01:24:50,251 SHE’S PRETTY. SHE’S ALSO IN LONDON. 1359 01:24:50,318 --> 01:24:53,421 [ Laughs ] MAKES IT A LITTLE DIFFICULT. 1360 01:24:53,488 --> 01:24:56,291 HOW DO YOU STAND IT ? STAND WHAT ? 1361 01:24:56,357 --> 01:24:58,793 YOU CAN GO ANYWHERE. YOU CAN DO ANYTHING. HOW CAN YOU STAND BEING HERE ? 1362 01:24:58,860 --> 01:25:03,264 BECAUSE I LOVE TEACHING. I DON’T WANT TO BE ANYWHERE ELSE. 1363 01:25:06,468 --> 01:25:10,472 WHAT’S UP ? I JUST TALKED TO MY FATHER. 1364 01:25:10,538 --> 01:25:13,475 HE’S MAKING ME QUIT THE PLAY AT HENLEY HALL. 1365 01:25:15,110 --> 01:25:18,279 BUT ACTING IS EVERYTHING TO ME. 1366 01:25:18,346 --> 01:25:21,216 I MEAN-- BUT HE DOESN’T KNOW. HE-- 1367 01:25:21,282 --> 01:25:26,488 I CAN SEE HIS POINT. WE’RE NOT A RICH FAMILY LIKE CHARLIE’S. I MEAN-- 1368 01:25:26,554 --> 01:25:29,657 BUT HE’S PLANNING THE REST OF MY LIFE FOR ME. 1369 01:25:29,724 --> 01:25:32,227 AND HE-HE’S NEVER ASKED ME WHAT I WANT. 1370 01:25:32,293 --> 01:25:34,996 HAVE YOU EVER TOLD YOUR FATHER WHAT YOU JUST TOLD ME ? 1371 01:25:35,063 --> 01:25:38,066 ABOUT YOUR PASSION FOR ACTING ? HAVE YOU SHOWED HIM THAT ? 1372 01:25:38,133 --> 01:25:41,169 I CAN’T. WHY NOT ? 1373 01:25:41,236 --> 01:25:43,171 I CAN’T TALK TO HIM THIS WAY. 1374 01:25:43,238 --> 01:25:45,773 THEN YOU’RE ACTING FOR HIM TOO. 1375 01:25:45,840 --> 01:25:49,043 YOU’RE PLAYING THE PART OF THE DUTIFUL SON. 1376 01:25:49,110 --> 01:25:51,246 I KNOW THIS SOUNDS IMPOSSIBLE, BUT YOU HAVE TO TALK TO HIM. 1377 01:25:51,312 --> 01:25:54,082 YOU HAVE TO SHOW HIM WHO YOU ARE, WHAT YOUR HEART IS. 1378 01:25:54,149 --> 01:25:56,518 I KNOW WHAT HE’LL SAY. 1379 01:25:56,584 --> 01:25:59,220 HE’LL TELL ME THAT ACTING’S A WHIM AND I SHOULD FORGET IT. 1380 01:25:59,287 --> 01:26:01,656 [ Sniffling ] THEY’RE COUNTING ON ME. 1381 01:26:01,723 --> 01:26:03,691 HE’LL JUST TELL ME TO PUT IT OUT OF MY MIND... 1382 01:26:03,758 --> 01:26:06,961 FOR MY OWN GOOD. YOU ARE NOT AN INDENTURED SERVANT. 1383 01:26:07,028 --> 01:26:11,799 IT’S NOT A WHIM FOR YOU. YOU PROVE IT TO HIM BY YOUR CONVICTION AND YOUR PASSION. 1384 01:26:11,866 --> 01:26:14,169 YOU SHOW HIM THAT, AND IF HE STILL DOESN’T BELIEVE YOU-- 1385 01:26:14,235 --> 01:26:17,739 WELL, BY THEN, YOU’LL BE OUT OF SCHOOL, AND YOU CAN DO ANYTHING YOU WANT. 1386 01:26:19,874 --> 01:26:23,745 NO. [ Sniffling ] 1387 01:26:23,811 --> 01:26:25,914 WHAT ABOUT THE PLAY ? THE SHOW’S TOMORROW NIGHT. 1388 01:26:25,980 --> 01:26:29,551 THEN YOU HAVE TO TALK TO HIM BEFORE TOMORROW NIGHT. 1389 01:26:31,886 --> 01:26:33,688 I-- [ Sighs ] 1390 01:26:33,755 --> 01:26:36,324 ISN’T THERE AN EASIER WAY ? NO. 1391 01:26:40,228 --> 01:26:44,132 [ Chuckles ] I’M TRAPPED. 1392 01:26:44,199 --> 01:26:46,801 NO, YOU’RE NOT. 1393 01:27:01,049 --> 01:27:03,985 [ All Chattering ] 1394 01:27:04,052 --> 01:27:07,021 [ Chattering Continues ] 1395 01:27:09,824 --> 01:27:11,793 CHRIS ! 1396 01:27:13,361 --> 01:27:15,863 CHRIS ! CHRIS NOEL. DO YOU KNOW WHERE SHE IS ? 1397 01:27:15,930 --> 01:27:18,833 UM, I THINK SHE’S IN ROOM 111. THANKS. 1398 01:27:22,036 --> 01:27:24,005 I KNOW. 1399 01:27:29,978 --> 01:27:31,746 EXCUSE ME. CHRIS-- 1400 01:27:31,813 --> 01:27:35,717 KNOX, WHAT ARE YOU DOING HERE ? I CAME TO APOLOGIZE FOR THE OTHER NIGHT. 1401 01:27:35,783 --> 01:27:38,052 I BROUGHT YOU THESE AND A POEM I WROTE FOR YOU. 1402 01:27:41,322 --> 01:27:43,992 KNOX, DON’T YOU KNOW THAT IF CHET FINDS YOU HERE, HE’LL KILL YOU ? 1403 01:27:44,058 --> 01:27:48,162 I DON’T CARE. I LOVE YOU, CHRIS. KNOX, YOU’RE CRAZY. 1404 01:27:48,229 --> 01:27:50,732 LOOK, I ACTED LIKE A JERK, AND I KNOW IT. 1405 01:27:50,798 --> 01:27:54,802 PLEASEACCEPTTHESE. PLEASE. NO. NO, I-I CAN’T. 1406 01:27:54,869 --> 01:27:56,938 JUST FORGET IT. 1407 01:27:57,005 --> 01:27:59,574 [ Bell Rings ] 1408 01:27:59,641 --> 01:28:01,809 [ Door Opens, Closes ] 1409 01:28:09,517 --> 01:28:12,053 [ All Chattering ] 1410 01:28:12,120 --> 01:28:15,623 KNOX, I DON’T BELIEVE THIS. ALL I’M ASKING YOU TO DO IS LISTEN. 1411 01:28:16,924 --> 01:28:21,396 [ Knox Reading ] "THE HEAVENS MADE A GIRL NAMED CHRIS... 1412 01:28:21,462 --> 01:28:23,398 "WITH HAIR AND SKIN OF GOLD. 1413 01:28:23,464 --> 01:28:25,466 [ Chattering Stops ] [ Knox ] "TO TOUCH HER... 1414 01:28:25,533 --> 01:28:28,970 [ Boy Snickers ] [ Sighs ] WOULD BE PARADISE." 1415 01:28:40,815 --> 01:28:44,018 [ Bell Ringing ] [ Boys Chattering ] 1416 01:28:44,085 --> 01:28:48,056 [ Belch ] [ Charlie ] GET OUT OF HERE. CAMERON, YOU FOOL. 1417 01:28:48,122 --> 01:28:51,359 [ Cameron Laughing ] HEY, HOW’D IT GO ? DID YOU READ IT TO HER ? 1418 01:28:51,426 --> 01:28:55,663 YEAH. [ Laughing ] WOW. WHAT’D SHE SAY ? 1419 01:28:55,730 --> 01:28:59,000 NOTHING. "NOTHING" ? WHAT DO YOU MEAN, NOTHING ? 1420 01:28:59,067 --> 01:29:02,136 NOTHING. BUT I DID IT. 1421 01:29:02,203 --> 01:29:05,940 [ Charlie ] WELL, WHAT DID SHE SAY ? SHE HAD TO SAY SOMETHING ! 1422 01:29:06,007 --> 01:29:09,544 [ Pitts ] HEY, KNOX ! [ Knox Whooping ] SEIZE THE DAY ! 1423 01:29:18,519 --> 01:29:21,356 DID YOU TALK TO YOUR FATHER ? UH, YEAH. 1424 01:29:21,422 --> 01:29:25,126 HE DIDN’T LIKE IT ONE BIT, BUT AT LEAST HE’S LETTING ME STAY IN THE PLAY. 1425 01:29:25,193 --> 01:29:29,564 HE WON’T BE ABLE TO M-MAKE IT. HE’S IN CHICAGO. 1426 01:29:29,630 --> 01:29:32,633 BUT, UH, I THINK HE’S GONNA LET ME STAY WITH ACTING. 1427 01:29:32,700 --> 01:29:37,138 REALLY ? YOU TOLD HIM WHAT YOU TOLD ME ? 1428 01:29:37,205 --> 01:29:40,007 YEAH. [ Chuckles ] 1429 01:29:40,074 --> 01:29:41,843 HE WASN’T HAPPY. 1430 01:29:41,909 --> 01:29:46,047 BUT HE’LL BE GONE AT LEAST FOUR DAYS. 1431 01:29:46,114 --> 01:29:50,718 I DON’T THINK HE'LL MAKE THE SHOW, BUT... 1432 01:29:50,785 --> 01:29:52,887 I THINK HE’LL LET ME STAY WITH IT. 1433 01:29:52,954 --> 01:29:55,123 "KEEP UP THE SCHOOLWORK." [ Chuckles ] 1434 01:29:58,326 --> 01:30:03,731 THANKS. [ Gathers Books, Exits ] 1435 01:30:04,399 --> 01:30:05,867 OH, BABY. BEAUTIFUL BABY. [ Laughs ] 1436 01:30:07,635 --> 01:30:09,570 I AM-- EXCUSE ME. 1437 01:30:09,637 --> 01:30:13,341 JUST A MOMENT. YES. YOU’RE SO GOOD. [ Laughing ] 1438 01:30:13,408 --> 01:30:15,143 COME ON, TODD. I’M TRYING TO FIX THIS. 1439 01:30:15,209 --> 01:30:17,612 COME ON, NUWANDA, WE’RE GOING TO MISS NEIL’S ENTRANCE. 1440 01:30:17,678 --> 01:30:20,248 HE SAID SOMETHING ABOUT GETTING RED BEFORE WE LEFT. 1441 01:30:20,314 --> 01:30:23,951 "GETTING RED" ? WHAT DOES THAT MEAN ? I-- YOU KNOW CHARLIE. 1442 01:30:27,054 --> 01:30:30,591 [ Meeks ] SO, CHARLIE, WHAT’S THIS "GETTING RED" BIT ? 1443 01:30:31,926 --> 01:30:34,562 OOH. [ Laughs ] OOH. [ Laughs ] 1444 01:30:34,629 --> 01:30:36,731 [ Laughing ] W-WHAT IS THAT ? 1445 01:30:36,798 --> 01:30:40,535 IT’S AN INDIAN WARRIOR SYMBOL FOR VIRILITY. 1446 01:30:40,601 --> 01:30:44,105 MAKES ME FEEL POTENT, LIKE I CAN DRIVE GIRLS CRAZY. 1447 01:30:44,172 --> 01:30:46,674 [ Boys Laughing ] [ Knox ] OH, COME ON, CHARLIE. THE GIRLS ARE WAITING. 1448 01:30:46,741 --> 01:30:49,243 [ Boys Chattering, Whistling ] 1449 01:30:49,310 --> 01:30:51,312 WHOA. 1450 01:30:51,379 --> 01:30:53,381 ♪ [ Whistling ] 1451 01:30:53,448 --> 01:30:55,383 ♪♪ [ Wolf Whistle ] 1452 01:30:55,450 --> 01:30:58,553 CHRIS. 1453 01:30:58,619 --> 01:31:01,422 WHAT ARE YOU DOING HERE ? 1454 01:31:01,489 --> 01:31:05,126 [ Keating ] GENTLEMEN, LET’S GO ! GO AHEAD, GUYS. I’LL CATCH UP. 1455 01:31:05,193 --> 01:31:07,562 YEAH. COME ON, GUYS. 1456 01:31:07,628 --> 01:31:09,397 [ Knox ] CHRIS, YOU CAN’T BE IN HERE. 1457 01:31:09,464 --> 01:31:11,632 IF THEY CATCH YOU, WE’RE BOTH GONNA BE IN BIG TROUBLE. COME ON. 1458 01:31:11,699 --> 01:31:14,535 OH, BUT IT’S FINE IF-- SHH, SHH. CHRIS. 1459 01:31:16,270 --> 01:31:20,074 IT’S FINE FOR YOU TO COME BARGING INTO MY SCHOOL AND MAKE A COMPLETE FOOL OUT OF ME ? 1460 01:31:20,141 --> 01:31:22,310 I DIDN’T MEAN TO MAKE A FOOL OUT OF YOU. 1461 01:31:22,376 --> 01:31:24,445 WELL, YOU DID. CHET FOUND OUT, 1462 01:31:24,512 --> 01:31:28,649 AND IT’S EVERYTHING I COULD DO TO KEEP HIM FROM COMING HERE AND KILLING YOU. 1463 01:31:28,716 --> 01:31:33,588 KNOX, YOU HAVE GOT TO STOP THIS STUFF. I CAN’T, CHRIS. I LOVE YOU. 1464 01:31:33,654 --> 01:31:36,791 KNOX, YOU SAY THAT OVER AND OVER. 1465 01:31:36,858 --> 01:31:38,826 YOU DON’T-- YOU DON’T EVEN KNOW ME. 1466 01:31:38,893 --> 01:31:41,062 [ Keating ] WILL YOU BE JOINING US, MR. OVERSTREET ? 1467 01:31:41,128 --> 01:31:42,997 [ Knox ] GO AHEAD, CAPTAIN. I’LL WALK. [ Starts Engine ] 1468 01:31:43,064 --> 01:31:46,434 KNOX. KNOX, I-IT JUST SO HAPPENS... 1469 01:31:46,501 --> 01:31:50,238 THAT I COULD CARE LESS ABOUT YOU. 1470 01:31:52,940 --> 01:31:56,010 THEN YOU WOULDN’T BE HERE WARNING ME ABOUT CHET. 1471 01:32:00,147 --> 01:32:02,950 I HAVE TO GO. I’M GONNA BE LATE FOR THE PLAY. 1472 01:32:03,017 --> 01:32:06,087 ARE YOU GOING WITH HIM ? [ Laughs ] CHET ? TO A PLAY ? 1473 01:32:06,153 --> 01:32:08,289 ARE YOU KIDDING ? THEN COME WITH ME. 1474 01:32:08,356 --> 01:32:10,324 KNOX, YOU ARE SO INFURIATING ! 1475 01:32:10,391 --> 01:32:12,493 COME ON, CHRIS, JUST GIVE ME ONE CHANCE. 1476 01:32:12,560 --> 01:32:15,563 IF YOU DON’T LIKE ME AFTER TONIGHT, I’LL STAY AWAY FOREVER. 1477 01:32:15,630 --> 01:32:18,533 UH-HUH. I PROMISE. DEAD POETS HONOR. 1478 01:32:18,599 --> 01:32:22,703 YOU COME WITH ME TONIGHT, AND THEN IF YOU DON’T WANT TO SEE ME AGAIN, I SWEAR I’LL BOW OUT. 1479 01:32:22,770 --> 01:32:27,308 YOU KNOW WHAT WOULD HAPPEN IF CHET FOUND OUT ? HE WON’T KNOW ANYTHING. 1480 01:32:27,375 --> 01:32:30,511 WE’LL SIT IN THE BACK AND SNEAK AWAY AS SOON AS IT’S OVER. 1481 01:32:30,578 --> 01:32:34,482 AND I SUPPOSE YOU WOULD PROMISE THAT THIS WOULD BE THE END OF IT ? 1482 01:32:34,549 --> 01:32:37,885 DEAD POETS HONOR. WHAT IS THAT ? 1483 01:32:40,087 --> 01:32:43,324 MY WORD. HMM. 1484 01:32:53,668 --> 01:32:56,904 YOU ARE SO INFURIATING. 1485 01:33:07,181 --> 01:33:09,150 [ Laughing ] 1486 01:33:10,484 --> 01:33:18,059 ♪ 1487 01:33:18,125 --> 01:33:20,528 [ Whispering ] HEY, THERE HE IS ! HEY, HEY, HEY, HEY ! SHH. 1488 01:33:20,595 --> 01:33:23,798 [ Keating ] SHH, BOYS. 1489 01:33:23,864 --> 01:33:29,971 ♪ 1490 01:33:30,037 --> 01:33:34,342 EITHER I MISTAKE YOUR SHAPE AND MAKING QUITE... 1491 01:33:34,408 --> 01:33:39,847 OR ELSE YOU ARE THAT SHREWD AND KNAVISH SPRITE CALLED ROBIN GOODFELLOW ! 1492 01:33:39,914 --> 01:33:41,882 THOU SPEAK’ST ARIGHT. 1493 01:33:41,949 --> 01:33:44,085 I AM THAT MERRY WANDERER OF THE NIGHT. 1494 01:33:44,151 --> 01:33:47,021 I JEST TO OBERON AND MAKE HIM SMILE... 1495 01:33:47,088 --> 01:33:50,658 WHEN I A FAT AND BEAN-FED HORSE BEGUILE. [ Snorts ] 1496 01:33:50,725 --> 01:33:53,995 [ Whinnies ] NEIGHING IN THE LIKENESS OF A FILLY FOAL. [ All Laughing ] 1497 01:33:54,061 --> 01:33:56,797 SOMETIME LURK I IN A GOSSIP’S BOWL... 1498 01:33:56,864 --> 01:33:59,367 IN VERY LIKENESS OF A ROASTED CRAB. 1499 01:33:59,433 --> 01:34:02,436 AND WHEN SHE DRINK, AGAINST HER LIPS I BOB... 1500 01:34:02,503 --> 01:34:04,939 AND ON HER WITHERED DEWLAP POUR THE ALE. [ Laughing ] 1501 01:34:05,006 --> 01:34:07,308 THE WISEST AUNT TELLING THE SADDEST TALE. HE’S GOOD. HE'S REALLY GOOD. 1502 01:34:07,375 --> 01:34:11,112 SOMETIME FOR THREE-FOOT STOOL MISTAKETH ME. 1503 01:34:11,178 --> 01:34:14,882 THEN SLIP I FROM HER BUM, DOWN TOPPLES SHE AND "TAILOR" CRIES... 1504 01:34:14,949 --> 01:34:16,884 AND FALLS INTO A COUGH. 1505 01:34:16,951 --> 01:34:19,854 AND THEN THE WHOLE QUIRE HOLD THEIR HIPS AND LAUGH... 1506 01:34:19,920 --> 01:34:22,323 AND WAXEN IN THEIR MIRTH NEE-E-E-EZE... 1507 01:34:22,390 --> 01:34:24,225 [ All Laughing ] AND SWEAR. 1508 01:34:24,291 --> 01:34:27,561 A MERRIER HOUR WAS NEVER WASTED THERE. 1509 01:34:27,628 --> 01:34:29,664 BUT, ROOM, FAIRY. 1510 01:34:29,730 --> 01:34:34,301 HERE COMES OBERON. AND HERE, MY MISTRESS. WOULD THAT HE WERE GONE. 1511 01:34:34,368 --> 01:34:38,606 ♪ 1512 01:34:38,673 --> 01:34:41,108 [ Lysander ] THEN BY YOUR SIDE, NO BED-ROOM ME DENY. 1513 01:34:41,175 --> 01:34:44,178 FOR LYING SO, HERMIA, I DO NOT LIE. 1514 01:34:44,245 --> 01:34:48,315 [ Hermia ] LYSANDER RIDDLES VERY PRETTILY. MUCH BESHREW MY MANNERS... 1515 01:34:48,382 --> 01:34:51,686 AND MY PRIDE IF HERMIA MEANT TO SAY LYSANDER LIED. 1516 01:34:51,752 --> 01:34:54,755 BUT, GENTLE FRIEND, FOR LOVE AND COURTESY... 1517 01:34:54,822 --> 01:34:57,725 LIE FURTHER OFF; IN HUMAN MODESTY, 1518 01:34:57,792 --> 01:35:01,328 SUCH SEPARATION AS MAY WELL BE SAID BECOMES A VIRTUOUS BACHELOR AND MAID. 1519 01:35:01,395 --> 01:35:05,433 GOOD NIGHT, SWEET FRIEND. THY LOVE NE’ER ALTER ’TIL THY SWEET LIFE END. 1520 01:35:05,499 --> 01:35:09,136 [ Lysander ] AMEN. AMEN TO THAT FAIR PRAYER, SAY I. 1521 01:35:09,203 --> 01:35:12,039 AND THEN END LIFE WHEN I END LOYALTY. [ Girl ] NEIL. THAT’S YOUR CUE, NEIL. 1522 01:35:12,106 --> 01:35:15,409 COME ON, NEIL. HERE’S YOUR CROWN. LET'S GO. 1523 01:35:15,476 --> 01:35:25,519 ♪ 1524 01:35:36,430 --> 01:35:45,372 ♪ 1525 01:35:53,647 --> 01:36:03,891 ♪ 1526 01:36:21,208 --> 01:36:24,011 IF WE SHADOWS HAVE OFFENDED... 1527 01:36:25,346 --> 01:36:27,782 THINK BUT THIS AND ALL IS MENDED. 1528 01:36:27,848 --> 01:36:31,619 THAT YOU HAVE BUT SLUMBER’D HERE WHILE THESE VISIONS DID APPEAR. 1529 01:36:31,685 --> 01:36:36,390 AND THIS WEAK AND IDLE THEME, NO MORE YIELDING BUT A DREAM. 1530 01:36:37,458 --> 01:36:40,027 GENTLES, DO NOT REPREHEND. 1531 01:36:40,094 --> 01:36:43,230 IF YOU PARDON, WE WILL MEND. 1532 01:36:43,297 --> 01:36:47,001 AND AS I AM AN HONEST PUCK, IF WE HAVE UNEARNED LUCK, 1533 01:36:47,067 --> 01:36:49,403 NOW TO ’SCAPE THE SERPENT’S TONGUE, 1534 01:36:49,470 --> 01:36:54,275 WE WILL MAKE AMENDS ERE LONG; ELSE THE PUCK A LIAR CALL. 1535 01:36:56,944 --> 01:36:58,979 SO, GOOD NIGHT UNTO YOU ALL. 1536 01:36:59,046 --> 01:37:02,216 GIVE ME YOUR HANDS IF WE BE FRIENDS, 1537 01:37:02,283 --> 01:37:06,453 AND ROBIN SHALL RESTORE AMENDS. 1538 01:37:11,325 --> 01:37:13,928 [ Audience Applauding ] [ Chattering ] 1539 01:37:13,994 --> 01:37:17,331 [ Applause Continues ] 1540 01:37:18,899 --> 01:37:24,438 [ Audience Whistling, Cheering ] 1541 01:37:28,542 --> 01:37:33,347 [ Audience Continues Cheering ] 1542 01:37:35,182 --> 01:37:39,119 [ Audience Cheering, Whistling, Louder ] 1543 01:37:39,186 --> 01:37:42,056 [ Welton Boys ] YAWP ! CARPE DIEM ! 1544 01:37:48,896 --> 01:37:54,435 [ Sighs, Laughs ] 1545 01:37:54,501 --> 01:37:56,403 [ Yelling ] 1546 01:37:56,470 --> 01:38:00,674 [ Actors Chattering ] 1547 01:38:00,741 --> 01:38:02,877 [ Whooping ] 1548 01:38:02,943 --> 01:38:04,979 [ Crowd Chattering ] [ Girl ] THAT WAS GREAT ! 1549 01:38:05,045 --> 01:38:08,949 EXCUSE ME. I’M NEIL'S FATHER. I’D LIKE TO SEE HIM, PLEASE. 1550 01:38:09,016 --> 01:38:12,887 [ All Chattering ] 1551 01:38:12,953 --> 01:38:16,991 - NEIL, YOUR FATHER. - [ Chattering Continues ] 1552 01:38:17,057 --> 01:38:23,163 [ Boy ] WHAT DID YOU THINK ? [ Woman ] REALLY, I THOUGHT YOU WERE ALL JUST WONDERFUL ! 1553 01:38:23,230 --> 01:38:26,400 [ Crowd Chattering, Laughing ] 1554 01:38:26,467 --> 01:38:30,971 [ Chattering, Laughing Continues ] 1555 01:38:36,110 --> 01:38:37,845 [ Crowd Chattering ] [ Mr. Perry ] EXCUSE ME, PLEASE. 1556 01:38:37,912 --> 01:38:41,982 EXCUSE ME. EXCUSE ME. [ Boys ] NEIL ! BACK HERE ! NEIL ! 1557 01:38:42,049 --> 01:38:45,052 NEIL, NEIL, YOU WERE GREAT ! COME BACK, NEIL. 1558 01:38:45,119 --> 01:38:47,054 I CAN’T, GUYS. NEIL. 1559 01:38:47,121 --> 01:38:49,290 [ Mr. Perry ] EXCUSE ME. 1560 01:38:50,190 --> 01:38:53,427 NEIL. NEIL. YOU HAVE THE GIFT. 1561 01:38:53,494 --> 01:38:55,963 WHAT A PERFORMANCE. YOU LEFT EVEN ME SPEECHLESS. 1562 01:38:56,030 --> 01:38:58,299 YOU HAVE TO STAY WITH-- GET IN THE CAR. 1563 01:38:58,365 --> 01:39:02,036 KEATING, YOU STAY AWAY FROM MY SON. 1564 01:39:02,102 --> 01:39:06,140 NEIL ! NEIL ! MR. PERRY, COME ON ! 1565 01:39:06,206 --> 01:39:08,809 [ Keating ] DON’T MAKE IT ANY WORSE THAN IT IS. 1566 01:39:08,876 --> 01:39:12,880 [ Woman Chattering ] DO YOU WANT TO TAKE THE OTHER CAR ? 1567 01:39:12,947 --> 01:39:15,516 [ Chattering Continues ] 1568 01:39:15,582 --> 01:39:18,519 [ Car Departs ] 1569 01:39:18,585 --> 01:39:21,322 [ Chattering Continues ] 1570 01:39:21,388 --> 01:39:23,891 IS IT OKAY IF WE WALK BACK ? 1571 01:39:23,958 --> 01:39:27,127 CAPTAIN ? 1572 01:39:29,463 --> 01:39:31,999 [ Charlie ] KNOX ? WHAT ? 1573 01:39:32,066 --> 01:39:35,002 WE’LL BE HOME ABOUT 11:30. 1574 01:39:52,953 --> 01:39:55,556 [ Door Opens, Closes ] 1575 01:40:12,306 --> 01:40:14,875 [ Clears Throat ] WE’RE TRYING VERY HARD... 1576 01:40:14,942 --> 01:40:19,580 TO UNDERSTAND WHY IT IS THAT YOU INSIST ON DEFYING US. 1577 01:40:19,646 --> 01:40:25,019 BUT WHATEVER THE REASON, WE’RE NOT GONNA LET YOU RUIN YOUR LIFE. 1578 01:40:25,085 --> 01:40:28,822 TOMORROW I’M WITHDRAWING YOU FROM WELTON AND ENROLLING YOU IN BRADEN MILITARY SCHOOL. 1579 01:40:28,889 --> 01:40:32,459 YOU’RE GOING TO HARVARD, AND YOU’RE GONNA BE A DOCTOR. 1580 01:40:35,095 --> 01:40:39,133 - BUT THAT’S TEN MORE YEARS. FATHER, THAT’S A LIFETIME ! - OH, STOP IT ! 1581 01:40:39,199 --> 01:40:43,704 DON’T BE SO DRAMATIC. YOU MAKE IT SOUND LIKE A PRISON TERM. 1582 01:40:43,771 --> 01:40:46,640 YOU DON’T UNDERSTAND, NEIL. 1583 01:40:46,707 --> 01:40:49,443 YOU HAVE OPPORTUNITIES THAT I NEVER EVEN DREAMT OF, 1584 01:40:49,510 --> 01:40:52,713 AND I AM NOT GOING TO LET YOU WASTE THEM ! I’VE GOT TO TELL YOU WHAT I FEEL. 1585 01:40:52,780 --> 01:40:56,283 WE’VE BEEN SO WORRIED ABOUT-- WHAT ? WHAT ? TELL ME WHAT YOU FEEL ! 1586 01:40:58,218 --> 01:41:00,387 WHAT IS IT ? 1587 01:41:08,796 --> 01:41:12,966 IS IT MORE OF THIS-THIS ACTING BUSINESS ? 1588 01:41:13,033 --> 01:41:16,637 BECAUSE YOU CAN FORGET THAT. 1589 01:41:16,703 --> 01:41:19,406 WHAT ? 1590 01:41:23,877 --> 01:41:26,647 NOTHING. 1591 01:41:37,891 --> 01:41:41,829 [ Sighs ] NOTHING ? 1592 01:41:44,031 --> 01:41:46,700 WELL, THEN, LET’S GO TO BED. 1593 01:41:59,813 --> 01:42:05,719 [ Softly ] I WAS GOOD. I WAS REALLY GOOD. 1594 01:42:09,990 --> 01:42:14,361 GO ON, GET SOME SLEEP. 1595 01:42:43,557 --> 01:42:48,662 [ Mrs. Perry Sobbing ] [ Mr. Perry ] IT’S ALL RIGHT. IT’S GOING TO BE ALL RIGHT. 1596 01:46:00,654 --> 01:46:04,024 [ Gasping ] WHAT WAS THAT ? 1597 01:46:04,091 --> 01:46:07,027 [ Mrs. Perry ] WHAT ? 1598 01:46:07,094 --> 01:46:11,131 THAT SOUND. WHAT SOUND ? 1599 01:46:17,437 --> 01:46:19,606 [ Mrs. Perry ] TOM ? 1600 01:46:23,110 --> 01:46:25,078 WHAT IS IT ? 1601 01:46:26,413 --> 01:46:28,582 WHAT’S WRONG ? 1602 01:46:38,258 --> 01:46:40,794 NEIL ? 1603 01:46:46,233 --> 01:46:49,469 TOM, WHAT IS IT ? 1604 01:46:49,536 --> 01:46:52,105 WHAT’S WRONG ? 1605 01:46:54,207 --> 01:46:56,510 NEIL ? 1606 01:47:01,148 --> 01:47:05,318 NEIL ? [ Mrs. Perry ] I’LL LOOK OUTSIDE. 1607 01:47:05,385 --> 01:47:07,587 NEIL ? 1608 01:47:12,192 --> 01:47:14,161 [ Sniffs ] 1609 01:47:25,138 --> 01:47:29,342 NO ! 1610 01:47:29,409 --> 01:47:33,914 OH, NEIL ! OH, MY GOD ! OH, MY GOD. OH, NO, NO. 1611 01:47:33,980 --> 01:47:36,583 OH, MY SON ! MY SON ! MY POOR SON ! HE’S ALL RIGHT. 1612 01:47:36,650 --> 01:47:41,455 [ Repeating, Hysterically ] HE’S ALL RIGHT ! STOP IT. STOP IT. STOP IT. 1613 01:47:41,521 --> 01:47:47,561 STOP IT ! STOP IT. [ Sobbing ] 1614 01:47:51,932 --> 01:47:55,569 TODD. TODD. 1615 01:47:55,635 --> 01:47:58,805 OH, CHARLIE. 1616 01:48:04,544 --> 01:48:08,181 WHAT IS IT ? 1617 01:48:15,322 --> 01:48:18,258 [ Softly ] NEIL’S DEAD. 1618 01:48:55,729 --> 01:48:58,865 IT’S SO BEAUTIFUL. 1619 01:49:08,675 --> 01:49:11,111 [ Todd Vomiting ] TODD ! 1620 01:49:11,177 --> 01:49:12,846 IT’S OKAY, TODD. [ Pitts ] CALM DOWN. 1621 01:49:12,913 --> 01:49:14,848 IT’S ALL RIGHT, TODD. [ Sobbing ] 1622 01:49:14,915 --> 01:49:16,650 TODD, IT’S OKAY. IT’S OKAY, TODD. 1623 01:49:16,716 --> 01:49:20,554 [ Continues Sobbing ] IT’S ALL RIGHT. SHH. IT’S ALL RIGHT. EASY. 1624 01:49:20,620 --> 01:49:22,589 [ Todd Crying ] HE WOULDN’T HAVE DONE IT. YOU CAN’T EXPLAIN IT, TODD. 1625 01:49:22,656 --> 01:49:23,957 [ Todd ] IT WAS HIS FATHER ! NO ! 1626 01:49:24,024 --> 01:49:26,693 HE WOULDN’T HAVE LEFT US. IT’S BECAUSE HE-- 1627 01:49:26,760 --> 01:49:28,395 HE WOULDN’T HAVE. [ Sobbing ] 1628 01:49:28,461 --> 01:49:29,696 HIS DAD WAS-- TODD. 1629 01:49:29,763 --> 01:49:31,831 HIS-HIS FATHER DID IT. HIS FATHER KILLED HIM. 1630 01:49:31,898 --> 01:49:34,100 [ Blubbering ] HE MADE HIM DO IT. 1631 01:49:34,935 --> 01:49:37,170 [ Continues Sobbing ] TODD ! 1632 01:49:37,237 --> 01:49:39,739 LEAVE HIM BE. 1633 01:49:41,641 --> 01:49:44,144 [ Screams ] 1634 01:51:27,547 --> 01:51:32,218 [ Crying ] 1635 01:51:34,421 --> 01:51:38,625 [ Inhales, Sighs ] 1636 01:51:38,692 --> 01:51:41,094 [ Boys Singing ] ♪ ...ALL MY LIFE ♪ 1637 01:51:41,161 --> 01:51:43,596 ♪ SHALL SURELY 1638 01:51:43,663 --> 01:51:48,902 ♪ FOLLOW ME 1639 01:51:48,968 --> 01:51:53,473 ♪ AND IN GOD’S HOUSE ♪ 1640 01:51:53,540 --> 01:51:57,644 ♪ FOREVERMORE 1641 01:51:57,711 --> 01:52:02,215 ♪ MY DWELLING PLACE 1642 01:52:02,282 --> 01:52:06,519 ♪ SHALL BE 1643 01:52:06,586 --> 01:52:12,425 ♪ AMEN ♪ 1644 01:52:18,331 --> 01:52:21,401 [ Nolan ] THE DEATH OF NEIL PERRY IS A TRAGEDY. 1645 01:52:24,771 --> 01:52:28,441 HE WAS A FINE STUDENT, 1646 01:52:28,508 --> 01:52:32,445 ONE OF WELTON’S BEST. 1647 01:52:32,512 --> 01:52:35,381 AND HE WILL BE MISSED. 1648 01:52:38,752 --> 01:52:43,757 WE’VE CONTACTED EACH OF YOUR PARENTS TO EXPLAIN THE SITUATION. 1649 01:52:43,823 --> 01:52:47,393 NATURALLY, THEY’RE ALL QUITE CONCERNED. 1650 01:52:52,198 --> 01:52:55,435 AT THE REQUEST OF NEIL’S FAMILY, 1651 01:52:55,502 --> 01:53:01,441 I INTEND TO CONDUCT A THOROUGH INQUIRY INTO THIS MATTER. 1652 01:53:02,675 --> 01:53:07,080 YOUR COMPLETE COOPERATION IS EXPECTED. 1653 01:53:11,117 --> 01:53:15,922 [ Opens, Flicks, Closes Lighter ] 1654 01:53:15,989 --> 01:53:19,125 YOU TOLD HIM ABOUT THIS MEETING ? TWICE. 1655 01:53:19,192 --> 01:53:21,427 THAT’S IT, GUYS. WE’RE ALL FRIED. 1656 01:53:21,494 --> 01:53:24,430 [ Pitts ] HOW DO YOU MEAN ? CAMERON’S A FINK. 1657 01:53:24,497 --> 01:53:27,901 HE’S IN NOLAN'S OFFICE RIGHT NOW, FINKING. ABOUT WHAT ? 1658 01:53:27,967 --> 01:53:31,004 THE CLUB, PITTSIE. THINK ABOUT IT. 1659 01:53:31,070 --> 01:53:34,674 THE BOARD OF DIRECTORS, THE TRUSTEES AND MR. NOLAN. 1660 01:53:34,741 --> 01:53:38,444 DO YOU THINK FOR ONE MOMENT THEY’RE GONNA LET THIS THING JUST BLOW OVER ? 1661 01:53:38,511 --> 01:53:43,516 SCHOOLS GO DOWN BECAUSE OF THINGS LIKE THIS. THEY NEED A SCAPEGOAT. 1662 01:53:46,319 --> 01:53:49,289 [ Door Opening ] 1663 01:53:50,990 --> 01:53:55,428 [ Door Creaks Closed, Footsteps Approaching ] 1664 01:53:55,495 --> 01:53:58,665 [ Footsteps Continue ] 1665 01:53:58,731 --> 01:54:01,100 WHAT’S GOING ON, GUYS ? 1666 01:54:02,101 --> 01:54:04,337 YOU FINKED, DIDN’T YOU, CAMERON ? 1667 01:54:04,404 --> 01:54:06,539 "FINKED" ? I DON’T KNOW WHAT THE HELL YOU’RE TALKING ABOUT. 1668 01:54:06,606 --> 01:54:09,776 YOU TOLD NOLAN EVERYTHING ABOUT THE CLUB IS WHAT I’M TALKING ABOUT. 1669 01:54:09,843 --> 01:54:11,978 LOOK, IN CASE YOU HADN’T HEARD, DALTON, THERE’S SOMETHING... 1670 01:54:12,045 --> 01:54:14,480 CALLED AN HONOR CODE AT THIS SCHOOL, ALL RIGHT ? 1671 01:54:14,547 --> 01:54:18,484 IF A TEACHER ASKS YOU A QUESTION, YOU TELL THE TRUTH OR YOU’RE EXPELLED. 1672 01:54:18,551 --> 01:54:20,386 YOU-- CHARLIE ! 1673 01:54:20,453 --> 01:54:24,290 HE’S A RAT ! HE’S IN IT UP TO HIS EYES, SO HE RATTED TO SAVE HIMSELF ! 1674 01:54:24,357 --> 01:54:26,826 -[ Knox ] DON’T TOUCH HIM, CHARLIE. YOU DO AND YOU’RE OUT. -I’M OUT ANYWAY ! 1675 01:54:26,893 --> 01:54:29,829 -YOU DON’T KNOW THAT. NOT YET ! -HE’S RIGHT THERE, CHARLIE. 1676 01:54:29,896 --> 01:54:34,234 AND IF YOU GUYS ARE SMART, YOU WILL DO EXACTLY WHAT I DID AND COOPERATE. 1677 01:54:34,300 --> 01:54:39,372 THEY’RE NOT AFTER US. WE’RE THE VICTIMS. 1678 01:54:39,439 --> 01:54:42,008 US AND NEIL. 1679 01:54:42,075 --> 01:54:44,310 WHAT’S THAT MEAN ? WHO ARE THEY AFTER ? 1680 01:54:44,377 --> 01:54:47,747 WHY, MR. KEATING, OF COURSE. THE "CAPTAIN" HIMSELF ! 1681 01:54:47,814 --> 01:54:51,584 YOU GUYS DIDN’T REALLY THINK HE COULD AVOID RESPONSIBILITY, DID YOU ? 1682 01:54:51,651 --> 01:54:55,455 MR. KEATING RESPONSIBLE FOR NEIL ? IS THAT WHAT THEY’RE SAYING ? 1683 01:54:55,521 --> 01:55:00,326 WELL, WHO ELSE DO YOU THINK, DUMB ASS ? THE ADMINISTRATION ? MR. PERRY ? 1684 01:55:00,393 --> 01:55:03,162 MR. KEATING PUT US UP TO ALL THIS CRAP, DIDN’T HE ? 1685 01:55:03,229 --> 01:55:05,632 IF IT WASN’T FOR MR. KEATING, NEIL WOULD BE... 1686 01:55:05,698 --> 01:55:08,034 COZIED UP IN HIS ROOM RIGHT NOW, STUDYING HIS CHEMISTRY... 1687 01:55:08,101 --> 01:55:10,370 AND DREAMING OF BEING CALLED "DOCTOR" ! THAT IS NOT TRUE, CAMERON ! 1688 01:55:10,436 --> 01:55:13,072 YOU KNOW THAT ! HE DIDN’T PUT US UP TO ANYTHING. 1689 01:55:13,139 --> 01:55:15,708 [ Panting ] NEIL LOVED ACTING. BELIEVE WHAT YOU WANT, 1690 01:55:15,775 --> 01:55:18,311 BUT I SAY LET KEATING FRY. 1691 01:55:18,378 --> 01:55:22,115 I MEAN, WHY RUIN OUR LIVES ? 1692 01:55:22,181 --> 01:55:26,286 - [ Cameron Grunts ] - [ Knox Muttering ] 1693 01:55:27,654 --> 01:55:31,324 [ Panting ] 1694 01:55:31,391 --> 01:55:35,028 YOU JUST SIGNED YOUR EXPULSION PAPERS, NUWANDA. 1695 01:55:37,397 --> 01:55:42,068 AND IF THE REST OF YOU ARE SMART, YOU’LL DO EXACTLY WHAT I DID ! 1696 01:55:43,136 --> 01:55:46,139 THEY KNOW EVERYTHING ANYWAY. 1697 01:55:46,205 --> 01:55:50,643 [ Panting ] YOU CAN’T SAVE KEATING, 1698 01:55:50,710 --> 01:55:53,980 BUT YOU CAN SAVE YOURSELVES. 1699 01:55:57,083 --> 01:55:59,686 [ Footsteps Departing ] 1700 01:55:59,752 --> 01:56:04,023 [ Door Opens, Closes ] 1701 01:56:26,813 --> 01:56:29,549 [ Hager ] KNOX OVERSTREET. 1702 01:56:55,875 --> 01:56:59,212 MEEKS. GO AWAY. I HAVE TO STUDY. 1703 01:57:00,747 --> 01:57:02,915 WHAT HAPPENED TO NUWANDA ? 1704 01:57:02,982 --> 01:57:05,151 EXPELLED. 1705 01:57:07,754 --> 01:57:09,622 WHAT’D YOU TELL 'EM ? 1706 01:57:09,689 --> 01:57:12,825 NOTHING THEY DIDN’T ALREADY KNOW. 1707 01:57:14,293 --> 01:57:17,063 [ Hager ] TODD ANDERSON. 1708 01:57:37,984 --> 01:57:41,220 HELLO, SON. HELLO, DARLING. 1709 01:57:42,722 --> 01:57:44,724 [ Softly ] MOMMY. 1710 01:57:50,129 --> 01:57:52,732 HAVE A SEAT, MR. ANDERSON. 1711 01:57:58,304 --> 01:58:02,208 MR. ANDERSON, I THINK WE’VE PRETTY WELL PUT TOGETHER WHAT’S HAPPENED HERE. 1712 01:58:02,275 --> 01:58:07,480 YOU DO ADMIT TO BEING A PART OF THIS DEAD POETS SOCIETY ? 1713 01:58:10,249 --> 01:58:13,419 ANSWER HIM, TODD. 1714 01:58:14,754 --> 01:58:16,789 [ Softly ] YES, SIR. 1715 01:58:18,124 --> 01:58:21,194 I HAVE HERE A DETAILED DESCRIPTION... 1716 01:58:21,260 --> 01:58:23,629 OF WHAT OCCURRED AT YOUR MEETINGS. 1717 01:58:23,696 --> 01:58:25,631 IT DESCRIBES HOW YOUR TEACHER, MR. KEATING, 1718 01:58:25,698 --> 01:58:27,633 ENCOURAGED YOU BOYS TO ORGANIZE THIS CLUB... 1719 01:58:27,700 --> 01:58:31,104 AND TO USE IT AS A SOURCE OF INSPIRATION... 1720 01:58:31,170 --> 01:58:33,606 FOR RECKLESS AND SELF-INDULGENT BEHAVIOR. 1721 01:58:33,673 --> 01:58:38,711 IT DESCRIBES HOW MR. KEATING, BOTH IN AND OUT OF THE CLASSROOM, 1722 01:58:38,778 --> 01:58:42,782 ENCOURAGED NEIL PERRY TO FOLLOW HIS OBSESSION WITH ACTING... 1723 01:58:42,849 --> 01:58:46,018 WHEN HE KNEW ALL ALONG IT WAS AGAINST THE EXPLICIT ORDERS... 1724 01:58:46,085 --> 01:58:48,221 OF NEIL’S PARENTS. 1725 01:58:48,287 --> 01:58:52,458 IT WAS MR. KEATING’S BLATANT ABUSE OF HIS POSITION AS TEACHER... 1726 01:58:52,525 --> 01:58:55,928 THAT LED DIRECTLY TO NEIL PERRY’S DEATH. 1727 01:59:05,037 --> 01:59:08,708 READ THAT DOCUMENT CAREFULLY, TODD. 1728 01:59:10,343 --> 01:59:13,179 VERY CAREFULLY. 1729 01:59:18,451 --> 01:59:21,554 IF YOU’VE NOTHING TO ADD OR AMEND, SIGN IT. 1730 01:59:21,621 --> 01:59:24,190 WHAT’S GONNA HAPPEN TO MR. KEATING ? 1731 01:59:24,257 --> 01:59:29,362 [ Mr. Anderson Sighs ] I’VE HAD ENOUGH. SIGN THE PAPER, TODD ! 1732 01:59:33,232 --> 01:59:37,737 [ McAllister ] GRASS IS GRAMEN OR HERBA. 1733 01:59:37,803 --> 01:59:39,739 LAPIS IS STONE. 1734 01:59:39,805 --> 01:59:44,343 THE ENTIRE BUILDING IS AEDIFICIUM. 1735 01:59:56,289 --> 01:59:58,524 [ Chuckles Softly ] 1736 02:00:12,338 --> 02:00:17,410 [ Door Opens, Closes ] 1737 02:00:20,613 --> 02:00:22,915 SIT. 1738 02:00:23,849 --> 02:00:25,885 I’LL BE TEACHING THIS CLASS THROUGH EXAMS. 1739 02:00:25,952 --> 02:00:30,022 WE’LL FIND A PERMANENT ENGLISH TEACHER DURING THE BREAK. 1740 02:00:31,591 --> 02:00:36,028 WHO WILL TELL ME WHERE YOU ARE IN THE PRITCHARD TEXTBOOK ? 1741 02:00:40,900 --> 02:00:42,935 MR. ANDERSON ? 1742 02:00:45,037 --> 02:00:48,274 UH, IN THE, IN THE PRIT-- [ Nolan ] I CAN’T HEAR YOU, MR. ANDERSON. 1743 02:00:48,341 --> 02:00:52,044 [ Stammering ] IN THE, IN THE, IN THE PRITCHARD-- 1744 02:00:52,111 --> 02:00:54,880 KINDLY INFORM ME, MR. CAMERON. 1745 02:00:54,947 --> 02:00:56,749 WE SKIPPED AROUND A LOT, SIR. 1746 02:00:56,816 --> 02:01:00,753 WE COVERED THE ROMANTICS AND SOME OF THE CHAPTERS ON POST-CIVIL WAR LITERATURE. 1747 02:01:00,820 --> 02:01:06,292 - WHAT ABOUT THE REALISTS ? - I BELIEVE WE SKIPPED MOST OF THAT, SIR. 1748 02:01:06,359 --> 02:01:09,428 ALL RIGHT, THEN, WE’LL START OVER. 1749 02:01:11,397 --> 02:01:14,800 WHAT IS POETRY ? 1750 02:01:16,502 --> 02:01:20,339 [ Knocking ] COME ! 1751 02:01:22,708 --> 02:01:26,812 EXCUSE ME. [ Closes Door ] 1752 02:01:26,879 --> 02:01:29,382 I CAME FOR MY PERSONALS. 1753 02:01:29,448 --> 02:01:31,651 SHOULD I COME BACK AFTER CLASS ? 1754 02:01:31,717 --> 02:01:34,053 GET THEM NOW, MR. KEATING. 1755 02:01:36,088 --> 02:01:40,259 GENTLEMEN, TURN TO PAGE 21 OF THE INTRODUCTION. 1756 02:01:40,326 --> 02:01:42,862 MR. CAMERON, 1757 02:01:42,928 --> 02:01:48,367 READ ALOUD THE EXCELLENT ESSAY BY DR. PRITCHARD... 1758 02:01:48,434 --> 02:01:51,070 ON "UNDERSTANDING POETRY." 1759 02:01:52,638 --> 02:01:54,740 THAT PAGE HAS BEEN RIPPED OUT, SIR. 1760 02:01:54,807 --> 02:01:57,276 WELL, BORROW SOMEBODY ELSE’S BOOK. 1761 02:01:57,343 --> 02:01:59,178 THEY’RE ALL RIPPED OUT, SIR. 1762 02:01:59,245 --> 02:02:01,681 [ Nolan Chuckling ] WHAT DO YOU MEAN, "THEY’RE ALL RIPPED OUT" ? 1763 02:02:02,748 --> 02:02:06,552 SIR, WE-- AC-- [ Nolan ] NEVER MIND. 1764 02:02:09,989 --> 02:02:12,024 [ Slaps Book ] READ. 1765 02:02:13,526 --> 02:02:15,861 [ Cameron ] "’UNDERSTANDING POETRY'... 1766 02:02:15,928 --> 02:02:19,165 "BY DR. J. EVANS PRITCHARD, Ph.D. 1767 02:02:19,231 --> 02:02:21,534 "TO FULLY UNDERSTAND POETRY, WE MUST FIRST BE FLUENT... 1768 02:02:21,600 --> 02:02:23,836 "WITH ITS METER, RHYME AND FIGURES OF SPEECH. 1769 02:02:23,903 --> 02:02:29,975 "THEN ASK TWO QUESTIONS. ONE: HOW ARTFULLY HAS THE OBJECTIVE OF THE POEM BEEN RENDERED ? 1770 02:02:30,042 --> 02:02:32,178 "AND, TWO: 1771 02:02:32,244 --> 02:02:35,581 "HOW IMPORTANT IS THAT OBJECTIVE ? 1772 02:02:35,648 --> 02:02:39,552 "QUESTION ONE RATES THE POEM’S PERFECTION. QUESTION TWO RATES ITS IMPORTANCE. 1773 02:02:39,618 --> 02:02:41,387 "AND ONCE THESE QUESTIONS HAVE BEEN ANSWERED, 1774 02:02:41,454 --> 02:02:45,091 "DETERMINING A POEM’S GREATNESS BECOMES A RELATIVELY SIMPLE MATTER. 1775 02:02:45,157 --> 02:02:48,227 IF THE POEM’S SCORE FOR PERFECTION IS PLOTTED ON THE HORIZONTAL OF A GRAPH--" 1776 02:02:48,294 --> 02:02:50,529 MR. KEATING ! THEY MADE EVERYBODY SIGN IT. QUIET, MR. ANDERSON ! 1777 02:02:50,596 --> 02:02:53,165 [ Todd ] YOU’VE GOT TO BELIEVE ME. IT’S TRUE. I DO BELIEVE YOU, TODD. 1778 02:02:53,232 --> 02:02:55,201 LEAVE, MR. KEATING. BUT IT WASN’T HIS FAULT ! 1779 02:02:55,267 --> 02:02:59,305 SIT DOWN, MR. ANDERSON ! ONE MORE OUTBURST FROM YOU OR ANYONE ELSE, 1780 02:02:59,372 --> 02:03:01,273 AND YOU’RE OUT OF THIS SCHOOL ! 1781 02:03:01,340 --> 02:03:03,509 LEAVE, MR. KEATING. 1782 02:03:04,710 --> 02:03:08,180 I SAID, "LEAVE, MR. KEATING." 1783 02:03:23,095 --> 02:03:27,900 - OH, CAPTAIN, MY CAPTAIN. - [ Nolan ] SIT DOWN, MR. ANDERSON. 1784 02:03:29,635 --> 02:03:32,271 DO YOU HEAR ME ? SIT DOWN ! 1785 02:03:32,338 --> 02:03:34,907 SIT DOWN ! 1786 02:03:34,974 --> 02:03:40,146 THIS IS YOUR FINAL WARNING, ANDERSON. 1787 02:03:40,212 --> 02:03:44,383 HOW DARE YOU. DO YOU HEAR ME ? 1788 02:03:44,450 --> 02:03:47,086 OH, CAPTAIN, MY CAPTAIN. 1789 02:03:47,153 --> 02:03:49,989 MR. OVERSTREET, I WARN YOU ! 1790 02:03:50,055 --> 02:03:52,091 SIT DOWN ! 1791 02:03:54,226 --> 02:03:56,595 SIT DOWN ! 1792 02:03:56,662 --> 02:04:00,332 SIT DOWN ! ALL OF YOU ! I WANT YOU SEATED ! 1793 02:04:00,399 --> 02:04:03,736 SIT DOWN ! LEAVE, MR. KEATING. 1794 02:04:11,777 --> 02:04:14,480 ALL OF YOU, DOWN ! I WANT YOU SEATED ! 1795 02:04:14,547 --> 02:04:18,651 DO YOU HEAR ME ? 1796 02:04:22,221 --> 02:04:25,524 SIT DOWN ! 1797 02:05:05,364 --> 02:05:08,434 THANK YOU, BOYS. 1798 02:05:08,501 --> 02:05:11,170 THANK YOU. 1799 02:05:27,186 --> 02:05:32,224 ♪♪ [ Bagpipes ] 1800 02:05:32,291 --> 02:05:37,162 ♪♪ [ Continues ] 1801 02:05:37,229 --> 02:05:47,273 ♪